Architectural practice Hawkins\Brown has designed a new mixed-use tower development for Hollywood. The project combines 117,000 square feet of office and retail space for the area's growing media and creative community. As the design team outlines, the proposed project was made to address a growing demand for creative offices in Hollywood, where an influx of entertainment and technology firms are seeking Class-A space in a tight market.
Hollywood: The Latest Architecture and News
Los Angeles may soon be receiving a new attraction: a gondola-style cable car system that would transport visitors up to the iconic Hollywood Sign in the Santa Monica Mountains.
According to a recent interview with LA mayor Eric Garcetti, the city is considering several new options to open up access to the 45-foot-tall structure, one of which is a sky gondola that would pick up visitors at or near Universal Studios (located on the north side of the mountains in Studio City).
Architectural research initiative arch out loud, in partnership with Last House on Mulholland (LHOM), has released the winner of their competition to design a house of the future, to be sited directly below the Hollywood Sign.
Serving as a “design charette” to generate ideas about potential uses for the currently open site, the competition called for residential designs that demonstrate the use of innovative technology and integrative environmental strategies, while capitalizing on the prominence of the site.
The Hollywood competition received entries from 500 designers across the world, selecting three winners, with an additional owner’s choice.
The winners of the Hollywood design competition are:
Interiors is an Online Publication about the space between Architecture and Film, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space.
Damien Chazelle’s La La Land (2016) is an ode to the Technicolor musicals of Hollywood by way of Jacques Demy and Paul Thomas Anderson. The film is less of a musical and more of a love story with music, as its rich color palette and Cinemascope presentation create an idealized world that strips away its artificiality over the course of its runtime, ultimately becoming more and more realistic.
La La Land uses its filmmaking—particularly its long, unbroken takes—to bring its audience into its world and its spaces. The opening sequence, for instance, where helpless drivers stuck in a traffic jam hop out of their cars and break into a synchronized dance number, was filmed on the 105/110 freeway interchange and was edited to appear as one take, ultimately resulting in an immersive experience that highlights the architecture of the scene.
This essay by Alan Hess about the iconic Capitol Records building in Los Angeles was originally published as "The Architecture of the Capitol Records Tower." It is part of the book 75 Years of Capitol Records, published by TASCHEN, which is scheduled for release in February.
The president of Capitol Records was certain that a serious company could not operate out of a building that looked like the stack of records in a jukebox. So when Welton Becket, the new headquarters’ architect, showed him a model of the multistoried circular tower, Wallichs was annoyed. It would look like an advertising gimmick, Wallichs said, in a city where hot dogs were sold out of buildings shaped like hot dogs. Becket countered that the circular floor plan was more cost-efficient for the amount of usable space than a standard rectangular office building. Unimpressed, Wallichs told Becket to go back and design a conventional building.
The myth that a stack of records inspired the Tower has never died, though. As soon as the building opened, Hollywood columnist Bob Thomas wrote about it as “a monstrous stack of records.” Wallichs went on a public offensive from the start: “There was no intentional relationship between the shape of phonograph records and the circular design of the Tower” he insisted to the Chicago Tribune.
Arch Out Loud is partnering with Last House on Mulholland to host the HOLLYWOOD design competition. The competition asks participants to design a house of the future which demonstrates the use of innovative technology, integrative environmental strategies and capitalizes on the iconic prominence of its site beneath the famed Hollywood sign. The competition serves as a design charette generating ideas about the potential for what the site could become and how it can inspire the future of residential design.
American actress Gwyneth Paltrow has commissioned Gensler to design a new branch of London's exclusive Arts Club in West Hollywood. The eight-story members-only club will feature a number of luxury amenities, including a spa, gym, art gallery and rooftop pool. Paltrow is collaborating with business partner Gary Landesberg to complete the 132,000-square-foot facility, which will also include a restaurant and dining terrace, screening rooms, 15 guest rooms, and helicopter pad.
