Tel Aviv’s architectural heritage has achieved global attention through the UNESCO recognition of the city’s British Mandate-era International style and Bauhaus-influenced buildings. Less known is the city’s Brutalist heritage and historic builds designed in the succeeding decades. Brutalism played a significant role in the Israeli design sphere of the post World War II-era. Concrete’s inexpensive availability and fast construction capabilities were adopted into the early Socialist mentality of the state to accommodate its rapidly expanding population and willingness to portray a muscular exterior.
Post World War II, Brutalism found its way across Europe, redefining modernist architecture and establishing a new style for mass housing and communal buildings. Although most of the light was shed on concrete landmarks in major cities, European suburbs have also housed many exceptional brutalist buildings such as the 'Hammer-shaped Tower Blocks' or the 'Houses on Chicken Legs'.
Two-sided guide featuring a map of Melbourne’s finest concrete and Brutalist buildings. The reverse includes details for fifty buildings, an introduction by Glenn Harper, the editor of Blue Crow Media's Brutalist Sydney Map, and original photography by Clinton Weaver.
Although Brutalist architecture is often criticized for its raw, unfinished look, it has been frequently used in the design of public buildings, with many becoming iconic landmarks. Some architects chose to break away from typical concrete structures and implemented a pop of color on the walls, window frames, and flooring, adding some dynamism to the monotonous palette.
Shot with a Leica M6 film camera, architecture and interior design photographerLuciano Spinelli photographed the Düsseldorf University campus, displaying the contrast between its brutalist architecture and vibrant design features.
Brutalism is merely a basic equation of reinforced concrete + geometry, but while the result of this equation is rather minimal, the architecture movement remains as one of the most debatable styles, ranging between “fascinating structures” and “is it even worth preserving”.
While many perceive Brutalism as “ugly” or “incomplete”, 17 year-old Arhan Vohra found glory in these modernist structures and launched Brutal Delhi, a photography website of New Delhi’s Brutalist buildings, shot through his camera lens.
Winner of the 1942 Acadamy Award for Best Special Effects, William Pereira (April 25, 1909 – November 13, 1985) also designed some of America's most iconic examples of futurist architecture, with his heavy stripped down functionalism becoming the symbol of many US institutions and cities. Working with his more prolific film-maker brother Hal Pereira, William Pereira's talent as an art director translated into a long and prestigious career creating striking and idiosyncratic buildings across the West Coast of America.
Architectour Guide London: The Urban Explorer's Guide
The new series of city guides for architects by Architectour brings to life the lost essence of travel and discovery. A compilation of exciting places – known and not so known – arranged in an innovative way: a continuous scenic itinerary, which is fun to follow and is full of quirks and surprises along the way. Hand-drawn sketches by architect and author Virginia Duran are the personal touch of the book, revealing the essential without spoiling what is a traveling delight: our first impression of a place.
Northern Ireland-based architect John Donnelly has launched a studio dedicated to the production of finely-detailed plaster-cast architectural models exploring the diverse built environment of Belfast, Northern Ireland. “Model Citizen” was founded to promote public understanding and appreciation of the architecture and craftsmanship present in Irish cities, manifesting as an ongoing series of intricate sculptures.
Model Citizen sees its sculptures, available for closer inspection here, as a “mechanism to emphasize the beauty and significance of our built heritage,” translating art deco, brutalist, and internationalist styles into tangible, tactile sculptural objects that can be held, felt, and explored.
Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
The career of Gottfried Böhm (born January 23, 1920) spans from simple to complex and from sacred to secular, but has always maintained a commitment to understanding its surroundings. In 1986, Böhm was awarded the eighth Pritzker Prize for what the jury described as his "uncanny and exhilarating marriage" of architectural elements from past and present. Böhm's unique use of materials, as well as his rejection of historical emulation, have made him an influential force in Germany and abroad.
