In the final episode of season 2, hosts Eric Jaffe and Vanessa Quirk discuss the past, present, and future of responsive architecture with Sidewalk Labs’ director of public realm Jesse Shapins, engineer and microclimate expert Goncalo Pedro, Bubbletecture author Sharon Francis, and renowned architect Liz Diller of Diller Scofidio + Renfro.
Diller Scofidio + Renfro: The Latest Architecture and News
Follow along during the twelfth edition of the World Architecture Festival through ArchDaily's Live Stream. As the world’s biggest architectural awards program, WAF brings together more than 2,000 architects and designers to Amsterdam for three days of conference programs, awards, and exhibition events from December 4-6. Tune in to our Facebook live streams for a selection of lectures.
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
The Natural History Museums of Los Angeles County (NHMLAC) have unveiled three new concepts for a master plan of the La Brea Tar Pits. The proposals were designed to improve the entire 12-acre site, which has not been renovated or considered comprehensively since it opened more than forty years ago. The three proposals were made by Dorte Mandrup, Diller Scofidio + Renfro and WEISS/MANFREDI. The concepts aim to create a more integrated experience of the museum and the landscape in Hancock Park.
The initial phase of London’s first linear culture park has opened to the public along the Thames. Designed by Diller Scofidio + Renfro and Neiheiser Argyros, the project is sited on the Greenwich Peninsula as a new outdoor destination for the city. Called The Tide, the park offers free-to-view public art by emerging and world-renowned artists and includes a landscaped route for running, walking and meditation that is freely accessible to all.
The inaugural SAH Change Agent Award will be presented to the partners of the New York architecture firm Diller, Scofidio + Renfro: Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin, at a reception at the Century Club in midtown Manhattan.
DS+R’s work involves an interdisciplinary approach to design that encompasses art, architecture, digital media, and large-scale planning, with a focus on cultural and civic projects. Their Manhattan work includes the creation of the High Line (in collaboration with James Corner Field Operations and Piet Oudolf), the redesign of Lincoln Center, the current renovation of the Museum of Modern Art, and
The shortlist has been announced for the design of the National Pulse Memorial & Museum in Orlando, Florida, honoring the 49 people killed during the Pulse nightclub shooting on June 12th, 2016. Established by Dovetail Design Strategists for the onePULSE Foundation, the open, two-stage international competition seeks to honor those killed while also supporting the families, survivors, and first responders.
Diller Scofidio + Renfro and Rockwell Group's iconic Shed has opened after more than a decade in the making in New York City. The building features a 120-foot telescopic shell in Hudson Yards that can extend out from the base building when needed for larger performances. Clad in ethylene tetrafluoroethylene (ETFE) “pillows,” the project is connected to the High Line on 30th Street to bring performances and art to the city's newest neighborhood,
New York City’s Hudson Yards has opened its doors to the public, and the reviews are flooding in. Built on Midtown Manhattan’s West Side, the project is New York’s largest development to date and the largest private real estate venture in American history, covering almost 14 acres of land with residential towers, offices, plazas, shopping centers, and restaurants. A host of architecture firms have shaped the development, including BIG, SOM, Diller Scofidio + Renfro, Rockwell Group, and many others.
Read on to find out how critics have responded to Hudson Yards so far.
Architecture and design practice Diller Scofidio + Renfro have been selected to design the Hungarian Museum of Transport in Budapest. As the new home for one of the oldest transport museums in Europe, the project will be sited in a former railway yard. The project uses the idea of ground transportation as a central organizing principle, highlighting the central role of the ground in urban planning and infrastructure. The design de-familiarizes ground by excavating, lifting, and cutting to produce unexpected environments.
Diller Scofidio + Renfro have revealed the design for 90 Queen’s Park, a new education and cultural building for the University of Toronto in Canada. The project will combine a range of classrooms and public spaces to house the University of Toronto's School of Cities for its urban-focused research, educational and outreach initiatives. The nine-story building will become a new gateway to the campus with views across the Toronto skyline.
This edition of a+u introduces the 23 recent works of architecture and technology that emerged from their relationship with the urban structure or the development history. In this issue, we focus our attention on the process of conceiving and realizing the projects driven by various motivations and tactics. We invite readers to look beyond the confinement of a single building and examine the works on their possibilities to be in use for a long time.
Diller Scofidio + Renfro have revealed the design for the new London Centre for Music. Made for The Barbican, London Symphony Orchestra and Guildhall School of Music & Drama, the first concept designs were released as part of a progress update on plan for the new proposed building. Made to be a world class center for music in London, the design would create an iconic new gateway to the City of London’s emerging Culture Mile.
Next year New York's iconic High Line will open a new public space for art designed by James Corner Field Operations and Diller Scofidio + Renfro, with artwork by Simone Leigh. The public space will be the newest section of the elevated park dedicated to a rotating series of contemporary art commissions. The first art project in the space will be Brick House, a sixteen-foot-tall bronze bust of a black woman by Brooklyn’s Simone Leigh.
London's V&A has revealed new images and information about V&A East, a museum by O'Donnell + Tuomey and research center by Diller Scofidio + Renfro. Sited within London's Queen Elizabeth Olympic Park, the projects will be built at the Here East complex and Stratford Waterfront. The V&A have stated that the museum will include two galleries to showcase the collections, while the research center aims to be a new model for collection storage and public display.
DS+R partner Elizabeth Diller has designed two new pieces for Prada's 2019 spring/summer womenswear collection. Created from Prada nylon as part of the Prada Invites project, the two pieces include a garment bag with utilitarian zippers and buckles and a raincoat that transforms from the same yoke style bag. The yoke style bag was also imagined as a lighter item for women to carry sketchpads, sandwiches and lipstick. The Prada invitation was made to expand the company's fascination with multifaceted representations of contemporary femininity.