The 2018 EyeEm Awards feature nine categories, including a category focused on architecture: "The Architect" where we encourage you to submit interesting lines, shapes, and beautiful spaces in architecture.
In his latest photographic collection, Federico Scarchilli captures Cistercian order in the form of Abbazia di Fossanova, Casamari, and Valvisciolo. Simple and utilitarian, Cistercian architecture reflects the transition between the Romanesque and Gothic periods. During this time, many religious authorities felt excessive ornamentation was a distraction to spiritual studies.
Gonzalo Viramonte has released a series of photographs that focus in on the use of bricks by engineer Eladio Dieste in his Atlántida Cristo Obrero church.
Viramonte shows us the essence of the project with an artful register that places the serial yet simple material element (the brick) at the forefront. This gallery also celebrates the potential and versatility of bricks by highlighting the artfully geometric interior and exterior spaces and the apertures that allow natural light to cast upon the walls, floors, and other surfaces.
The hashtag officially became part of the Oxford English Dictionary in 2014, and whether you tend to use them or not, they are a pretty unavoidable internet tool that helps users connect related internet content. Maybe you’re hashtagging photos to get featured on a certain account or to poke some fun at yourself (see Justin Timberlake and Jimmy Fallon)? But serious ArchDaily readers have been using “#” to group beautiful photographs of architecture for the better part of a decade. When Instagram announced that it was possible to follow hashtags, die-hard taggers found a way to discover and like new content without actively seeking it out.
Colombian graphic designer and creative director Camilo Monzón's Instagram account is not your average catalog of Bogotá's iconic architecture.
Camilo explains that his particular way of capturing the city arose while he tried out his drone. "I realized that the tiles from nearby buildings showed me an unedited side of Bogotá that should be revealed and shown to everyone," he said in a conversation with ArchDaily en Español. "I think of it as rediscovering the city."
A great photograph is often as important as a great building—sometimes even more. From the pages of glossy magazines to the galleries of digital publications and online portfolios, high-quality photography is crucial for contemporary architects. Yet the array of camera options, equipment, accessories, and technical jargon (aperture, ISO, shutter-speed, etc.) can be dizzying, if not intimidating. So what happens when the camera in your iPhone is no longer enough?
To ensure emerging practitioners and professionals alike take the perfect shot, Eric Reinholdt summarizes at length the photography equipment used in his own practice in this two-part video from 2016. The first instalment on the architect, writer, and photographer's channel 30X40 Workshop makes it clear that his preference is a digital SLR camera. The 20+ megapixel image quality as well as range of larger aperture lenses with added versatility are crucial features for large format printing and digital publishing. Canon and Nikon are among the suggested brands as they are established with a large offering of products. And, are expected to provide additional upgrade paths as new equipment is released.
In Zaha Hadid Architects' description of their Library and Learning Centre at the University of Economics Vienna, they describe the exterior of the building as "characterized by two elements of contrasting colors separated by a glass joint: shell and shadow." For that reason, the building was a perfect subject for architect and photographer Edwin Seda, who says he is fascinated by the effect light has on buildings. "Design is created to work with natural light but is never really in control of this aspect," says Seda. "This set of images therefore explores light as a medium for architectural transformation, a sort of fourth dimension, that only materializes once the building is complete and the seasons begin to change."
Seda's photoset captures the Library and Learning Centre throughout the course of a day: from the daytime when the building's light and dark elements are clearly distinguished; to sunset when one side of the building is closer to orange than the white or black planned by the architects; then to the evening, when the building's internal lights bring an entirely different dynamic to the building's composition. Read on to see the full set of images.
Through his series of architectural photographs, photographer, Marc Goodwin, is giving us an inside look into the architecture firms of the world’s greatest cities. His work has brought us through a collection of Nordic architectural offices, firms both large and small in London, numerous studios within Beijing, a selection of practices in Seoul, and a compendium of offices through the French capital. Shanghai is the next to be added to his list with his most recent collection showcasing the rich architectural culture of China’s largest city.
What happens when an architect is inspired by both the pyramids of Mesoamerica and the modernity of Oscar Niemeyer... and said architect has been tasked to create a master plan for a utopic seaside resort? You get La Grande-Motte, a commune in Southern France. Below, photographers Roberto Conte and Stefano Perego share a selection of images from their pilgrimage to this unique site.
