Kristin Feireiss, the German architecture curator, writer, and editor, passed away on April 20, 2025. With a career spanning over four decades, Feireiss played a significant role in promoting international public discourse on architecture, urban development, and social change.
The gas station is an architectural typology that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.
"Steven Holl – Drawing as Thought," an extensive exhibition of the American architect's original watercolors, is now on view at the Tchoban Foundation Museum for Architectural Drawing in Berlin. It reveals insights behind some of Holl's key projects and design methodology. The selected drawings range from early unbuilt winning competition entries to some of the latest visions now under construction in Europe and the United States. Occupying the museum's two levels, the show opened on February 6 with a conversation between Holl and the museum's founder and architect Sergei Tchoban, as well as addresses by Kristin Feireiss, the exhibition's curator and founding director of the next-door Aedes Architecture Forum, and Diana Carta, an architect and scholar from Rome. The show, which can be visited until May 4th, is accompanied by a catalog that states, "The work of internationally renowned US architect Steven Holl is distinguished not only by his extraordinary buildings, with a focus on cultural and public structures such as museums, art centers, concert halls, libraries and universities worldwide, but also by his artistic oeuvre, which today comprises more than 50,000 sketches, black-and-white drawings, and watercolors. […] While exhibition visitors will only encounter a small portion of his extensive body of work, each drawing should be explored and studied individually, in keeping with Holl's intent."
In March 2025, the actor Adrian Brody rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, The Brutalist. The film is about a Bauhaus-educated architect who escaped Nazi Germany in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, Walter Gropius and Mies van der Rohe respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, Hannes Meyer, who took a different path from his colleagues.
Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.
Germany's contribution to the 19th Venice Architecture Biennale 2025 will expose visitors physically and psychologically to the future urban climate: a STRESSTEST that makes the need for immediate action palpable. The exhibition takes a clear stance: climate change is an unstoppable reality, and the measures taken so far are inadequate. It presents a scenario in which climate change manifests globally through rising temperatures, extreme weather, and sea level rise, with its effects directly felt at a local level: urban spaces suffering from heat stress. Curators Nicola Borgmann, Elisabeth Endres, Gabriele G. Kiefer, and Daniele Santucci have designed an exhibition to highlight the impacts of global warming on urban life in an urgent call to action, emphasizing that this reality threatens urban social life, productivity, and the health and survival of citizens.
Spore Haus / AFF Architekten. Image Courtesy of DAM Preis 2025
The DAM Preis 2025, presented by the Deutsches Architekturmuseum (DAM), has been awarded to AFF Architekten for their project, Spore Haus, in Berlin. As one of Germany's most recognized architecture awards, the DAM Preis highlights significant contributions to contemporary architectural practice. This year's winner, Spore Haus, was selected for its "thoughtful design and careful integration" into the urban context, as well as its contribution to public life.
As the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.
The Museum for Architectural Drawing in Berlin, Germany, will host a new exhibition titled "Steven Holl – Drawing as Thought," curated by Kristin Feireiss. The exhibition explores the creative process of internationally renowned architect Steven Holl with a focus on his use of drawing as a fundamental tool in architectural design. Furthermore, the exhibition highlights Holl's extensive artistic practice, which includes over 50,000 sketches, black-and-white drawings, and watercolors, offering insight into his approach to architecture through visual exploration.