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Architects: allmannwappner
- Area: 45900 m²
- Year: 2017
J. Mayer H. has won a competition to design the new façade of Cologne Main Station on Breslauer Platz in Germany. The design proposal frames the sides of the rail station with an all-around façade that offers an innovative use of space by making the best of the site's circulation and natural resources. The intervention will feature rooftop landscaping with local flowers and greenery, rainwater collection, protection from rain, wind, and sunlight, and a visual emphasis on the station's points of access.
In his book Breve Historia del Urbanismo (Brief History of Urbanism), Fernando Chueca Goitia states that the medieval city appeared at the beginning of the 11th century and flourished only between the 12th and 13th centuries. According to the author, this growth was closely linked to the development of commerce that allowed permanent occupations, resulting in a city no longer composed mainly of travelers. In other words, the bourgeoisie was formed thanks to the most diverse activities - craftsmen, tradesmen, blacksmiths, longshoremen - which stimulated the development of the medieval city.
Peter Zumthor's quiet, technically pristine, and beautifully detailed work has long been an inspiration for architects. His Kolumba Museum, located in Cologne, Germany, a city that was almost completely destroyed in World War II, houses the Roman Catholic Archdiocese’s collection of art which spans more than a thousand years. Zumthor’s design delicately rises from the ruins of a late-Gothic church, respecting the site’s history and preserving its essence.
In this series of images, photographer Rasmus Hjortshøj has captured the Kolumba Museum by renowned architect Peter Zumthor in Cologne, Germany. The museum, constructed atop the ruins of a Gothic church destroyed during World War II, was a response to a competition that aimed to protect the remains of the Gothic work and create a space to house the art collection of the archbishopric of Cologne. In his winning design, Zumthor fused the existing ruins with modern architecture ideal for religious art in an elegant and minimalist way.
With his photographs, Rasmus Hjortshøj offers a tour of Zumthor's design, portraying the building within its urban context, while examining the architect's dedication to detail.
Florian W. Mueller's Singularity series is, in the photographer's own words, "just the building – reduced to the max." These deceptively simple shots of the summits of skyscrapers from around Europe and North America, each set against in infinite gradient of sky, are symbols of architecture's effort to reach ever higher in evermore unique ways. For Mueller, who is based in Cologne, they are an attempt at abstraction. In isolation—and especially when viewed together—they are remarkably revealing as studies of form and façade.
Staab Architekten has released its plans for the historic center of Cologne, which will include the research and administration buildings for the Römanisch-Germanisches Museum, the Kurienhaus der Hohen Domkirche (curia house of the high cathedral), and the Kölner Stadtmuseum (Cologne state museum). Through these buildings, the project will redefine the urban space around Cologne’s cathedral and generate a place where the city’s history can be “presented and explored from diverse perspectives.”
Danish firm COBE has been announced as the winner of a competition for the revitalization of Deutzer Hafen, the harbor district of Cologne, Germany. Unanimously selected over proposals from Lorenzen, Diener & Diener Architekten, Scheuvens + Wachten, and Trint + Kreuder dna, the winning design will transform the old industrial harbor into a vibrant, sustainable neighborhood through the addition of a new city landmark: a new public pool and huge waterfall at the end of the harbor.
The pool will be sustained through environmentally-friendly methods, utilizing collected rainwater and excess heat expelled from buildings to provide the public with an exciting new attraction.
Concrete Love is a film about the Böhm family. Shot at their residence in Cologne, Germany, and on location at their projects—both completed and under construction—around the world, the film's Swiss director, Maurizius Staerkle-Drux, spent two years in close quarters recording scenes and conversations that offer a profound insight into the world of Pritzker Prize-winning architect Gottfried Böhm, the late Elisabeth Böhm, and their three sons.
Read on to be in with a chance of winning a copy of the film.