Venice Architecture Biennale 2025

Amid ongoing global discussions on climate adaptation and resilient urban development brought into sharper focus by the outcomes of COP30, this week's architecture news illustrates how cities worldwide are rethinking their built environments. From Venice, where the 19th Architecture Biennale concluded with debates on material use and long-term cultural impact, to international awards foregrounding regenerative and socially responsive design, the conversation around architecture is increasingly intertwined with planetary priorities. Major urban interventions, from Thessaloniki's seafront redevelopment and Rio de Janeiro's new public library, to Abu Dhabi's Natural History Museum and a civic stadium in Birmingham, demonstrate how multiple cities are addressing mobility, heritage, density, and climate resilience. Additional plans, such as Mantua's ecological urban strategy, Utrecht's elevated landscape above transport networks, and Amsterdam Airport Schiphol's redesigned landside mobility system, further reflect a transition toward integrated, people-centred urban frameworks that prioritize environmental performance, public space, and long-term territorial stewardship.

The European Cultural Centre (ECC) has announced the winners of the ECC Awards 2025, selected from participants of the seventh edition of Time Space Existence and unveiled during the exhibition's Closing Day on 23 November 2025 in Venice. Bringing together 207 practices from more than 52 countries, this year's edition highlighted a broad spectrum of architectural and design approaches responding to the themes of Repair, Regenerate, and Reuse. The awards recognise four projects that stood out for their originality, execution, narrative clarity, and forward-looking engagement with questions of sustainability, community, and the future of the built environment. 

Since 1895, the Venice Biennale has invited the world to witness the evolving landscape of contemporary art. In 1980, the event expanded its reach with the launch of the Architecture Biennale, which quickly became one of the discipline’s most influential global platforms. Today, alternating annually between contemporary art and architecture, the Biennale affirms itself as a space where disciplines and ideas intersect. Always timely and provocative, it fuels essential debates on the role of art and architecture in the contemporary world. Among its most recent editions are the 17th Architecture Biennale, themed How Will We Live Together? (2021), curated by Hashim Sarkis; The Laboratory of the Future (2023), by Lesley Lokko; and Intelligens. Natural. Artificial. Collective (2025), curated by Carlo Ratti and open to the public until the end of November.

The 19th International Architecture Exhibition of La Biennale di Venezia, "Intelligens. Natural. Artificial. Collective.," curated by Carlo Ratti, closed on 23 November 2025 as the most visited Architecture Biennale to date. The exhibition recorded 298,000 visitors, in addition to 17,584 preview attendees, surpassing previous editions despite the temporary closure of the Central Pavilion for restoration. Bringing together 303 projects and 758 invited architects, along with 66 National Participations and 11 Collateral Events, the edition extended across the Giardini, Arsenale, and multiple sites throughout Venice.

Louisiana Channel, a web TV platform based at the Louisiana Museum of Modern Art in Denmark, is launching a new film titled Søren Pihlmann: Make Materials Matter. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of Pihlmann Architects, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to materials. The film provides a behind-the-scenes look at the process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale. Led by Søren Pihlmann, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the Giardini, transforming it into a material laboratory and experimental construction site. The result is a process exhibition that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.

The Japan Pavilion at the 2025 Venice Biennale investigates the evolving role of artificial intelligence (AI) in architecture, focusing on the concept of the "in-between." Curated by Jun Aoki, the exhibition runs from May 10 to November 23, 2025, at the Giardini della Biennale in Venice. The exhibition explores the growing autonomy of AI in architectural design, raising questions about the shifting relationship between human agency and machine intelligence. The showcase aligns with the overarching theme "Intelligens. Natural. Artificial. Collective," curated by Carlo Ratti.

When we think of Venice, familiar images come to mind: Piazza San Marco, winding canals, and the reflection of Byzantine domes on still waters. Few, however, imagine that among those reflections lies a discreet chapter of Italian modernity — the architecture of Carlo Scarpa.

As the 19th International Architecture Exhibition enters its final week before closing on November 23, the 2025 Venice Architecture Biennale offers a lens through which to revisit the ideas and experiments that have shaped this year's global architectural conversation. Curated by Carlo Ratti under the theme "Intelligens. Natural. Artificial. Collective.", the Biennale brings together more than 750 participants across national pavilions, collateral events, and city-wide installations. Framed around interconnected forms of intelligence, this edition examines architecture's role in navigating climatic instability, evolving technologies, and emerging forms of collaboration.

This article introduces our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Amid the orderly grid of the Giardini della Biennale, the Swiss Pavilion appears almost reticent. Its low white volumes, completed in 1952 by Bruno Giacometti, seem to withdraw from the surrounding display of national pride. The building embodies a form of modernism that resists monumentality, where precision and restraint replace spectacle, and architecture becomes less an object than a framework for encounter.