Leong Leong has been chosen over four others to masterplan and design the Los Angeles LGBT Center's new mixed-use site in Hollywood, California. The Los Angeles-based practice will design a new 183,700-square-foot building that, together with the Center's existing facility across the street, will form a block-wide campus that will include a unique mix of 140 affordable housing units, 100 beds for homeless youth, a new senior center and a center for homeless youth, as well as a new administrative headquarters and cultural arts center.
An overlooked strip mall at the corner of Sunset and Crescent Heights boulevards will soon be replaced by a mixed-use, walkable community designed by Frank Gehry. Known to be the “gateway to the Sunset Strip,” the West Hollywood site will be comprised of 249 apartments, restaurants, retail storefronts and a central plaza - all within "an environmentally sensitive building that complements and contributes to the historic architecture in the neighborhood.”
“Frank Gehry’s deep understanding of the property, its history and the context will elevate the project to the iconic and timeless status that it deserves,” said Townscape partner and project developer Tyler Siegel.
In this interesting article for the Financial Times, Edwin Heathcote dissects two Hollywood homes that are infamous as the homes of slick movie bad guys. The Lovell Health House designed by Richard Neutra appeared in LA Confidential as the home of pornographer and pimp Pierce Patchett; the Sheats Goldstein Residence appeared in The Big Lebowski - again as the home of a pornographer - and was designed by none other than "Hollywood's favourite architect" John Lautner. Heathcote probes the two architects' design influences and ideas, and of course offers an explanation as to why ""bad guys always seem to get the best houses". You can read the full article here.
You have to admit it, Hollywood really seems to have a thing for John Lautner; his designs are continuously cropping up in tv-shows, films, cartoons, music videos and even video games. The occasional despondent college professor aside, his exuberant mansions are usually typecast as the bachelor-pads of various flamboyant psycho-paths, pornographers or drug-smugglers. Curbed Los Angeles have compiled this excellent video of the various Lautner-featuring scenes, so we thought that we'd take a closer look at some of his buildings, which tend to pop up in all manner of unexpected places.
Read more about Hollywood's love affair with Lautner after the break...
Millennium Partners and Argent Ventures are moving forward with their plan to transform 4.47 acres of vacant parking lots surrounding Hollywood’s iconic, mid-century Capitol Records Building into a transit-oriented, mixed-use development. Located on the famous intersection of Hollywood and Vine, the Millennium Hollywood Project will feature two residential buildings reaching heights up to 585 feet, designed by Handel Architects, that are grounded by a High Line-inspired public space by James Corner Field Operations.
With the Draft Environmental Impact Report (DEIR) currently on public review, the New York-based developers are hoping to get city approvals underway in early 2013.
Continue reading to learn more…
Ever wonder why the skyline of Los Angeles is peppered with flat top skyscrapers? Or for that matter, why does such a global cosmopolitan city have so relatively few skyscrapers dotting its cityscape, the majority residing in downtown LA?
The answer lies in a section of the Los Angeles Municipal Code introduced in 1974 – Sec. 57.118.12 – “Emergency Helicopter Landing Facility.” The code stipulates that “Each building shall have a rooftop emergency helicopter landing facility in a location approved by the Chief.” The text also dictates that the helipads measure 50′x50′ in addition to a 25′ safety buffer. The resulting skyline thus far has been dominated by flat roof skyscrapers that would only make it through the planning process if in strict accordance with this code. However, a newly introduced proposal called the Hollywood Community Plan would allow skyscrapers to be constructed along the subway served “Hollywood Corridor.” In lieu of embarking on a plan that would surely result in more box type towers, an amendment has been introduced into the plan that would exempt skyscrapers within the corridor from having to conform to Sec. 57.118.12 helipad requirements. More After the break.
The Los Angeles design collaborative, SPORTS, has sent us their most recent project, a gallery installation in Hollywood, California. A description of the project and additional images are after the break.