Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.
Metropolitan Museum of Art: The Latest Architecture and News
Tadao Ando Designs the Exhibition “Karl Lagerfeld: A Line of Beauty” at the Metropolitan Museum of Art, New York
Kevin Roche, the Irish-American architect and Pritzker laureate known whose modernist sensibility transformed America’s post-war cultural and corporate institutions, has died of natural causes in his home in Guilford, Connecticut. News of Roche’s passing was first posted to the website of his office, Kevin Roche John Dinkeloo and Associates late on 02 March. He was 96 years old.
It's easy to feel overwhelmed by the massive production of architecture today. Scroll through ArchDaily for more than a minute and even we'd forgive you for losing track of it all. But what seems like an endless scroll of architectural production doesn't quite fit with the popular movements surrounding resource sharing and community.
Hidden among the mass production that has defined architecture in the last century is a germ - one that seems to be marching to the forefront of practice today. More and more designers seem to be taking on locally-focused and/or adaptive reuse works. Award shortlists today highlight not icons by recognizable names, but sensitive international works that are notable for their process as much as their product.
The common image of the architect may be of one obsessed with ego and newness, but practice today doesn't bear that out as much as it used to. This week's news touched on issues of reduction, reuse, and a radical rethink what architecture is in the 21st century.
Both today and in centuries past, it is a reality of building that not every project is destined for success. Financial issues or unrealistic timetables can complicate a building’s construction but, while usually the final result eventually meets the initial expectations, other times the worst-case scenario of a building being abandoned during construction becomes a nightmare come true. Unfortunately, these failed projects have an extensive history. Economic factors are the most common cause of unfinished construction, but buildings have also been stranded in limbo by wars, geopolitical shifts, epidemics of disease and other unpredictable obstacles, leaving partial structures as haunting reminders of what might have been.
Whether partially completed and left as ruins or still under construction decades (or centuries) after initial groundbreaking, unfinished buildings offer an alternative history of our built environment, promising long-delayed gratification or examples of design so ambitious that they prove impossible to realize. Initiated by civilizations across the globe, the following list details just a few examples of history’s most interesting and infamous unfinished construction projects.
This article was originally published by Common Edge as "Michelangelo’s Lesson: Specialization in Architecture is Not The Only Way."
A recent exhibition at The Metropolitan Museum in New York, Michelangelo: Divine Draftsman & Designer, provided a thrilling glimpse into the mind and methods of a true polymath. The exhibit has just closed, so I offer this selection of images. Photography was encouraged, and the intimacy of the presentation allowed insights and realizations.
I’ve been studying or practicing architecture for 45 years, and the exhibit clarified how architects can think about what they do. It probably meant similar things to everyone feeling its resonant beauty, but I saw the complexities of a creative life in mid-application.
Update 11/9/17: We've added a gallery of items from the show to the post!
Diller Scofidio + Renfro have been selected to collaborate with The Costume Institute on a new exhibition at New York’s Metropolitan Museum of Art focused on the relationship between fashion, religious art and the devotional practices and traditions of Catholicism.
Titled “Heavenly Bodies: Fashion and the Catholic Imagination,” the exhibition will feature fashion and religious artworks from the Met’s collection, as well as more than 50 objects and garments from the Sistine Chapel sacristy, many of which have never been seen before outside of The Vatican.
Non-profit organization Art Jameel have announced a new Serie-Architects-designed Arts Center in Dubai that will partner with New York’s Metropolitan Museum of Art to acquire works by modern and contemporary artists from the Middle East.
The 10,000 square meter, three-story, multi-disciplinary space is designed to become a “hub for educational and research initiatives, while its wider programming embraces collaboration and partnerships with local, regional, and international artists, curators, and organizations.”
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
Looking to add a beautiful piece of art to your render to really sell your project? Look no further.
The Metropolitan Museum of Art has announced its new Open Access policy, which releases over 375,000 images of artworks from their expansive collection for free download, with absolutely no restrictions under copyright law – meaning you are completely free to copy, remix, or distribute any image for any use, including commercial.
The Metropolitan Museum of Art has released a 360° video of the recently renovated Met Breuer, the former home of the Whitney Museum designed by Marcel Breuer in 1966 that now houses sections of the Met’s modern and contemporary collections. The video takes you through several areas of the building including the entry, the lobby and the sunken garden courtyard. Orbit around the video to check out the unique apertures of the landmark facade and the finely detailed interiors, featuring the building’s iconic ceiling.
The Metropolitan Museum released a 360º video of their iconic Great Hall on their Facebook page, allowing user to immerse themselves in the building. Designed by Richard Morris Hunt in 1902, the Met’s Great Hall greets over 6 million visitors to the museum each year with its neo-classical design.
The video was shot with the use of two camera tracks: one from the main entrance to the balustrade above the staircase, and another set at 90º that follows the public up the stairs before lifting to an overhead view.
With the conclusion of this year’s Met Gala, on Thursday the public will have their first look at the Costume Institute of the Metropolitan Museum of Art’s new spring show, "Manus x Machina". According to the museum, “[the exhibition] will explore [an] ongoing dichotomy, in which hand and machine are presented as discordant tools in the creative process, and question the relationship and distinction between haute couture and ready-to-wear.” Occurring in the museum’s Robert Lehman Wing, a 1975 expansion by Kevin Roche and John Dinkeloo, the exhibition design has been developed by Shohei Shigematsu of OMA New York. Organized by Andrew Bolton, the Curator of The Costume Institute, the exhibition will feature over 100 samples of “haute couture and avant-garde ready-to-wear, dating from an 1880s Worth gown to a 2015 Chanel suit.” Read on for a small preview of the exhibition, fashion, and spectacle of Manus x Machina, on view from May 5 - August 14.
The New York art world let out a collective cry of grief when the Whitney Museum of American Art abandoned Marcel Breuer's iconic 1966 building on Madison Avenue at 75th Street. Whether New Yorkers loved, loved to hate, or hated to love the old Whitney, Breuer's building suddenly became the building that evoked more passion than any other.
Now, thanks to a restoration led by New York City firm Beyer Blinder Belle, the iconic building has been transformed into the Met Breuer—the bold new showcase for the Metropolitan Museum of Art's renewed embrace of modernist and contemporary art. It will open to the public on March 18, 2016, and as the crowds ready to descend, the curators and architects are no doubt anxious to see whether, by faithfully adhering to Breuer's original vision, the restored building will succeed in both delighting museum-goers and helping redefine the Met's public image.
Shohei Shigematsu, the Director of OMA New York, has been selected to lead the design of the exhibition space for the Costume Institute’s Spring 2016 Exhibition at the Metropolitan Museum of Art. Titled manus x machina: fashion in an age of technology, the exhibition will focus on the intersection of technology and fashion and “how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.” Organized by Andrew Bolton, the Curator of The Costume Institute, the exhibition will feature over 100 samples of “haute couture and avant-garde ready-to-wear, dating from an 1880s Worth gown to a 2015 Chanel suit.”
The Metropolitan Museum of Art in New York has tapped British architect David Chipperfield to design its new Southwest Wing for modern and contemporary art. The commission, a result of an international competition, aims to increase gallery space, double the size of the museum’s popular roof garden, and establish accessible on-site storage. “The new design will also enhance gallery configuration and visitor navigation throughout the Southwest Wing, and support a more open dialogue between the Museum and Central Park,” says the architects.