Bauhaus

History has often been taught in a linear way. This way of teaching has often left out grand historical narratives, and focused primarily on the occidental world. 

The Hungarian artist László Moholy-Nagy was one of the most influential thinkers, designers and art educators of the first half of the twentieth century. His experimentation with light, space and form generated international attention. Among those impressed by Moholy-Nagy's work was Walter Gropius, German architect and founder of the Bauhaus School, who made Moholy-Nagy one of the youngest instructors in the history of the Bauhaus. In his time at the Bauhaus, Moholy-Nagy utilized multi-disciplinary art practices to revolutionize abstract artistic media.

But who was the man?

The idea of a total work of art - Gesamtkunstwerk - guided several schools and movements in the 19th century, including the Bauhaus, which brought the term into the modern era. With the school's unstructured architecture and avant-garde furniture design came new ways of designing clothing, graphics and painting, etc. In the Bauhaus different fields influenced each other, diluting the border between art and industry as they evolved together. When the school was closed 1933 many projects were left unfinished.

In order to revive some of the work begun at the Bauhaus, Adobe launched the Hidden Treasures project to revive five fonts inspired by the original designs of five of the school's masters: Joost Schmidt, Xanti Schawinsky, Reinhold Rossig, Carl Marx and Alfred Arndt.

Penda has released images of its proposed high-rise residential tower in Tel Aviv, featuring brick arches and cascading terraces influenced by the city’s Bauhaus era and the materiality of its Old Town. The 380-foot-high (116-meter-high) scheme will house a range of one to four bedroom apartments, as well as double-height penthouses.

For the scheme’s design, Penda rejected the “generic glass tower” in favor of a form and materiality which responds to Tel Aviv’s sunny Mediterranean climate.

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“Today, design has become a form of inquiry, power, and agency,” say Jan Boelen and Deniz Ova, curator and director of the 2018 Istanbul Design Biennial. “It has become vaster than the world itself, permeating all layers of everyday life.” Their curatorial statement for the 4^th Istanbul Design Biennial, which opens later this year themed with the title “A School of Schools,” seeks to explore how design education, and education in general, can evolve and adapt in a new age of artificial intelligence.

The team is determined that the Biennial should not read as a two-year scheduled event, but should “reinvent itself and become a productive, process-orientated platform for education and design to research, experiment, and learn in.” The team is undoubtedly well equipped for the challenge.

One of the most highly regarded architects of the 20th century, Walter Gropius (18 May 1883 – 5 July 1969) was one of the founding fathers of Modernism, and the founder of the Bauhaus, the German "School of Building" that embraced elements of art, architecture, graphic design, interior design, industrial design, and typography in its design, development and production.

Douglas Barnhard, the owner of the home decor company Sourgrassbuilt, designs and builds birdhouses. Built out of repurposed materials, his designs are inspired by mid-century modernism and pay homage to the likes of Frank Lloyd Wright, Joseph Eichler and the Bauhaus School in Germany yet mix with Barnhard's experience of the rich surf and skate scene in Santa Cruz.

Architectural Adventures, a travel program from the American Institute of Architects (AIA), is the premier travel provider for architecture, art, and photography enthusiasts, as well as intellectually curious travelers. The program offers a variety of small-group tours specializing in the exploration and appreciation of some of the world’s most remarkable architecture, all while enjoying a destination’s culture, food, and traditions.

Living and working in the Schlemmer House in Dessau
Apply now – Applications close on 6 September 2017

In the 1920’s the Masters’ Houses in Dessau became the epitome of an artist community of the twentieth century. This is where Walter Gropius, Oskar Schlemmer, Georg Muche, László Moholy-Nagy, Lyonel Feininger, Wassily Kandinsky and Paul Klee and their families lived next door to each other. Here they were joined by their friends and visitors. Artist collectives, artist couples and artist friendships developed here, with everyone working together in the open structure of the model homes located in a park. However, when the Bauhauslers left in 1933 the area became deserted and the work created as a result of the artistic effort was abandoned.

UNESCO’s World Heritage Committee, currently holding its forty-first annual session in the Polish city of Krakow, inscribed twenty new cultural sites on its World Heritage List, including the historic city of Ahmedabad in India, archaeological sites in Cambodia and Brazil, and a “cultural landscape” in South Africa. The Committee also added extensions to two sites already on the list: Strasbourg in France, and the Bauhaus in Germany. On the other hand, the historic center of Vienna was inscribed on the List of World Heritage in Danger as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.

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In 1919, at a time in which Germany was still in upheaval over its defeat in the First World War (and compounded by the loss of its monarchy), the Academy of Fine Arts and School of Applied Arts in Weimar, Germany, were combined to form the first Bauhaus. Its stated goal was to erase the separation that had developed between artists and craftsmen, combining the talents of both occupations in order to achieve a unified architectonic feeling which they believed had been lost in the divide. Students of the Bauhaus were to abandon the framework of design standards that had been developed by traditional European schools and experiment with natural materials, abstract forms, and their own intuitions. Although the school’s output was initially Expressionist in nature, by 1922 it had evolved into something more in line with the rising International Style.[1]

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Fine arts and commercial photographer Balint Alovits has released Time Machine, his latest photo series documenting Art Deco and Bauhaus staircases throughout Budapest, Hungary.

Shown from the same central perspective, the photographs “create a new dimension by splitting space and time, staying within the visual limits of the project’s concept, while the perception of the architectural details evokes the idea of infinity.”

“I have always liked Art Deco and Bauhaus buildings,” said Alovits. “Whenever I step into one of these caracoles, I feel a certain pulling energy looking up from the bottom or down from the top. I wanted to collect and showcase all the different shapes and colors that these stairways feature.”

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The first piece of the new Bauhaus Museum Dessau will be set into place this weekend as part of the “Bauhaus Building 90th Anniversary” event, one year after Barcelona architects González Hinz Zabala were selected as the winners of a fierce international competition for the commission.

González Hinz Zabala’s open concept, “Black Box” design was originally selected as a joint 1st place winner with a proposal from New York architects Young & Ayata in September of last year, and then awarded the commission for the final design in December following further fine tuning of the design.