The Design Museum in London has announced the shortlist projects in the running for the 2017 edition of their prestigious Beazley Design of the Year award. Now in its tenth year, the award was established to “celebrate design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.”
This year, a total of 62 projects have been nominated across six categories: Architecture, Digital, Fashion, Graphics, Product and Transport – including 13 projects from the Architecture category. A winner from each category and the overall winner will be announced on January 25, 2018. Previous winners of the architecture category include: IKEA’s Better Shelter last year (also the overall winner), Alejandro Aravena's UC Innovation Center in 2015, and Zaha Hadid Architects’ Heydar Aliyev Center (overall winner in 2014).
You’re a chipper young first-year student, still soft and tender in the early stages of your induction into the cult of architecture. Apart from fiddling with drafting triangles and furiously scribbling down the newfound jargon that is going to forever change how you communicate, you often find yourself planted in a seat, eyes transfixed to a projector screen as your professor-slash-cult-leader flashes images of the architecture world's masterpieces, patron saints, and divine structures.
Soon, you develop a Pavlovian response: you instinctively recognize these buildings, can name them at once and recite a number of soundbites about their design that have lodged themselves in your brain. Your professor looks on in approval. Since we here at ArchDaily have also partaken in this rite of passage, here are 15 buildings that we all recognize from the rituals of architecture school.
The Urban Development Corporation (SAU-MSI) has announced the seven shortlisted teams competing for the design of the latest Centre Pompidou outpost in Brussels, Belgium. The finalist teams were selected from 92 entries to the competition, which sought proposals to transform the existing Art Deco Citroën Yser garage in the heart of the city into a mixed-use museum complex focusing on contemporary art and architecture.
To be known as the Citroën Cultural Centre, the $135 Million project will consist of 375,000 square feet (35,000 square meters) of public cultural, education and recreation space, including 160,000 square feet (15,000 square meters) designated for the new Centre PompidouBrussels. An additional 108,000 square feet (10,000 square meters) will host a museum run by Brussels’ International Centre for Urbanism, Architecture & Landscape.
Facebook has announced plans for a new mixed-use neighborhood adjoining their existing headquarters in Menlo Park, California to be led by the New York office of OMA and Partner Shohei Shigematsu. Known as Willow Campus, the campus masterplan seeks to further invest in Facebook’s home community, joining the original campus designed by Frank Gehry.
“It’s exciting to collaborate with Facebook, whose innovation in networking and social media extends to urban ambitions for connectivity in the Bay Area,” commented Shigematsu. “The Willow Campus masterplan creates a sense of place with diverse programming that responds to the needs of the Menlo Park community. The site has the potential to impact the future of regional transportation, housing, and environment.”
#donotsettle is an online video project created by Wahyu Pratomo and Kris Provoost about architecture and the way it is perceived by its users. Having published a number of videos on ArchDaily over the past two years, Pratomo and Provoost are now launching an exclusive column, “#donotsettle extra,” which will accompany some of their #donotsettle videos with in-depth textual analysis of the buildings they visit.
The Naomi Milhave Foundation have released OMA‘s first renders and drawings for their upcoming MPavilion which is set to take shape this fall in Melbourne, Austrailia. The counterpart to the Serpentine Gallery Pavilion in London, the MPavilion is now in its fourth year. Comprising static and dynamic elements, OMA’s proposal allows for multiple configurations that can generate unexpected programming, echoing the ideals of the typology of the amphitheater. Following the idea of the traditional amphitheater, OMA’s design will be “itself built to perform” as a space for public debate, design workshops, music and arts events.
With a majority of architecture schools in the Northern Hemisphere ending and the official start of summer fast approaching, architects across the globe – whether fresh out of school or with years of experience under their belt – are playing jobs musical chairs. And with the AIA’s Architecture Billings Index continuing to show growth in the profession, firms of all sizes are looking to add valuable members to their teams.
One of those firms is OMA, whose Jobs site has seen a bounty of positions open up in recent months to keep up with the continued success of their seven offices across the globe. While many of the openings are given ambiguous descriptors, more than a few have titles that can speculatively be connected to projects announced over the past few years:
OMA New York has revealed renderings for it latest project, a 490,000-square-foot mixed-used retail and office development located at 88 Seaport Boulevard in the emerging Boston Seaport neighborhood. Being developed by Massachusetts-based property developer WS Development, the structure adds to a growing collection of quality architecture commissioned for the district, including projects by James Corner Field Operations, Sasaki, and NADAAA.
A new exhibition by OMA/AMO, lR100-Rinascente: Stories of Innovation, has officially opened in Milan’s Palazzo Reale. Marking the 100th anniversary of the classic Italian department store, la Rinascente, the exhibition commemorates the company’s long creative history and experimental spirit that has served as an influential part of Italian design, culture and commerce.
The design of OMA and Mia Lehrer+Associates’ park at First and Broadway (FAB) in Los Angeles has received a green update, reports LA Downtown News, following a community feedback session in which residents voiced their desire to add additional plantings to the scheme.
A large-scale masterplan for Feyenoord (or Feijenoord), a suburb-city of the Dutch city of Rotterdam, has been approved by Rotterdam City Council. The successful concept design from OMA, led by Partner David Gianotten, incorporates a historically-important football stadium—for the nationally significant Feyenoord football club—which "no longer fulfills modern demands." Aligned with the football club's "expanding ambitions" both in the Dutch and European football leagues, this proposal is the latest in a string of plans to expand, but the only one to have been accepted.
OMA, in collaboration with local architects ECADI and landscape architects West 8, has developed a new mixed-use masterplan for Columbia Circle in the center of Shanghai. Layered with rich history, the site contains preserved colonial monuments, former industrial buildings and 1920’s country club buildings by architect Elliott Hazzard – these elements will be renewed and transformed by the master plan to return Columbia Circle into one of Shanghai’s most prominent public spaces.
The Naomi Milgrom Foundation has selected Rem Koolhaas and David Gianotten of OMA for the design of Melbourne’s 2017 MPavilion. The announcement comes after this weekend’s closing of the 2016 MPavilion, designed by Bijoy Jain of Studio Mumbai, which welcomed more than 94,000 visitors to over 287 free events in its 139 day run. Now in its 4th year, the MPavilion program invites architects who have yet to completed a project in Australia to design and construct their first structure in the country.
Posted on the OMA website with the description, "Presentation on how S, M, L, XL intends to both undermine and simultaneously reinforce architecture," this lecture delivered by a then-51-year-old Rem Koolhaas delves into the "intentions" behind the 1400-page behemoth monograph. The Dutch architect laments that he must spoil the experience of the book's nuanced relationships and surprises, stating "I'm exposing connections now that I would have preferred to remain hidden for you to discover or ignore."
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
For their latest fashion show scheme for Prada, AMO has gone “back to basics.” Envisioned for the fashion house’s 2017 Fall/Winter Collection, “Continuous Interior” borrows from domestic design, taking the form of a series of curving wooden partitions paired with ordinary materials and emblematic furniture pieces to create a stage that speaks to the importance of authenticity in the political climate of today.
OMA’s first major public building in the UK has been granted planning approval. Known as “Factory,” the groundbreaking new cultural center will serve as a the new home of the Manchester International Festival (MIF) and as a year-round concert and arts venue.