Women In Architecture: The Latest Architecture and News

This article was originally published on CommonEdge as "Women in Architecture Need a New Set of Role Models—Beyond the Star System"

This article is an updated version of its original post on March 15th, 2016.
"In the ongoing debate about women in the architecture profession, you rarely hear an argument for why equal representation is important; it's generally assumed to be an unquestionable moral imperative. However, in this article originally published on the Huffington Post as "Why Women's Leadership Is Essential for Architects," Lance Hosey argues that, regardless of your position on equality as a moral imperative, better representation of women in architecture could benefit everyone in the profession—in very tangible ways.

Today, on International Women's Day (March 8) we want to share again the American Institute of Architects (AIA) publication "Diversity in the Profession of Architecture," its first diversity report in a decade. The release follows the creation in December 2015 of the AIA's "Equity in Architecture Commission," a panel of twenty architects, educators, and diversity experts to investigate diversity and inclusion in the profession. The new report documents a survey of over 7,300 professional architects and students, including men and women, 79% of them whites and 21% people of color.

Since its founding in 1851, The New York Times has published thousands of obituaries listing the lives and legacies of some of the world’s most influential people. However, by their own admission, the listings have historically been dominated by white men. In order to address this, The Times launched its “Overlooked” series in 2018, telling the stories of women such as Sylvia Plath and Emma Gatewood.

In advance of International Women’s Day, The Times has published an obituary by Alexandra Lange detailing the life and legacy of Julia Morgan, the first woman to earn an architect’s license in California, and “a prolific designer of hundreds of buildings, namely the Hearst Castle at San Simeon."

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For this year's Women in Architecture Awards, The Architectural Review and the Architects’ Journal have selected Sheila O’Donnell as Architect of the Year and Xu Tiantian to win the Moira Gemill Prize for Emerging Architecture in the 2019 Women in Architecture awards. The Architect of the Year award recognizes excellence in design specifically in the context of a recently completed project and the Moira Gemmill Prize for Emerging Architecture is awarded to women designers under the age of 45 who show design excellence indicative of a bright future.

In many parts of the world, more women have architectural degrees than men. However, this fact hasn’t translated past university into the working world as women continue to be underrepresented across nearly all levels of practice.

The conversation regarding women in architecture gained tremendous traction back in 2013 with the petition for Denise Scott Brown to be recognized as the 1991 Pritzker Prize winner, alongside her husband and the consequent rejection of that request by Pritzker. The Architectural Review and Architect's Journal have, since 2015, jointly presented awards to the exceptional female practitioners as part of their Women in Architecture Awards program. The swelling of these movements have helped to promote not only the role but also the recognition of women in architecture.

Architect Liz Diller and architectural photographer Hélène Binet have been awarded the 2019 Jane Drew and Ada Louise Huxtable Prizes, respectively, for their exceptional contributions to the field of architecture. The prizes are part of the eighth edition of the Women in Architecture Awards founded jointly by The Architect's Journal and The Architectural Review.

Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

Gropius, Mies van der Rohe, Albers, Klee, and Breuer are all names that bring to mind the exceptional artistic talent of the Bauhaus school. But an exceptional yet lesser-known aspect of the Bauhaus is that the early 20th-century experimental German art school was one of the first educational institutions that would openly accept qualified women into the program.

Once entered into the program, women were not exactly treated as equals to their male peers, but in 1919 the acceptance of these passionate women was the beginning of a wave of modern female artisans who made significant, yet not as recognized contributions to the Bauhaus movement. An introduction to seven of these women can be found below:

There’s something irresistible about Robert Venturi and Denise Scott Brown’s architectural romance. They met when they were both young professors at the University of Pennsylvania; Scott Brown held seminars in city planning, and Venturi gave lectures in architectural theory. As the story goes, Scott Brown argued in her first faculty meeting that Frank Furness’ masterful Venetian gothic library should not be torn down to build a plaza (then a dissenting opinion). Venturi approached her after the meeting, offering his support. As Paul Goldberger wrote of the couple in 1971, “as their esthetic viewpoints grew closer and closer, so did their feelings toward each other.” Architecture lovers can’t help but love the architect-lovers.

"Where are the women architects?" Despina Stratigakos, an architectural historian and professor, lamented in her book about women in the practice. (She even titled her book that very question.) The sentiment was certainly a resounding one, well-understood by many women who have worked in the profession and had to break through a male citadel. We know the number of women in architecture is small, and it gets smaller the higher up we look. 

Which is why we wanted to recognize the women who are at the top, leading practices, and paving the way. To celebrate International Women's Day this month, we launched an open call to recognize women who run their own firms all around the world. And if their projects had never been published by us before, we were going to give them the spotlight.

What we found were an incredible group of women who impressed us with their designs, their work ethic, and their dedication towards the profession. Not only do these women design and build, but they lead teams, manage offices, and eventually took the leap to be their own bosses and do things their own way. 

The history of Mexican photography has contributed to highlighting Mexico's presence in the world. Photographers like Elsa Medina, Lola Álvarez Bravo, Graciela Iturbide, Maya Goded, and Juan Rulfo have masterfully portrayed the life of the buildings, houses and the streets of a rapidly built, nineteenth-century Mexico. 

As a consequence, the contemporary scene of Mexican photography has become a fundamental tool for architecture and has contributed to a better visual understanding of the works that are erected every day.

Photography and architecture are two disciplines that go hand in hand and whose relationship has been reinforced thanks to the digital tools that we currently have. For that reason, we have compiled the work of contemporary Mexican photographers who record our walk through the world we live in and contribute to constructing the image of contemporary Mexico.