Peter Zumthor

Peter Zumthor's quiet, technically pristine, and beautifully detailed work has long been an inspiration for architects. His Kolumba Museum, located in Cologne, Germany, a city that was almost completely destroyed in World War II, houses the Roman Catholic Archdiocese’s collection of art which spans more than a thousand years. Zumthor’s design delicately rises from the ruins of a late-Gothic church, respecting the site’s history and preserving its essence.

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Known for his sensuous materiality and attention to place, 2009 Pritzker Laureate Peter Zumthor (born April 26, 1943) is one the most revered architects of the 21st century. Shooting to fame on the back of The Therme Vals and Kunsthaus Bregenz, completed just a year apart in 1996 and 1997, his work privileges the experiential qualities of individual buildings over the technological, cultural and theoretical focus often favored by his contemporaries.

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March 22 is World Water Day, an annual international celebration launched and organized by the United Nations. The goal of the day is to raise awareness about a wide range of water-based issues from around the world. This year’s theme is “Nature From Water”, which invites everyone to think about how nature can provide solutions to the water challenges we face today.

To celebrate World Water Day this year, we’ve rounded up 20 of our favorite projects that utilize water as a central design feature. Whether it be Zumthor's Thermal Vals or Chritso and Jeanne-Claude's Floating Piers, water has been playing an important role in architectural design and in demarcating the boundaries of nature against our built environment.

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The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).

The award is an initiative funded by Jay Pritzker through the Hyatt Foundation, an organization associated with the hotel company of the same name that Jay founded with his brother Donald in 1957. The award was first given in 1979, when the American architect Philip Johnson, was awarded for his iconic works such as the Glass House in New Canaan, Connecticut.

The Pritzker Prize has been awarded for almost forty straight years without interruption, and there are now 18 countries with at least one winning architect. To date, half of the winners are European; while the Americas, Asia, and Oceania share the other twenty editions. So far, no African architect has been awarded, making it the only continent without a winner.

Taking photographs in fog can be an experience as chaotic as it is enchanting. Although working with this phenomenon can be risky, since fog dramatically modifies the available light and the atmosphere of a scene, if you know how to take advantage of it, the result can lead to perfect photographs. Below is a selection of 10 images from prominent photographers such as Kevin Scott, Richard Barnes, and Koichi Torimura.

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In 1986, Peter Zumthor completed one of his first projects: a shelter over an Ancient Roman archaeological site in Chur, (Graubünden, Switzerland). Now over three decades old, this film by ArcDog captures the building and the preserved excavations that it sits around with a quiet sophistication. With only timber lamella to allow in light and ventilative air, the project stands as a testament to Zumthor's sensitive architectural approach.

The Los Angeles County Museum of Art (LACMA) has unveiled new renderings and drawings for their $600 million transformation designed by Atelier Peter Zumthor, as an environmental impact report for the project has been released.

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Two large-scale US cultural projects have, this week, announced major updates relating to the renovation of existing buildings – and both involve, to a greater and lesser extent, American business magnate, media mogul, and philanthropist David Geffen.

One—the Lincoln Center's Geffen Hall in New York City—has scrapped plans for a $500 million renovation to be led by Heatherwick Studio and Diamond Schmitt Architects, while another—Los Angeles County Museum of Art (LACMA), for which a renovation is being led by Peter Zumthor—has seen a pledge by Geffen of $150 million toward its $600 million price-tag.

Visiting architectural masterpieces by the greats can often feel like a pilgrimage of sorts, especially when they are far away and hard to find. Not everyone takes the time to visit these buildings when traveling, which makes getting there all the more special. With weird opening hours, hard-to-reach locations and elusive tours we thought we’d show a selection from our archives of masterpieces (modernist to contemporary) and what it takes to make it through their doors. Don’t forget your camera! 

Atelier Peter Zumthor has revealed conceptual designs for their CHF 100 million ($100 million USD) addition of the Beyeler Foundation in Riehen, Switzerland, just outside of the city of Basel. Located on land formerly off-limits to the public, the extension will add an array of new event and gallery spaces to the existing museum, designed by Renzo Piano Building Workshop and opened in 1997.

Drawing from the “village-like character” of Riehen, the addition will consist of three, relatively small new buildings that blend harmoniously into the museum’s nature-filled setting: a stoic building for administration and service, a glass pavilion for events, and a grand House for Art. Together, their arrangement will help to create a subtle link between the new and old areas of the site.

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The Los Angeles County Museum of Art (LACMA) has released the newest renderings of their planned Atelier Peter Zumthor-led $600 million renovation, and one thing in particular stands out: the building is no longer black.

While the third major revision to the design sees the building retain the overall shape of its previous iteration, many aspects have changed, including how the floating mass touches the ground and the facade’s new sandy color.

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Four top architects – Thom Mayne (Morphosis), Tadao Ando, Kengo Kuma and Peter Zumthor – have been tapped to contribute designs for the new “House of Architects” at the 7132 Hotel in Vals Switzerland. The latest addition to the hotel, The House of Architects features a lobby and entrance also designed by Morphosis Architects, and 7 room designs centered around a single material.

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Below is an excerpt of the cover story of this month’s Surface magazine: an in-depth look at Peter Zumthor’s recently completed Allmannajuvet Zinc Mine Museum, featuring exclusive quotes from the architect himself.

The first thing you notice when you arrive at the new Allmannajuvet Zinc Mine Museum outside Sauda, Norway, is that it looks nothing like a museum—or at least, what we think of as a museum. On a steep site framed by elegantly rugged walls of dry stone, three black, shed-like and zinc-roofed structures look far too small to house exhibits, much less hordes of visitors. But this isn’t a museum in the conventional sense. Consisting of a service building with restrooms, a café, and a gallery—all perched on tall timber supports—it’s more a memorial to those who toiled in the zinc mine that operated on the site from 1881 to 1899 in the spectacularly beautiful Allmannajuvet Ravine. The mine and its accompanying trail were long ago abandoned, the original buildings a distant memory.