Sculptor and jewelry designer, Cydney Ross explores the architectural passage of time through unconventional ceramics and mixed media. By over-firing, freezing, and thawing her materials, she simulates the swaying, slumping, and even collapsing of structure.
Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and Herzegovina. View of the western exposure. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, New York, 2017.
With the exhibition soon coming to an end, Martino Stierli (Chief Curator of Architecture and Design at MoMA) and Vladimir Kulic (Guest Curator and Architecture Historian) have presented a 7-minute-long video guiding viewers through the highlights of the exhibition.
https://www.archdaily.com/908777/an-expert-guide-through-momas-toward-a-concrete-utopia-architecture-in-yugoslavia-1948-nil-1980Niall Patrick Walsh
Omnipresent plattenbau housing estates, monumental hochhäuser, cosmic milk bars; the post-war East Germany was rebuilt on concrete foundations to stand for the new modernity and shape the unique and no less controversial urban landscape of German Democratic Republic.
MODERN EAST: Build Your Own Modernist DDR is the new book by Zupagrafika celebrating socialist modernist and brutalist architecture of the former East Germany and allows you to playfully reconstruct some of the most intriguing edifices erected between early 1950s and late 1980s - from the massive plattenbauten of Rostock, through the icons of DDR-Moderne, like Kino International or Haus des Berliner
High-rise tower blocks, prefab panel housing estates, streets in the sky, new towns; some of the concrete constructions that once shaped the cityscapes of post-war Britain have stood the test of time, while others are long gone.
‘Brutal Britain’ by Zupagrafika (also author of ‘Brutal London’) celebrates the brutalist architecture of the British Isles, inviting readers to explore the Modern past of Great Britain and rebuild some of its most intriguing post-war edifices, from the iconic slabs of Sheffield`s Park Hill and experimental tower blocks at Cotton Gardens in London, to the demolished Birmingham Central Library.
To strip a city of its architecture is to erase its history altogether. Despite a widespread public distaste for Brutalism, the brutalist era in architecture often went hand in hand with political movements promising an egalitarian vision in post-Stalinist Poland. What may now be considered austere and overbearing was originally intended to be anything but; the buildings today carry both an appreciation for their legacy and the burden of unwanted memories.
In a recent article in the New York Times, writer Akash Kapur documents his visit to Poland, bringing readers into his experiences and observations of this complex response to Polish architecture. From sharing its history to short anecdotes from interviews, the piece postulates whether these relics can become alive again.
This article was originally published on September 28, 2013. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Hospital buildings, with their high standards of hygiene and efficiency, are a restrictive brief for architects, who all too often end up designing uninspiring corridors of patient rooms constructed from a limited palette of materials. However, this was not the case in Bertrand Goldberg's 1975 Prentice Women's Hospital. The hospital is the best example of a series of Goldberg-designed medical facilities, which all adhere to a similar form: a tower containing rooms for patient care, placed atop a rectilinear plinth containing the hospital's other functions.
This is the only book to thoroughly document the world's finest examples of Brutalist architecture. More than 850 buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions.
878 Buildings, 798 Architects, 102 Countries, 9 World Regions, 1 Style BRUTALISM. Presented in an oversized format with a specially bound case with three-dimensional finishes, 1000 beautiful duotone photographs throughout bring the graphic strength, emotional power, and compelling architectural presence of Brutalism to life.
From Marcel Breuer to Oscar Neimeyer and David Chipperfield to Zaha Hadid, this volume includes works by both classic and contemporary architects.
The fall of the Iron Curtain in 1991 came not only with political, economic, and social implications but also left behind a distinctive style of architecture. This architecture, under the Soviet regime, was a system which relied on quantifiable targets, such as the Five Year Plan. These quotas forced architects to evaluate building projects in terms of material and labor costs, number of units, volume of skilled and unskilled labor, and so forth. As a result, architecture across these regions became an industrial commodity, an outward flex of power and technological innovation, and a collective of architects executing a Stalinist vision.
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