SCI-Arc alumni continue to make an indelible mark on the global design landscape, pioneering new approaches in architecture, technology, and interdisciplinary practices. With a reputation for fostering radical experimentation, the school has produced graduates whose work challenges conventions and redefines spatial possibilities. Recent alumni achievements underscore SCI-Arc's role in shaping the next generation of architects and creative thinkers.
What is architecture? For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and wood of early buildings to the steel and concrete of the 20th century, each era demanded not only an understanding of form but also of the properties and potential of the materials in use. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.
Over time, that balance has begun to shift. Architects have moved from merely using materials to actively designing them, applying scientific principles and experimenting with biological, chemical, and computational processes. This evolution has expanded the possibilities of architecture, intersecting nature, technology, and art, while pushing the role of the architect into a more experimental, science-driven dimension, where the manipulation and creation of materials becomes central to the creative act rather than merely a means to achieve forms or structures.
As cities continue to develop, we are seeing ever more well-planned, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and guidelines improve and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, shedding the messy, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing community improvisation in the grey zones of regulation.
In response, a growing number of initiatives around the world are proposing short-term urban installations that test alternate futures for the city. These works aim to provoke dialogue between what the city is and what it could offer its communities through thoughtful, context-specific spatial practices. One notable example is Concéntrico, the international festival in Logroño, Spain, conceived as an urban innovation laboratory. Marking its tenth edition, the festival is about to publish Concéntrico: Urban Innovation Laboratory, a book that surveys a decade of urban design and collective transformation shaped through successive editions of the festival. Its launch is paired with an international tour designed to share a decade of insights on collective transformation and design.
Helmut Swiczinsky, co-founder of the Viennese architecture collective Coop Himmelb(l)au and a key figure in experimental and deconstructivist architecture, passed away on July 29, 2025, at the age of 81. Born in 1944 in Poznań, Poland, he studied architecture at the Vienna University of Technology and the Architectural Association in London.
In 1968, Swiczinsky co-founded Coop Himmelb(l)au alongside Wolf D. Prix and Michael Holzer. The studio quickly gained international recognition for its radical design approach, defined by fragmented geometries, exposed structural systems, and spatial complexity. After Holzer's departure in 1971, Swiczinsky and Prix continued to lead the practice through the 1980s and 1990s, establishing it as one of the most prominent voices of the deconstructivist movement.
The Canada Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia, hosted Picoplanktonics. A research that emerged as a radical rethinking of how architecture can become a platform that blends biology, computation, and fabrication to propose an alternative future, one where buildings don't just minimize harm, but actively participate in planetary repair. At its core lies a humble organism: marine cyanobacteria, capable of both capturing carbon and contributing to the material growth of the structure it inhabits. The project has been developed over 5 years by a group of researchers at ETH Zurich, led by Andrea Shin Ling and a group of interdisciplinary contributors and collaborators. Together, they formed the Living Room Collective, founded a year ago to build upon this work and showcase it at the Venice Biennale. The Core team members include Nicholas Hoban, Vincent Hui, and Clayton Lee. This conversation with the team behind the project shares the philosophy, technical challenges, and speculative horizons that animated their work from printing living sand lattices to maintaining microbial life in a public exhibition. Their aim is to inspire people to reconsider architecture not as a static object, but as a living, evolving process. One that requires care, patience, and a radical shift in mindset.
The Canada Council for the Arts presents Picoplanktonics at the Canada Pavilion as part of the 19th International Architecture Exhibition – La Biennale di Venezia, which will run until November 23, 2025. Developed by the Living Room Collective, the installation engages with ongoing global ecological challenges through a speculative, research-driven approach to design, featuring 3D-printed architectural structures embedded with living cyanobacteria capable of carbon sequestration. Developed through a four-year collaboration led by Andrea Shin Ling and a group of interdisciplinary contributors, the project investigates the potential of co-constructing built environments with living systems.
In architecture, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, how cities are changing, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: studios, collectives, and foundations that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.
The idea of a think tank is not new. Traditionally found in politics, economics, or science, think tanks bring together experts to study complex problems and propose solutions. In architecture, their rise reveals a tension at the heart of the discipline. If architecture is to remain socially and environmentally relevant, can it continue to rely only on client-driven practice? Or must it carve out space for slower, deeper inquiry?
Traditional building development follows a risky model - design, build at full scale, and hope everything works as planned. Sustainable housing prototypes flip this script by creating functioning micro-versions of larger visions. This methodical approach allows designers to experiment with new materials, technologies, and systems without the enormous financial and environmental risks associated with full-scale development. Sustainable building prototypes serve as compact laboratories where theories can be tested before wider implementation.
Dennis Crompton, an influential figure in the field of architecture, passed away on January 21, 2025, at the age of 90. Born in Blackpool in 1935, Crompton's remarkable career spanned several decades and left an indelible mark on modern architecture. As a key member of the avant-garde architectural group Archigram, established in London in 1961, Crompton played a pivotal role in revolutionizing architectural practice, together with Warren Chalk, Peter Cook, Ron Herron, David Greene, and Michael Webb.
Maria Lisogorskaya and Kaye Song from the London-based collective Assemble, along with Lviv-based architects Anna Pomazanna and Mykhailo Shevchenko, have been announced as the 2025 Experimental Fellows at Bauhaus Earth. Selected from 120 submissions, their projects are set to explore earth as a material in contemporary architecture. The annual Bauhaus Earth Fellowship program was established in 2022 by architect Prof. Regine Leibinger. It aims to support diverse projects that explore new modes of practice across various geographies, that can contribute to ecological and social resilience. Fellows receive financial support, mentorship, and access to a network encouraging collaboration among architects, manufacturers, and local stakeholders.
