The new Twist Museum by Bjarke Ingels Group is open in Norway. Traversing the winding Randselva river, the inhabitable bridge is torqued at its center, forming a new journey and art piece within the Kistefos Sculpture Park in Jevnaker. The project was recently captured through a series of images by photographer Jacob Due. The photos explore the museum's formal approach and place the design in its larger natural context.
Madrid-based architectural photographer Zisko Gómez captures the recently-growing interest in Spanish architect Fernando Higueras with his photo series of Higueras’ “La Corona de Espinas,” or “The Crown of Thorns.” The building is currently headquarters to the Spanish Cultural Heritage Institute and contemporary art foundation ICO recently organized an exhibition in Madrid of Higueras’ work.
Name: Chinese Blue
Photographer: Sebastian Weiss
Location: Beijing
Year: September 2018
Name: Monolicious
Photographer: Sebastian Weiss
Location: Milan
Year: 2018
From Chinese architectural photographer Zheng Shi comes imagery of Kengo Kuma's Yangcheng Lake Tourist Transportation Center in China. Architecture aimed to build a topographic structure as a large hill by randomly placing aluminum extruded materials with single-sized sections. Inside is designed as the assemblage of slanted floors, in order to maintain the same landform both in inside and outside that create some random yet ambiguous state.
Name: City of Light
Photographer: Sebastian Weiss
Location: Lisbon
Year: March 2019
From the first experiments carried out by the French Joseph Niépce in 1793, and his most successful test in 1826, photography became an object of exploring and a resource for registering lived moments and places of the world. Within the broad spectrum of photographic production throughout history, architecture has frequently played a leading role on the records, be it from the perspective of photography as an art, document or, as it was often the case, an instrument for cultural construction.
Having great autonomy as a practice and of particular debate inside this theme, architectural photography has the ability to reaffirm a series of expressive features of the portrayed works, create tension in their relation to the surroundings, and propose specific or generic readings of buildings, among other investigative possibilities.
Images of Los Angeles present an limitless city, whose roads sprawl far into the horizon and whose lights never seem to dim. But there is also intimacy to be found in the urban sprawl, not to mention a cutting-edge catalogue for design and architecture. In the new book, California Captured, authors Emily Bills, Sam Lubell, and Pierluigi Serraino show this side of Los Angeles through the lens of photographer Marvin Rand. Rand's spare and understated images of architecture helped define and spread the distinctive Californian mid-century modern style across the world - and introduced viewers to a Los Angeles beyond the lights. Read an excerpt from California Captured here after the break:
Having previously assembled sets of images featuring the offices of architecture firms in Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 17 large and small offices in the Netherlands. Occupying buildings formerly used as offices, banks and old factories, the interior and exterior images capture a glimpse of the lives of these designers and their daily architectural surroundings.
With more than 590,000 submissions in 2017, the EyeEm Photography Awards is the world's largest photography competition for discovering new talents.
The 2018 EyeEm Awards feature nine categories, including a category focused on architecture: "The Architect" where we encourage you to submit interesting lines, shapes, and beautiful spaces in architecture.
In his latest photographic collection, Federico Scarchilli captures Cistercian order in the form of Abbazia di Fossanova, Casamari, and Valvisciolo. Simple and utilitarian, Cistercian architecture reflects the transition between the Romanesque and Gothic periods. During this time, many religious authorities felt excessive ornamentation was a distraction to spiritual studies.
Gonzalo Viramonte has released a series of photographs that focus in on the use of bricks by engineer Eladio Dieste in his Atlántida Cristo Obrero church.
Viramonte shows us the essence of the project with an artful register that places the serial yet simple material element (the brick) at the forefront. This gallery also celebrates the potential and versatility of bricks by highlighting the artfully geometric interior and exterior spaces and the apertures that allow natural light to cast upon the walls, floors, and other surfaces.
The hashtag officially became part of the Oxford English Dictionary in 2014, and whether you tend to use them or not, they are a pretty unavoidable internet tool that helps users connect related internet content. Maybe you’re hashtagging photos to get featured on a certain account or to poke some fun at yourself (see Justin Timberlake and Jimmy Fallon)? But serious ArchDaily readers have been using “#” to group beautiful photographs of architecture for the better part of a decade. When Instagram announced that it was possible to follow hashtags, die-hard taggers found a way to discover and like new content without actively seeking it out.
Colombian graphic designer and creative director Camilo Monzón's Instagram account is not your average catalog of Bogotá's iconic architecture.
Camilo explains that his particular way of capturing the city arose while he tried out his drone. "I realized that the tiles from nearby buildings showed me an unedited side of Bogotá that should be revealed and shown to everyone," he said in a conversation with ArchDaily en Español. "I think of it as rediscovering the city."
A great photograph is often as important as a great building—sometimes even more. From the pages of glossy magazines to the galleries of digital publications and online portfolios, high-quality photography is crucial for contemporary architects. Yet the array of camera options, equipment, accessories, and technical jargon (aperture, ISO, shutter-speed, etc.) can be dizzying, if not intimidating. So what happens when the camera in your iPhone is no longer enough?
To ensure emerging practitioners and professionals alike take the perfect shot, Eric Reinholdt summarizes at length the photography equipment used in his own practice in this two-part video from 2016. The first instalment on the architect, writer, and photographer's channel 30X40 Workshop makes it clear that his preference is a digital SLR camera. The 20+ megapixel image quality as well as range of larger aperture lenses with added versatility are crucial features for large format printing and digital publishing. Canon and Nikon are among the suggested brands as they are established with a large offering of products. And, are expected to provide additional upgrade paths as new equipment is released.
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In Zaha Hadid Architects' description of their Library and Learning Centre at the University of Economics Vienna, they describe the exterior of the building as "characterized by two elements of contrasting colors separated by a glass joint: shell and shadow." For that reason, the building was a perfect subject for architect and photographer Edwin Seda, who says he is fascinated by the effect light has on buildings. "Design is created to work with natural light but is never really in control of this aspect," says Seda. "This set of images therefore explores light as a medium for architectural transformation, a sort of fourth dimension, that only materializes once the building is complete and the seasons begin to change."
Seda's photoset captures the Library and Learning Centre throughout the course of a day: from the daytime when the building's light and dark elements are clearly distinguished; to sunset when one side of the building is closer to orange than the white or black planned by the architects; then to the evening, when the building's internal lights bring an entirely different dynamic to the building's composition. Read on to see the full set of images.
Through his series of architectural photographs, photographer, Marc Goodwin, is giving us an inside look into the architecture firms of the world’s greatest cities. His work has brought us through a collection of Nordic architectural offices, firms both large and small in London, numerous studios within Beijing, a selection of practices in Seoul, and a compendium of offices through the French capital. Shanghai is the next to be added to his list with his most recent collection showcasing the rich architectural culture of China’s largest city.
What happens when an architect is inspired by both the pyramids of Mesoamerica and the modernity of Oscar Niemeyer... and said architect has been tasked to create a master plan for a utopic seaside resort? You get La Grande-Motte, a commune in Southern France. Below, photographers Roberto Conte and Stefano Perego share a selection of images from their pilgrimage to this unique site.
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