This curated selection of projects from the 2025 Venice Architecture Biennale explores how architects and designers are rethinking the relationship between the built environment and water in response to the global climate crisis. As sea levels rise and extreme weather events increase, water is no longer a distant threat but an immediate design condition. Rather than resisting it, these projects look at how architecture can coexist with, adapt to, and even regenerate through natural forces. Together, they suggest a shift toward working with the elements, acknowledging water not as a limit to construction but as an active participant in shaping future environments.

This week's architectural highlights traced the intersections between heritage, climate awareness, and contemporary design practice. As the 19th Venice Architecture Biennale approaches its closing, projects exploring collective intelligence and material experimentation offer reflections on small-scale responses to global challenges. In Egypt, the completion of the Grand Egyptian Museum marks a long-anticipated moment in cultural preservation, while new competition initiatives in Jordan extend this dialogue toward sacred and archaeological contexts. Complementing these developments, the recognition of Abdelwahed El-Wakil with the Tamayouz Lifetime Achievement Award highlights the continued influence of tradition-informed design across contemporary practice.

With just a few days left before the six-and-a-half-month 19th Venice Architecture Biennale comes to an end, it is possible to look back on some of the most notable contributions within its thematic framework. Marked by the largest call for participants to date, the Biennale's diversity of topics and the range of installations on display go beyond easy recapitulation. As part of that reflection, several initiatives can be highlighted as illustrative of the principles reflected in the curatorial theme, "Intelligens. Natural. Artificial. Collective." The concepts interwoven in Carlo Ratti's title form a call to address the urgent need for substantial solutions amid the accelerating climate crisis, positioning the Biennale as a platform for diverse design proposals and experiments organized around three forms of intelligence: natural, artificial, and collective. Beyond the national pavilions and numerous collateral events held throughout Venice over the past six months, among the more than 700 participants are projects that, through practice, embody four shared intentions: opening conversations about the future, proposing systemic responses to local realities, placing technology at the center of design innovation, and pursuing material research rooted in local sensitivity.

The Latvian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia, commissioned by Jānis Dripe and curated by Liene Jākobsone and Ilka Ruby, explores the impact of military defense on the country's border landscape. The exhibition was designed by SAMPLING and Nomad Architects to highlight how geopolitical tensions shape both territory and daily life. In times of escalating international warfare, the curatorial team poses the question of what it means to live on NATO's external border in times of geopolitical conflict.

As the 19th Venice Architecture Biennale enters its concluding weeks, the global architecture scene continues to unveil significant projects and recognitions. This week's highlights include Studio Libeskind's residential complex in Prague; sauerbruch hutton's Panorama Constance exhibition building in Germany, and CRA–Carlo Ratti Associati's digitally fabricated bivouac for the upcoming Milano Cortina 2026 Winter Olympics. In New York, Venezuelan artist Miguel Braceli designed a major public artwork for the city's waterfront, addressing themes of migration, diversity, and the complexities of geopolitical identity. The week also brought recognition to sustainable and creative achievements, from the Holcim Foundation's regional awards for sustainable construction to the publication of Tadao Ando. Sketches, Drawings, and Architecture by Taschen, celebrating nearly five decades of the architect's design process.

The Sultanate of Oman has made its first appearance at the 19th International Architecture Exhibition - La Biennale di Venezia, presenting its debut national pavilion titled Traces. Curated by Omani architect Majeda Alhinai and commissioned by Sayyid Saeed bin Sultan bin Yarub Al Busaidi, Undersecretary of the Ministry of Culture, Sports and Youth for Culture, the pavilion is part of the exhibition's central theme, "Intelligens. Natural. Artificial. Collective." It will be on view until 23 November 2025 at the Arsenale in Venice, Italy. 

2025 marks the 60th anniversary of Singapore's independence, commemorating its separation from Malaysia on August 9, 1965. The occasion is celebrated in the country's national pavilion at the 19th Venice Architecture Biennale with a multisensory installation that honors Singapore's diversity and reimagines city-making through food, culture, and collective design. Titled RASA–TABULA–SINGAPURA, the installation invites visitors to take a seat at the Table of Superdiversity: an enticing reimagining of city-making and nation-building through the universal act of dining. According to the curatorial team from the Singapore University of Technology and Design (SUTD), the purpose of the installation is to showcase how the convergence of multicultural differences, collective histories, design, and new technology creates opportunities for more inclusive and adaptive urban futures.

As the 19th International Architecture Exhibition enters its final month before closing on November 23, the 2025 Venice Architecture Biennale continues to reaffirm its position as one of the most influential global platforms for contemporary architectural discourse. Opened to the public on May 10 under the curatorship of Italian architect Carlo Ratti, this edition, titled "Intelligens. Natural. Artificial. Collective." brings together over 750 participants across 65 national pavilions, 11 collateral events, and numerous parallel initiatives throughout the city. Structured around the themes of Natural, Artificial, and Collective Intelligence, the Biennale examines how architecture can respond to the intertwined challenges of climate adaptation, technological transformation, and social collaboration.