The project will include two major changes to UCD’s Belfield campus, located about 5 km from Dublin’s city center: a major update to the campus’ entry precinct along Stillorgan Road, as well as a new 8,000 square meter Centre for Creative Design, which will house UCD’s design studios.
The pavilion representing the United States at this year’s biennale brings together the work of seven different transdisciplinary teams who each prepared an installation addressing the concept of citizenship at a different scale. Entitled Dimensions of Citizenship, the exhibition is intended to challenge the definition and conception of citizenship, examining issues and citing examples on the scale of the citizen, civitas, region, nation, globe, network and cosmos. The pavilion was commissioned on behalf of the US Department of State’s Bureau of Educational and Cultural Affairs by the School of the Art Institute of Chicago and the University of Chicago.
The Adelaide Contemporary is planned to transform the site of the former Royal Adelaide Hospital (oRAH), and will feature exhibition, research, and education spaces situated in a public sculpture park and community meeting place. The museum will also notably host the Gallery of Time, a first-of-its-kind space to exhibit Aboriginal art alongside art from Europe and Asia, inviting visitors to see Australian art in a global context. The six designs are now being displayed in an online gallery created by competition organizer Malcolm Reading Consultants, and in a public exhibition being held in Adelaide at the Art Gallery of South Australia.
Hudson Yards’ first condominium tower, 15 Hudson Yards, has topped out at its full architectural height of 914 feet, with exterior cladding also more than halfway complete. Designed by Diller Scofidio + Renfro (the firm’s first true skyscraper) in collaboration with Rockwell Group and executive architects Ismael Leyva Architects, the tower will contain a total of 285 residences, half of which have already been sold.
Eight long and prosperous years have passed since the first part of the New York High Line opened in 2009. As a prominent piece New York's architectural and urban identity, it is no wonder that it has been awarded the Harvard GSDVeronica Rudge Green Prize in Urban Design, recognising the ongoing efforts of the Friends of the High Line for their adaptivity to the changing context of the park and their support from the beginning for design excellence.
The jury was particularly inspired by the multidisciplinary project between James Corner Field Operations, Diller Scofidio + Renfro, and Piet Oudolf, spanning the public and private domains as a model of collaborative design. It was also commented on the social and political relevance of the High Line in saving a piece of American history from ruin and interacting through community outreach programs and a wider dissemination program for cities across the US.
Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."
With nearly 100,000 votes cast during the last two weeks, we are happy to present the winners of the 2018 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2017.
https://www.archdaily.com/888634/winners-of-the-2018-building-of-the-year-awardsAD Editorial Team
Update 1/23/18: The jury for the competition has been announced as the architects arrive on site for walkthroughs.
Six star-studded teams have been shortlisted in the Adelaide Contemporary International Design Competition, which is seeking to create a new contemporary art museum and public sculpture park on a significant site near the University of Adelaide and the Adelaide Botanic Garden in Adelaide, Australia.
Selected from 107 teams made up of over 500 individual firms, the six shortlisted teams were chosen through the “outstanding quality” of their initial submissions and for the complementary strengths of each of the team members.
“This is an extraordinarily rich list of diverse creative partnerships of architects looking to complement their talents by working with both peers and smaller talented practices. The final decision was very demanding but these are the teams that convinced us through the outstanding quality of their submissions,” said Nick Mitzevich, Director, Art Gallery of South Australia.
MAAT Museum and reSITE partner on a Conference on Architecture, Art and Sound and will bring world’s best creators of sound spaces and acoustic experiences to Lisbon. During a one-day international event in collaboration with Berkeley, California’s Meyer Sound, we will be thinking about sound and space with architects of the most fascinating contemporary music and culture venues and designers of intriguing sound environments. Artist-led tours, innovative technologies, demonstrations and performances will be part of the event, on top of keynote lectures and discussions with editors from leading global media. Early Bird registrations are open until January 15 for this one-of-a-kind event for architects, artists, engineers and anyone interested in how sound interacts with architecture.
This article was originally published on the blog of the Chicago Architecture Biennial, the largest platform for contemporary architecture in North America. The 2017 Biennial, entitled Make New History, will be free and open to the public between September 16, 2017 and January 6, 2018.
“Writing about music is like dancing about architecture.” This famously misattributed analogy has floated through the arts world for decades as shorthand for the difficulty of imposing the gestures of one creative discipline onto another. But why should dance and architecture get lost in translation? Isn’t there an inherent poetry to the movement of bodies navigating the built environment?
Diller Scofidio + Renfro (DS+R) has been selected by Discovery Place and the City of Charlotte to design the new Discovery Place Science center in uptown Charlotte, North Carolina. Partnering with architect-of-record Jenkins•Peer Architects (J•PA), the team will create a masterplan and conceptual design for the museum, one of the state's most popular cultural attractions.
Update 11/9/17:We've added a gallery of items from the show to the post!
Diller Scofidio + Renfro have been selected to collaborate with The Costume Institute on a new exhibition at New York’s Metropolitan Museum of Art focused on the relationship between fashion, religious art and the devotional practices and traditions of Catholicism.
Titled “Heavenly Bodies: Fashion and the Catholic Imagination,” the exhibition will feature fashion and religious artworks from the Met’s collection, as well as more than 50 objects and garments from the Sistine Chapel sacristy, many of which have never been seen before outside of The Vatican.
The Wall Street Journal has selected New York-based firm Diller Scofidio + Renfro as their 2017 “Architecture Innovator of the Year.”
Led by partners Liz Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin, over the past decade the firm has quickly grown from a largely conceptual practice focused on installations, performance and unbuilt works to a full-fledged, international office with completed and in-progress projects around the globe.
Working in collaboration with UK-based firm Sheppard Robson, DS+R will develop plans for a world-class concert hall with supporting training, education and digital spaces, as well as attached commercial areas. When complete, it will serve as the new home of the London Symphony Orchestra and Guildhall School of Music & Drama.
As part of the series of new urban developments sprawling up in Moscow, Zaryadye Park is the latest to open this month in a bid to improve the city’s green space. Commissioned by Moscow Chief Architect, Sergey Kuznetsov, an international consortium led by Diller Scofidio + Renfro in collaboration with Hargreaves Associates and Citymakers has designed this new public space that encourages integration and celebrates the amplitude of regions across Russia by artificially emulating each of their climates: the steppe, the forest, the wetlands and the tundra.
The curatorial team for the U.S. Pavilion at the 2018 Venice Architecture Biennale have announced the seven designers who will create the pavilion’s main exhibitions. Consisting of architects, landscape architects, artists and designers, the group will produce responses to the theme of Dimensions of Citizenship, exploring “the meaning of citizenship as a cluster of rights and responsibilities at the intersection of legal, political, economic, and societal affiliations.”