Farrell and McNamara, who together lead a team of twenty-five as Grafton Architects, are both powerful thinkers, considered conversationalists and unobtrusively groundbreaking designers. For a practice so compact, their international portfolio is exceptionally broad. The first phase of the UTEC in the Peruvian capital, which began following an international competition in 2011, represents the farthest territory the practice have geographically occupied. The project is, in their words, a “man-made cliff” between the Pacific and the mountains – on one side a cascading garden, and on the other a “shoulder” to the city cast from bare concrete.
Herzog & de Meuron’s Chelsea Football Club stadium has been given approval by Hammersmith and Fulham council’s planning committee, reports BBC. The new £500 million stadium, which is estimated to be completed by 2020, will replace the existing stadium at Stamford Bridge, increasing the capacity of the space by almost 20,000 spectators to 60,000 seats.
The design of the new stadium is inspired by Gothic architecture, as well as nearby Victorian-era brick terraces, which will wrap around the entirety of the building.
Committee decision to approve the stadium plans does not mean that work can begin on site; various other permissions will be necessary before the final decision will be made by London Mayor Sadiq Khan.
Architect Evgeny Didorenko has released his conceptual proposal, Thames River Museum, which aims to improve connectivity on the North Bank of the Thames River and create an exciting museum space in London.
The Thames Museum is currently a museum concept without permanent accommodation. Though not officially connected to the Thames Museum, Didorenko’s work suggests a location and design for the project that would not only work with the museum’s context, but that would also solve existing issues on the riverbank.
Therefore, the proposal’s site is an underused portion of London’s North Bank—Queen’s Quay. Historically, Queen’s Quay served as a transportation hub to deliver goods to city residents from the sea, but now lies abandoned, and stays dry during periods of low tide, when water levels drop up to eight meters.
London - literature's labyrinth of 'lost souls' is one of the favorite settings for writers/poets/scientists/thinkers and intelligentsia, who have nurtured the city into the greatest hub of intellectual revolution. One of the greatest living cities of the planet, London has had the biggest global influence on the socio-economic and cultural landscape of the world.
London-based firm Tate Harmer has won a competition to design a new £6 million ($7.4 million USD) museum for The Scout Association (TSA) at the group’s headquarters in Chingford, east London. Their proposal takes the form of a big, colorful tent that will tell the story of the Scouting movement within a fun, environmentally conscious structure.
Judges for the award noted the project’s ability to interact with its site, remarking that they were ‘impressed by the quality and simplicity of the design and execution, in particular the way in which the design works with a sensitive landscape to provide a beautiful and functional temporary setting for the installation, and a longer-term facility for events and education.”
In 2017, British news magazine The Economist will move to a new home, leaving behind its iconic home of 52 years, Economist Plaza.
The project represents the first major commission by British duo Alison and Peter Smithson, who would go on to have esteemed careers as champions of the Brutalist style. Located at 22 Ryder Street, not far from Hyde Park and Buckingham Palace, Economist Plaza marked a significant breakthrough in tall building design, replacing the traditional streetfront of a podium and tower design with stairs and a ramp leading to an elevated plaza from which 3 buildings would rise.
Watch the video above to learn the story behind the project, and read more about the legacy the Economist will leave behind, here.
The Sir John Soane’s Museum is often cited as a seminal inspiration for architects of all generations. Located in London's Lincoln's Inn Fields, the house—designed by Soane (born in 1753), architect of the Bank of England—is a remarkable biographical bricolage of unique spaces, objects and ideas. Kept exactly as it was at the time of Soane's death in 1837, the museum is packed with paintings, sculpture, furniture and drawings – all curated and composed by the architect himself to "enhance their poetic qualities."
Brett Steele, Director of London's Architectural Association (AA) since 2005, has announced that he will become Dean of UCLA School of the Arts and Architecture in August 2017. Although American-born, Steele has since become a naturalized British citizen. He studied at the AA, the University of Oregon, and the San Francisco Art Institute respectively, before working as a Project Architect at Zaha Hadid Architects in the late 1980s and early 1990s.
http://www.archdaily.com/801567/brett-steele-aa-to-become-ucla-deanAD Editorial Team
Next year the Royal Institute of British Architects (RIBA) will open a seminal new exhibition: Mies van der Rohe & James Stirling: Circling the Square. The show will examine two iconic schemes proposed for the same site in the City of London: Mies van der Rohe’s unrealised Mansion House Square project (developed by Lord Peter Palumbo) and its built successor, James Stirling Michael Wilford & Associates’ No.1 Poultry.
http://www.archdaily.com/801387/riba-to-present-seminal-show-on-mies-van-der-rohes-unrealized-mansion-house-towerAD Editorial Team
With the opening of the new Design Museum in London, the former Commonwealth Institute building designed by RMJM in 1962 has been given a new lease of life. With an exterior renovation by OMA and Allies & Morrison, and interiors by John Pawson, last month the building reopened after a fourteen-year closure—finally offering the public a chance to experience the swooping paraboloid roof from the inside. Read on to see photographs of the Design Museum's new home by Luc Boegly & Sergio Grazia.
Originally built to house over 7,000 people in the 1970s, the Aylesbury Estate in South East London was once one of largest housing projects in Europe. In recent years it has "fallen into rapid decline" and, according to British filmmaker Joe Gilbert, "perfectly encapsulates the growing housing crisis and problems caused by gentrification." With narration by Tom Dyckhoff, this short film aims to capture the reality of a housing utopia which has de-evolved into an uncomfortable reality.
http://www.archdaily.com/801145/londons-aylesbury-estate-a-housing-project-then-and-nowAD Editorial Team