Cultural centers are vibrant places where art, community, and innovation intersect—each uniquely crafted to embody and celebrate its local character. This month's projects, submitted by the ArchDaily community, showcase a diverse array of cultural spaces, from the transformation of a historic townhouse in Montreal to a dynamic creative hub in Riyadh and an eco-conscious visitor center in Tennessee's mountains. Each design offers a new perspective on what a cultural center can be, whether a hub for creativity, a sanctuary for nature, or a bridge to the past.
The Western Australian Government has announced the upcoming renovation of the Perth Concert Hall, a 51-year-old heritage-listed venue known for its significant role in the city's cultural landscape. Originally designed by architects Jeffrey Howlett and Don Bailey, the concert hall will undergo extensive upgrades led by OMA's Australian office in collaboration with Perth-based WITH Architecture Studio. The project is set to begin in early 2025, aiming to provide a modern home for the West Australian Symphony Orchestra (WASO) and improve visitor facilities through new public spaces, upgraded amenities, and improved seating.
At the turn of the millennium, the world was gripped by the looming threat of the Y2K bug, a potential failure of computerized systems that could disrupt everything from banking to aviation. As midnight approached on December 31, 1999, people withdrew their savings, major corporations issued warnings, and governments scrambled to prevent public hysteria. But as the sun rose on January 1, 2000, the feared bug had no material impact, and the crisis faded as quickly as it had emerged. However, this era left its mark in unexpected places — particularly in architecture. Amid the anxiety surrounding digital technology, one of the most iconic concert halls of our time, Casa da Música in Porto, was born. Designed by OMA (Office for Metropolitan Architecture), its origins can be traced to a much smaller project: the Y2K House. What began as an exploration of private domesticity during the digital scare evolved into a grand public structure — an architectural transition from home to a performance hall.
Diller Scofidio + Renfro has just revealed the design for the 60,000-square-foot Center for Collaborative Arts and Technology (CCAT) at the University of New Mexico (UNM). This ground-up facility will serve as a new gateway to the arts at UNM, located along the historic Route 66, where it bridges the campus and the city of Albuquerque. While many interior spaces are designed for performance, film, and technology, the building's prominent location fosters a visual connection between its activities and the surrounding environment.
Ostrava Concert Hall . Image Courtesy of Steven Holl Architects
The Ostrava Concert Hall, designed by Steven Holl Architects, has just broken ground in the Czech Republic. Commemorating the start of construction, the concert hall “promises to be an inspiring venue for both locals and internationals who cherish Ostrava’s rich music heritage.” Designed for the Janacek Philharmonic Orchestra, it creates a dramatic contrast between old and new, aiming to create a cultural landmark.
Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.
Featuring both emerging and internationally recognized offices, this week’s curated selection showcases music and performance venues, from mixed arts and cultural centers to opera and ballet halls. Including proposals for international competitions such as David Chipperfield Architects or SHL and PAX architects’ designs for the Polish Royal Opera in Warsaw or Hariri Pontarini Architects’ design for an integrated center for the arts in Canada, the selection explores the program of music venues across scales and programs.
GRAFT Architects has just won the competition to design the new Carl Bechstein Music Campus. Located centrally in Berlin, the Carl Bechstein Foundation’s main goal with the campus is to create a cultural hub entirely devoted to piano music. Serving as a focal point for the Bechstein Brand, established in 1853 and known for its variety of Bechstein pianos, this campus will serve as a focal point and a new headquarters for the foundation.
After winning the international competition for the design of the Vltava Philharmonic Hall in May 2022, Danish studio BIG-Bjarke Ingels Group has now developed the design into a detailed architectural study. The project continues the central concept of the competition, that of connecting the riverbank with the venue’s rooftop via a meandering path that expands the public space and invites visitors to engage with the new building. Construction is expected to start in 2027, after completing the project documentation for the building permit and selecting a contractor. The Philharmonic Hall is expected to open in 2032.
The Sphere at the Venetian Resort, previously known as the MSG Sphere, opened to the public with a series of concerts headlined by Irish rock band U2 on September 29, 2023, in Las Vegas. Designed by stadium specialist architecture office Populous, the project was first announced in 2018. Measuring 34 meters in height and 157 meters in width, the venue, whose building costs rose to $2.3 billion, is labeled the world's largest spherical structure, with its exterior clad in a high-resolution LED screen. The project, located east of the Las Vegas Strip and connected to the Venetian resort complex, is designed to host various events, including music, film events, and even some sports. To reveal the complete experience of this venue, new interior images showcase the intricate details and immersive atmosphere within.