From Portuguese architectural photographer Fernando Guerra comes imagery of MAD's Huangshan Mountain Village in China. This residential design, comprising ten housing blocks that mimic the mountain range they are embedded in, is just one piece of the Taiping Lake tourism master plan; architecture and nature blend together to create modern apartments with differing panoramic views.
As the northern hemisphere says goodbye to the final month of fall and gives thanks for architecture’s splendid (and fulfilling) beauty, the time is ripe for revisiting a selection of canonical projects that look their grandest during “leaf peeping” season. Either the brilliant reds, oranges, browns and yellows of the foliage echo the natural colors of the project’s materials or the reflective properties of ample glass magnify the natural phenomenon. This annual period of transition provides photographers with a “golden” opportunity.
In his new series, “Corner Symmetry,” Hungarian photographer and printmaker Zsolt Hlinka captures some of his home city of Budapest’s most stunning buildings, manipulating them to make them appear as if they are perfectly symmetrical when viewed from the corner.
Overlaid on a variety of pastel-colored skies, the photographs are taken from extreme 2-point perspective, making the buildings appear to pop straight off the page. The study is a continuation of his Wes-Anderson-reminiscent series, “Urban Symmetry.”
The Republic of Georgia’s past is defined by turbulence and a struggle for identity. A former republic of the USSR, Georgia is perhaps best known as the birthplace of Joseph Stalin. The nation's history has been anything but calm, and remnants of the architectural past provide a glimpse into the nation that was.
The country's remaining Soviet landmarks give Georgia an air of being caught between the past and the present. Italian photographers Roberto Conte and Stefano Perego capture this in their photo series, Soviet Architecture Heritage in Georgia, with a compilation of photos that highlights the existing Soviet heritage in Georgian architecture today.
Architecture is always a reflection on how to interact with and relate to nature. Some architects show a preference for distinctive shapes and materials that contrast with the landscape, while others prefer to mimic the surroundings with organic works. But regardless of the techniques employed, architecture has reached the most remote and incredible places on the planet. Below is a selection of 16 images which show the combination of architecture and landscape by prominent photographers such as Su Shengliang, Sergio Pirrone and Valentin Jeck.
In the past decade or so, smartphones and social media apps have revolutionized our culture's relationship to images. From Instagram to Facebook to Pinterest to Youtube, photographs and videos are now so ubiquitous that they have become literally disposable, with apps such as Snapchat trading on their promise to delete your images after a certain period of time. But while smartphones are a very visible driver of this change, what is often forgotten are the huge developments in image-editing software that have supported this revolution—from the HDR built into your smartphone's camera to the wide range of filters provided by Instagram.
Now, as reported by MIT News, Google and MIT's Computer Science and Artificial Intelligence Laboratory may have created another cosmic leap forward: an algorithm that can provide automatic, professional-level image retouching so quickly that you can see a preview before even snapping the photograph.
Architect and author of the Architect + Entrepreneur book series Eric Reinholdt recently released a video detailing the results of his research into the best drone for architects and designers. The drone he chose is the Mavic Pro from DJI, which he says balances multiple factors like cost, portability, camera quality, stability, ease of operation, and flight time. The only major negative Reinholdt mentions is the camera’s fixed aperture; he recommends counteracting this by purchasing neutral density filters, which help adjust the camera’s exposure. But why architects? Reinholdt mentions the variety of possible uses for a drone throughout a project, but most importantly, he sees video as the future of telling the story of architecture. Through video, you can simulate a user's movement through spaces and mimic the experience of architecture.
Instagram is an app. Instagram shows images. Instagram is a verb. Instagram it! Instagram has 600 million users. Numbers are very important. These days, they are an exact expression of what one is, or isn’t; by the way, how many followers do you have? Instagram is the great equalizer.
I don’t think Instagram is about news. Instagram is about influence. It is that very moment when the old order is changed; the moment when the recent graduate changes the established practice. Instagram is space. Have you seen @archiveofaffinities? It is better than any school library. It is the space to spend your most important time. It is a spa.
The church of Saint-Jacques-de-la-Lande will be the first church built in France’s Brittany region in the 21st-century. The project has been contracted to the Portuguese architect Álvaro Siza Vieira. Siza’s use of light and white concrete provide a unique ceremonial space that gently folds into the neighborhood south of Rennes, a residential area with five-story housing blocks. The Porto-based Italian photographer, Nicolò Galeazzi, visited the site and shared with us his perspective of Siza’s work in progress.