"Feeling at home" is more than just an expression—it is the sense of warmth and comfort that transforms a space into a true refuge. To achieve this, elements like color, texture, lighting, and materials play a crucial role in shaping an environment that fosters relaxation and well-being. Backed by research in environmental psychology and neuroscience, the connection between physical spaces and human behavior highlights how architecture can directly influence the atmosphere, turning chaos into tranquility.
This May, Building Trust International will host a Design + Build workshop in Italy in partnership with Semplicemente, an Italian volunteer organization formed by people with disabilities who promote inclusion, autonomy and respect for the environment through collective and creative activities.
From building codes to mobility restrictions and new diplomatic roles within city governments, climate policy is increasingly being shaped at the local level through a widening range of legislative and institutional tools. Cities as varied as Sydney, Boston, New York, Paris, Miami, and dozens across Latin America are adopting targeted strategies that reflect their distinct environmental pressures and governance structures. These initiatives range from all-electric and net-zero construction requirements, to traffic-control measures designed to curb the social costs of private vehicle use, to emerging forms of urban diplomacy that coordinate responses to rising temperatures and biodiversity loss. Together, these approaches illustrate how territorial management is evolving in response to the accelerating climate crisis, and how local governments are experimenting with regulation and collaboration to confront challenges that are at once global and deeply place-specific.
Bazaar in Hyderabad, India. Photo by Kanishq Kancharla on Unsplash
Architecture is most often represented as a stable object: a building captured at a moment of visual clarity, isolated from surrounding contingencies. Plans, sections, and photographs promise legibility by suspending time. Yet many of the world's most enduring public environments resist this mode of representation altogether. They are not designed to be read instantaneously, nor do they reveal their logic through form alone. Their spatial intelligence emerges gradually, through repetition, occupation, and duration.
The bazaar belongs firmly within this category. It cannot be understood through a single drawing or a finished elevation. Its organization is not fixed but rehearsed. What sustains it is not purely architectural composition, but shared timing, collective memory, and long-standing patterns of use. Togetherness in the bazaar does not arise from formal design decisions; it is produced through repeated encounters, negotiated proximities, and social familiarity accumulated over time.
The pursuit of stronger, lighter, and more durable materials has guided architecture long before polymers or carbon fibers existed. One of the earliest large-scale examples of composite materials can be found in the Great Wall of China, where stone, clay bricks, and organic fibers such as reeds and willow branches were blended to create a resilient and lasting structure. These early techniques reveal a timeless intuition: distinct materials, when combined thoughtfully, produce properties unattainable by any single element. As the construction sector faces urgent ecological pressures, this intuition is being revisited through the lens of sustainability, with architects and engineers exploring bio-based, recycled, and hybrid composites designed not only for performance but also for circularity and environmental responsibility.
The circular economy, including the reuse of building materials, is fast becoming a key component in the fight against carbon emissions. This involves designing to minimize waste and utilize materials that can be reused at the end of the building's life. On the opposing side, the reuse of materials from partially or wholly demolished buildings can also reduce waste and carbon emissions that would have resulted from using virgin materials. Sustainability purposes aside, the reuse of building materials has a centuries-old history, both for symbolic reasons and simply out of necessity.
President Ilham Aliyev has signed an order declaring 2026 the "Year of Urban Planning and Architecture" in the Republic of Azerbaijan. The decision establishes a national framework focused on urban planningpolicy, architectural culture, and sustainable development, aligning with Azerbaijan's preparations to host the 13th World Urban Forum (WUF13) in Baku in May 2026. According to the order, the designation aims to preserve Azerbaijan's centuries-old traditions while integrating contemporary approaches that respond to current social, environmental, and spatial challenges. The President's Administration will now prepare and submit a comprehensive action plan for the year within one month.
Founded by Senegalese architect Nzinga Mboup and French architect Nicolas Rondet, Worofila is a studio dedicated to bioclimatic and ecological architecture. Based in Dakar, Senegal, the firm explores the potential of vernacular materials like earth bricks and typha, applying modern techniques to create effective construction solutions. Their work addresses key issues of the environment, sustainability, and urbanization, merging traditional materials with innovative practices.
In this interview, Nzinga and Nicolas share their vision for a distinctly African modernity that integrates contemporary methods with traditional knowledge and resources. They advocate for a development approach that not only meets immediate needs but also empowers communities and fosters meaningful, long-term progress. Their insights provide a compelling perspective on how architecture can drive a more sustainable and contextually relevant future for African cities.
The 2025 Osaka Expo has captured widespread attention—not only for its architectural ambition and spectacle, but also for breaking records and generating controversy. Its most iconic feature, a monumental timber ring designed by Sou Fujimoto, has already made headlines as a Guinness World Record-breaking wooden structure. Built on the reclaimed island of Yumeshima, the site has attracted praise and critique in equal measure. Beyond its awe-inspiring 2-kilometer circumference—parts of which extend dramatically over the water—the structure has also drawn concerns, including questions about health & safety, extreme heat, and swarms of insects that may affect the visitor experience.
