Lesley Lokko OBE has been recognized with the African Cultural Icon Award, honoring "leaders in the creative arts who promote African culture and heritage on a global stage." The accolade is one of nine awards presented annually to publicly nominated and industry-recommended figures by a panel of judges from across Africa. Nominees are evaluated based on "impact, innovation, sustainability, and contribution to Africa's growth." Lokko is the Founder and Chair of the African Futures Institute (AFI), headquartered in Accra, Ghana, and Director of the Nomadic African Studio, an annual month-long itinerant teaching program working across the African continent. She has been acknowledged for her transformative contributions to architecture, education, and cultural discourse within and beyond Africa, consistently challenging conventional narratives around African identity, space, and creativity.
Each year, International Women's Day brings renewed attention to questions of gender within many professional fields, architecture among them. Public conversations often center on celebrating prominent figures or highlighting notable projects, moments that briefly illuminate the contributions of women within the discipline. Yet the visibility produced by these occasions sits within a longer and more complex trajectory. Over the past several decades, the architectural profession has undergone gradual shifts that have expanded opportunities and broadened participation, even as longstanding structures continue to shape how careers develop and how architectural work becomes visible.
The architectural history of North American cities in the 20th century is often characterized by the pursuit of urban renewal. In the United States, Boston, Portland, and San Francisco are just some examples of when municipal governments prioritized high-speed vehicular infrastructure over the existing urban fabric. In Canada, Montreal would have followed this trajectory if not for the intervention of several figures throughout its history, most notably Blanche Lemco van Ginkel (1923–2022). A Harvard-trained planner and architect who, along with her husband Sandy Van Ginkel, advocated for the preservation of urban heritage while applying the principles of modernist infrastructure.
The Créateurs Design Awards (CDA) announced Xu Tiantian, Founder and Principal Architect of DnA_Design and Architecture, as the recipient of the 2026 edition of Le Prix Charlotte Perriand. The award celebrates architects whose work embodies innovation, social responsibility, and a deep engagement with community and place. The architect was recognized for her transformative work bridging urban and rural communities through innovative design interventions. Her approach to architecture was acknowledged as a tool for cultural preservation and rural revitalization, making her an exemplary recipient of this honor, previously awarded to prominent architects such as Frida Escobedo, Jeanne Gang, Kazuyo Sejima, and Ryue Nishizawa.
Dutch artist Madelon Vriesendorp has been named the recipient of the 2025 Soane Medal, becoming the first UK-based female artist to receive the award since its launch in 2017. A co-founder of Office for Metropolitan Architecture (OMA), Vriesendorp is widely recognized for her surrealist and humorous visual language that has shaped how modern and postmodernarchitecture is represented and understood. Her work, which blends playfulness with critical thought, has provided architecture with vivid, memorable imagery that continues to influence generations of architects.
As cities and landscapes evolve, architecture is increasingly asked to support well-being,performance, and collective experience. From stadiums that honor deep cultural memory to intimate wellness spaces that foster restoration and connection, sports and wellness typologies are expanding beyond mere functionality. They create environments where movement and health intersect with design quality, sustainability, and social meaning. Today, these spaces range from elite training grounds and recreational clubs to contemplative retreats and inclusive public amenities, shaping how communities gather, heal, and celebrate shared identity.
This selection of unbuilt proposals submitted by the ArchDaily community illustrates that diversity. In São Paulo, Luiz Volpato Arquitetura reinvents the historic Santos Futebol Clube stadium with a geometry that preserves fans' memory while introducing new commercial and social uses. In Hanoi, Van Aelst I Nguyen and Partners bring filtered light and fresh air to a dense urban sports complex. In Dubai, RSP proposes Haven, a residential development anchored in holistic wellness and nature-driven experiences, while India's Tropic Responses imagines Aira Club as a climate-conscious leisure hub. High in the Himalayas, Gadasu + Partners carve a meditative spa into mountain stone, and in Isfahan, Arsh4d Studio rethinks segregated women's parks to create inclusive, future-oriented civic space.
