Photographer Paul Clemence has unveiled a new photo series documenting Le Corbusier's Notre Dame du Haut in Ronchamp, France. The collection revisits one of the 20th century's most influential works of religious architecture through an exploration of light, materiality, and atmosphere, highlighting the sculptural qualities of the chapel and the changing relationship between its concrete surfaces and natural illumination. Combining black-and-white exterior photographs with color interior images, the series presents a new documentation of a building that continues to shape architectural discourse more than seven decades after its completion.
In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building's signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a "green heart" and an "urban mountain," the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a "stunning green pyramid."
Le Corbusier's Unité d'Habitation imagined a "vertical neighborhood," a building able to integrate housing, commerce, leisure, and collective spaces within a single structural organism. Around the same time, Jane Jacobs argued that diversity of use is what produces safety, identity, and social life at the street level. Later, Rem Koolhaas, in Delirious New York, described the skyscraper as an early experiment in "vertical urbanism," capable of stacking incompatible programs under one roof. In cities like Tokyo and Hong Kong, this ambition matured into complex hybrid buildings where different uses, such as transit hubs, retail, offices, hotels, and housing, coexist and interact continuously.
The Cristo Rei Cathedral is Oscar Niemeyer's design for the cathedral of Belo Horizonte, the capital of the state of Minas Gerais in southeastern Brazil. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. Niemeyer referred to the project as a "square," consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, photographer Paul Clemence visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.
The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.
Santuario de la Naturaleza Humedal Río Maipo.. Image Courtesy of Fundación Cosmos
On Earth Day 2025, observed annually on April 22, we are once again reminded of the urgent environmental and sustainability challenges that face our planet—challenges that continue to evolve alongside global economic, political, and cultural shifts. The building and construction industry remains one of the most critical sectors in the effort to manage and reduce global carbon emissions. This year, these issues are being addressed through increasingly diverse lenses, calling for more holistic and integrated approaches. It's vital that we view sustainability not as a one-size-fits-all solution, but as a multi-scalar effort—one that spans from large-scale urban development and strategic planning, to the advancement of sustainable materials, and even to temporary, thought-provoking interventions like exhibitions and installations. In doing so, we reaffirm our commitment to reducing our collective carbon footprint, while shaping a built environment that promotes human well-being and planetary health.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
The Council on Tall Buildings and Urban Habitat (CTBUH) has developed its own system for classifying tall buildings, stating that the Burj Khalifa (828 m.) is the world’s tallest building right now. Read on for the 25 tallest buildings in the world today.
In October 2024, "The Vessel" at Hudson Yards in New York City reopened to the public after being closed for nearly three years due to multiple suicides. Originally designed by Heatherwick Studio and opened in 2019, the 150-foot monumental staircase was closed in January 2021 after four individuals, all under the age of 25, tragically took their own lives within an 18-month span. This photo series by Paul Clemence captures "The Vessel" as it reopens, offering a fresh look at its design and renewed role in the city.
Our contemporary society has been witnessing a surge in skyscraper construction in urban centers worldwide for various reasons—including engineering advancements, increased urban density, space constraints, and, arguably, a competitive drive for building the tallest structures. The allure of all-glass facades and the pursuit of curtain walls with larger panes of continuous glass have often come at the cost of functionality.
In these towers, operable windows are sacrificed for aesthetics and expansive views, with a central core layout that maximizes 360-degree views while creating architectural "solar heat-gain monsters." Without natural or cross ventilation, these glass skyscrapers trap significant heat from solar radiation within habitable spaces, relying almost exclusively on mechanical HVAC systems to cool these spaces. This raises the question: is passive ventilation strategy becoming obsolete in high-rise design, or can operable systems be integrated effectively into our high-tech towers?
New York City’s skyline tells the tale of the region’s dated relationship with architectural innovation and style. Among the many materials that cloak the city’s built environment, terracotta has a distinct significance. The clay-based material was a prominent feature in buildings from the late 1800s to the 1920s and, after a brief pause, is experiencing a resurgence with contemporary design. The revival pays homage to The Big Apple’s architectural heritage while leading a movement for sustainable materials in the city.
With the 2024 Olympic Games opening ceremony fast approaching, Paris has captured global attention. In addition to the venues being prepared for the Olympics, the city offers a wide range of architectural projects that showcase its efforts to improve the urban environment and promote a greener and more inclusive city. Among these, the new Clichy Batignolles Eco-District in the 17th arrondissement of Paris is a 54-hectare development that set out to transform the former SNCF rail yard into a new neighborhood. The initiative features contributions from internationally recognized architects including MAD Architects, Architect Périphériques, and RPBW, among others. Read on to discover the urban development through the lens of architecture photographer Paul Clemence.
Deutsches Architekturmuseum (DAM) has announced the International High-Rise Award 2024/25. Selected from more than 1,000 new high-rises worldwide dating from the past two years, the nominated projects are located in 13 counties from 5 continents. In autumn, the five finalists will be announced, followed by the winner announcement scheduled for November 12, 2024. The main objective of the award is to highlight good practices in the ongoing trend of mixed-use high-rises.
With the increase in the construction of high-rises, special features such as the introduction of greenery in the design, unusual shapes, or the construction of clusters of towers, have become the new normal. DAM’s research this year also shows a growing eco-awareness, as the focus in high-rise construction is increasingly on the use of existing buildings. While the majority of tall buildings continue to be erected in China, followed by the USA, Australia, and Singapore have emerged as new hubs of high-rise architecture.
On May 4, 2024, cultural center Grace Farms opened a new long-term exhibition that aims to shed light on the inner workings of the building industry, offering insights into the methods of producing and distributing building materials, as well as the pervasive practices of forced labor happening in the materials supply chain worldwide. The exhibition also presents the work of “Design for Freedom,” a collaborative global movement launched in 2020 at Grace Farms. The initiative aims to change architecture by raising awareness of these issues and helping disrupt forced labor in the construction industry. Titled “With Every Fiber,” the exhibit is free to visit both at its physical location in New Canaan, Connecticut, and online as a virtual exhibition.
As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.