This year also marks a significant anniversary: the 55th year since the 1970 Osaka Expo, held under drastically different socio-economic conditions. Comparing these two expos—both hosted in the same city—offers a rare opportunity to reflect on how the rhetoric, curatorial themes, and architectural ambitions of world expos have evolved over time. From "Progress and Harmony for Mankind" in 1970 to "Designing Future Society for Our Lives" in 2025, the shift in thematic focus reveals changing global priorities. Meanwhile, the scale and nature of architectural involvement have also transformed, from the futuristic visions of Japanese Metabolism to a more internationally dispersed group of designers concerned with sustainability, technology, and civic engagement.
In much of China, concrete remains the dominant construction material. Despite growing concerns over its environmental impact, concrete continues to align with the priorities of many developers and clients—it is fast, cost-effective, and highly durable. As a result, most building types in China still rely heavily on concrete. This reliance is further reinforced by China's position as the world's largest producer of Portland cement. A deeply entrenched supply chain, rooted in raw material manufacturing and economic infrastructure, ensures that concrete remains the default choice in the construction industry.
Yet historically, Chinese architecture was built upon a rich tradition of timber construction. The Forbidden City is a prime example: not only is it emblematic of China's architectural heritage, but it also remains one of the largest and best-preserved collections of ancient wooden structures in the world. This legacy prompts an important question: does timber construction have a meaningful future in China's contemporary building industry?
AI Generated Image (Gemini). Concept by Eduardo Souza (ArchDaily)
Few plants have accompanied humanity as closely as cannabis. Used for millennia to make textiles, paper, and medicines, it has quietly shaped everyday life and built environments alike. Hemp, its non-psychoactive variety, is one of the earliest cultivated crops and a material of remarkable versatility: strong, breathable, and renewable. From ropes and sails to insulation and biocomposites, hemp’s fibers have been helping humans build for thousands of years.
The state of California has emerged as a pioneering force in designing for climate change, yet it has also faced the devastating impacts of numerous climate-related disasters, including droughts, wildfires, and rising sea levels. This book offers a unique climate change tour, delving into architectural scale sites across the state. From innovative houses using sustainable techniques to historical locations ravaged by the combined forces of drought and wildfire, the book explores a range of poignant examples. The main visual contents are a set of architectural site illustrations that are each enhanced by an augmented reality component showcasing the interplay between past, present, and future scenarios. The publication caters to architects, landscape architects, planners, design enthusiasts and general audiences alike, fostering a curiosity about climate change and its relevance to our daily lives.
In 2025, the architectural field has been marked by a dense calendar of exhibitions, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of intelligence (artificial and natural)—both on professional practice and workplace culture, as well as its use as a pedagogical tool. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, AI and intelligence, adaptive reuse and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.
The phenomenon known in biology as convergent evolution describes how distant species can develop similar structures when confronted with comparable challenges. Dolphins and ichthyosaurs, for example, are separated by millions of years of evolutionary history, yet both evolved nearly identical hydrodynamic bodies. Architecture has its own parallels: A-frame structures emerged independently in both the European Alps and Japan, even without direct cultural exchange, as spontaneous responses to snow, wind, and material scarcity.
https://www.archdaily.com/1037027/converging-trends-in-2025-architecture-circularity-biomaterials-and-carbon-conscious-designArchDaily Team
Bolete Lounge BIO®. Image Courtesy of Andreu World
What is the current global outlook on the recyclability of materials used in architecture? To what extent are contemporary societies truly committed to reducing environmental impact? In the effort to live in balance with nature, replacing fossil fuels with renewable energy sources is one of the key strategies for cutting greenhouse gas emissions and addressing global warming. Looking to nature for inspiration as a way to protect it means creating designs that incorporate sustainability, circularity, and recyclability from the very first sketch. From building systems to surface finishes, the use of biomaterials in architecture reflects a mindset rooted in long-term responsibility for a material's full life cycle.
Amateur Architecture Studio, Ningbo History Museum, 2008. Image Courtesy of Louisiana
Born in 1963 in Urumqi, Xinjiang, China, architect Wang Shu has dedicated his career to defining a contemporary approach to building that is deeply rooted in China's cultural and material history. In 2012, he was recognized with the Pritzker Prize, becoming the first Chinese citizen to receive the distinction. The award jury acknowledged his body of work "for the exceptional nature and quality of his executed work, and also for his ongoing commitment to pursuing an uncompromising, responsible architecture arising from a sense of specific culture and place." In 2027, along with his wife Lu Wenyu, Wang Shu will be a curator for the Venice Architecture Biennale.
As preparations advance for the Milano Cortina 2026Olympic Winter Games, set to take place from February 6 to 22, 2026, this edition introduces one of the most geographically wide-ranging configurations ever implemented for the Winter Olympics. Extending across two cities, two regions, and two autonomous provinces, the competitions will be staged over more than 22,000 square kilometres of Northern Italy. Metropolitan venues in Milan are paired with longstanding Alpine centres in Cortina d'Ampezzo, Livigno, Bormio, Anterselva, and Val di Fiemme, creating a framework that bridges urban and mountain contexts. More than 90 per cent of the venues are existing or temporary facilities, reflecting a strategy centred on adaptive reuse, selective upgrades, and long-term integration into regional sport and cultural infrastructures. Nearly 2,900 athletes will compete in 116 events, including the debut of ski mountaineering and several new mixed-gender formats that signal evolving approaches to winter sports programming.
.jpg?1478078308 "Hangzhou Xiangshan Campus. Image © Iwan Baan")