Studio Gang is an architecture and urban design practice founded in 1997 by Jeanne Gang and based in Chicago, with additional offices in New York, San Francisco, and Paris. Comprised of over 100 professionals, including architects, designers, and planners, the studio is known for its research-driven approach to design. On Friday, July 11, the Aedes Architecture Forum in Berlin will inaugurate an exhibition on Studio Gang's work, organized in collaboration with AW Architektur & Wohnen magazine. Titled Studio Gang: The Art of Architectural Grafting, the exhibition explores the studio's design methodology through six recent projects.
India today is a country of 1.4 billion people requiring every type of building imaginable—hospitals, colleges, housing, and more. Championing sensibility and practicality in design is Brinda Somaya, an internationally acclaimed architect, urban conservationist, and academician, recently named an honorary member of the 2025 class of Fellows of the American Institute of Architects. Her work demonstrates a careful response to cultural contexts enriched with a grounded understanding of functionality, transforming them into modern relics. A four-decade career has built her portfolio that spans architecture, master-planning, and historic preservation - a constantly unfolding legacy.
This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.
The Swiss Arts Council Pro Helvetia, represented by Sandi Paucic and Rachele Giudici Legittimo, has announced that the Swiss Pavilion at the Venice Architecture Biennale 2025 will host the exhibition "The final form is determined by the architect on site," curated by Elena Chiavi, Kathrin Füglister, Amy Perkins, Axelle Stiefel, and Myriam Uzor. This all-female team poses the question: What if Lisbeth Sachs, rather than Bruno Giacometti, had designed the Swiss Pavilion? The exhibition will explore this question by reviving one of the iconic works of Lisbeth Sachs, one of the first registered female architects in Switzerland and a contemporary of Giacometti.
From new delivery methods for adaptive re-use and mass timber structures to digital fabrication, new research aims to provide guidance on emerging construction methods and technologies.. Image Courtesy of Perkins&Will
Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.
In a world confronting complex challenges, innovation in architecture plays a distinctive role. Unlike industries driven by rapid innovation cycles, architecture must balance creativity with practical solutions that are deeply rooted in human experience. What will it take for the architecture industry to fully harness its potential in shaping the future of our built environment?
Phyllis Lambert has been a key figure in the preservation of Canada's cultural heritage. As an architect and advocate for heritage conservation, Lambert has left an indelible mark in Montreal and other cities worldwide. Her contributions to Montreal's architectural scene can't really be judged in terms of individual buildings, but rather in terms of the city as a whole. She not only cofounded the Canadian Center for Architecture (CCA), but also helped reshape the way cities like Montreal think about heritage and the importance of community voices in urban planning.
La Valiente Focaccería + Maíz / OHIO Estudio. Image Cortesía de OHIO Estudio
Creating spaces for social interaction involves design processes aimed at countering the individualization of people by fostering bonds and connections between them. While advancements in information and communication technologies provide new tools that optimize the development of certain activities and functions, their societal impact often tends to increase individual practices, such as remote work, virtual fitness activities through apps, or the digital consumption of goods, services, and events, among others. From architecture and interior design to urban planning, many emerging practices face the challenge of consolidating spaces for social interaction through design strategies, uses, and natural connections that prevent the replacement of physical space with virtual alternatives.
Adjacent to Toronto's Pearson International Airport, the Bombardier Aircraft Assembly Center represents a landmark project in Canadian aerospace design. Located next to Canada's largest airport, it blends 70,000 m2 (750,000 ft2) of technical precision with a focus on people. ArchDaily's editor Moises Carrasco had the opportunity to speak with Lilia Koleva, partner at NEUF architect(e)s and founder of the firm's Toronto office, which led this project. Koleva shared insights into her professional journey and reflected on the challenges of building and growing NEUF's Toronto-based office. She also discusses the Bombardier Campus, describing it as a defining project in her career, and how it showcases NEUF's ability to tackle large-scale, technically demanding projects while maintaining a focus on the people who use the space. This project builds on the office's prior expertise in industrial design and expands its portfolio of human-centered architectural solutions. Koleva also reflects on the importance of fostering collaboration, adaptability, and a clear understanding of client needs; qualities that have defined her approach to architecture and leadership at NEUF.