The Kunsthaus Graz, designed by Peter Cook and Colin Fournier, boldly redefines contemporary architecture in a historic city. Completed in 2003 as a centerpiece of Graz's European Capital of Culture celebrations, its biomorphic form, nicknamed the "Friendly Alien", captured global attention. Amidst Baroque and Medieval surroundings, it bridges past and future, standing as a testament to the city's cultural ambitions.
Situated along the River Mur in the Lend district, the Kunsthaus challenges traditional architectural norms with its organic, free-flowing design. Rejecting orthogonal geometry, the museum seamlessly merges art, architecture, and public interaction, redefining the concept of a cultural institution. Its impact extends beyond aesthetics, sparking urban revitalization in a once-overlooked neighborhood, and bringing cultural vibrancy and economic activity.
IR Arquitectura is not just a studio; it defines itself as a platform for exploration that integrates architectural practice with tangential topics such as the city, landscape, technology, and sustainability. Founded by Luciano Intile and Enrico Cavaglià, and based in Buenos Aires, Argentina, IR Arquitectura is an interdisciplinary collective comprising architects, designers, and professionals from various fields. Together, they tackle projects of varying scales and natures, seizing each opportunity to explore new solutions and strategies for contemporary living, particularly in urban contexts and in close connection with the environment.
British architect and planner Colin Fournier, co-founder of conceptual architecture studio Archigram and Professor of Architecture and Urbanism at the Bartlett School of Architecture, has passed away at the age of 79. Fournier was best known for his co-design of the Kunsthaus Graz in Austria, also known as the "Friendly Alien." This project, completed together with Sir Peter Cook, is celebrated as one of the most distinctive cultural landmarks of its time. For his contributions to this work, Fournier was awarded Austria's Goldener Ehrenzeichen medal in 2005, a recognition of his impact on the architectural landscape.
The Pritzker-winning architect Thom Mayne is presenting his display “Constructing the Spontaneous” in the Paul Kyle Gallery in Vancouver, Canada. Known for his contributions to architecture and design, the architect founded Morphosis in 1972, embodying his philosophy of architecture as an ever-evolving, dynamic process. Mayne’s latest display features his artworks, diving into the intricate relationship between cutting-edge technology and timeless human expression.
Often referred to as the “Manhattan on the Maas,” Rotterdam is a city unlike any other in the Netherlands. The Dutch metropolis with its striking skyline, tells a unique architectural narrative with chapters filled with the rubble of the devastating bombings of World War II, followed by a story of reconstruction that transformed the city into a hub for experimental architecture and urban planning. Today a mosaic of architectural styles, Rotterdam has embraced innovation, becoming a global showcase for cutting-edge design and sustainable urban development.
In 1940, almost the entire city center was wiped out by German bombs. Instead of following other European cities’ examples of reconstruction, Rotterdam decided to reinvent itself. Today, the city hosts some of the most well-known Dutch pieces of architecture, such as the Kubuswoningen or the Het Nieuwe Instituut. Its open attitude toward innovation and experimentation continues to attract talent from around the world, as its distinctive skyline continues to change and adapt to contemporary conditions.
Providing an overview of the profession and discipline of architecture can be a complex task given the diversity of people's backgrounds, personal interests, and experimentation techniques. Therefore, many processes related to architecture are based on speculation and innovation, taking the initiative to reimagine established limits. Architecture schools, such as École des Beaux-Arts, Vkhutemas, and Paulista School, were progressive schools of their time that developed their style led by experimental and curious minds. Thanks to these experimental processes, each developed its architectural style, characterized by factors such as philosophy, location, and the era in which the school was born.
Since its creation in Santa Monica in 1972, the Southern California Institute of Architecture (SCI-Arc) has been a world-renowned center of innovation and one of the few independent schools of architecture in the United States. It excels in challenging its students through various programs to stretch their imaginations by experimenting with non-traditional materials and approaches. Through the renowned Making+Meaning program, SCI-Arc provides an immersive introduction to students and creative professionals from diverse disciplines, who have the opportunity to explore the field of design and emphasize the fundamentals of experimentation and architecture. The return to face-to-face teaching this year infuses new energy into the program for both students and instructors, given the value of collaborating in a physical space for the development of studio-based projects.
This article was originally published on Common Edge.
In the evolving campaign to combat climate change, big and bold solutions are increasingly easy to find, from the conceptual “water smart city” and ecologist Allan Savory’s vision for greening the world’s deserts to NYC Mayor Bill de Blasio’s plan to turn part of Governors Island into a “living laboratory” for climate research. Oyster reef restoration is occurring at nearly every critical junction along the eastern seaboard, from Florida to Maine. These are worthy efforts, and yet, when considered collectively, the onus for solving our climate crisis is being left largely to municipal governments and private actors, making most solutions piecemeal, at best. The success of one approach has little to no correlation with that of another. But what happens when all related solutions can be applied within a single, controlled ecosystem when environmentalism and urbanism are not at odds, but working in concert? Enter the experimental city.
You might not think of McDonald’s as the pinnacle of architectural style, but even the world’s largest fast-food franchise has taken some bold design risks. While the literal “secret sauce” has largely remained the same since the inception of the iconic golden arches, McDonald’s has had its fair share of experimentation and has even hired some of the profession’s most prominent names to put their own spin on the design of these restaurants- turning the repetitive and mundane into one of a kind experiences.