WORKac has just initiated the construction of a new cultural center in Inwood, New York. Led by immigrants and women of color, “The People’s Theater: Centro Cultural Inmigrante” is dedicated to supporting immigrant New Yorkers through various artistic programs. Spanning multiple languages and generations, their unique form of theater serves as a dynamic platform for immigrants and members of the Latin, Black, and Queer communities.
The China Philharmonic Concert Hall in Beijing, China, designed by MAD Architects led by Ma Yansong, is nearing completion. The design of the concert hall began with a competition, won by MAD in 2014. Upon completion, the 26,000-square-meter building will become the first permanent residence for the China Philharmonic Orchestra, transforming the area into a new locus for classical music and cultural exchange. The project is scheduled to be completed in 2024.
Following an international competition, London-based architecture studio AL_A has been selected to design the new BelgradePhilharmonic Concert Hall. The project will become a landmark for the Serbian capital, as it represents the biggest cultural investment in the region in the last decades. Located near the historic Palace of Serbia in New Belgrade, the Concert Hall features multiple performance, rehearsal, and creative spaces, including a 1,600 seats symphonic concert hall. The design team led by AL_A also includes landscape designers VDLA, engineers AFA Consult, and local architects Zabriskie. They are joined by Arup, who coordinates the acoustic and theatrical design.
Tu Casa by Lutolli Architects + Partners. Image Courtesy of Lutolli Architects + Partners
Architects play an important role in creating healthy, functional and aesthetically pleasing environments. Interior design represents a natural continuation of the same prerogative, and its importance has been accentuated in recent years, from the lockdown forcing many people to remain indoors for extended periods of time, to the rise of remote work. The task of the interior designer is not decorating spaces, but planning for an effective use of space, understanding the needs of the user and highlighting the intrinsic qualities of a space. Acoustics, lighting, material properties and proportions all play a role in achieving a coherent and enjoyable interior space.
This week’s curated selection of Best Unbuilt Architecture highlights interior design projects submitted by the ArchDaily community. From a pastel-colored library in Turkey to a renovated symphony hall in San Diego, US, this selection of unbuilt projects showcases how architects design interior spaces by integrating textures, materials, light, and color in well-proportioned spaces. The article includes projects from Turkey, US, Switzerland, Indonesia, UK, and Denmark.
The Sydney Opera House has reopened its largest performance space, the Concert Hall. Since the venue closed for renovations in February 2020, the space has undergone extensive renovations to improve the acoustic performance, enhance access for people with mobility needs, and upgrade the staging systems. The renovation process respects the original interiors, while better equipping the hall to present a wide range of performances. This is the largest and final project in the Opera House’s Decade of Renewal, a 10-year program of renovation works totaling almost $300 million to upgrade the World Heritage-listed monument ahead of its 50th anniversary in 2023.
Cavatina Concert Hall by Cavatina. Image Courtesy of Cavatina
The diversity of civic spaces in cities and rural areas have continuously showcased how strongly they explore human connections regardless of program, construction technique, scale, and geography. Ranging from educational facilities and museums, to art centers, libraries, religious halls, and memorials, these projects have enriched urban fabrics with cultural programs that have provided members of the community with places to learn, entertain, create, and unwind.
This week’s curated selection of Best Unbuilt Architecture highlights cultural projects submitted by the ArchDaily community from across the world. From a water management system that targets the natural crises in Egypt to a structurally intertwined memorial in the United States, this round up of unbuilt projects showcases how architects responded to the contextual and spatial needs of their projects through innovative and local solutions. The article also includes projects from Italy, China, Uruguay, Poland, Iran, Hungary, Russia, and the United Kingdom.
As a room everyone needs to visit, no matter what their social standing (or sitting), bathrooms can be one of the best ways to add character to a project. Used when we are at our most vulnerable, bathrooms are calm, solitary arenas, giving a few minutes of peace in an otherwise hectic environment. So the originality of the user experience can really stand out.
Whether they bring relaxation to hospitality, individuality to residential or drama, and culture to public space, bathrooms can both surprise and delight users, while allowing them to rest. Here are eight projects where a designer bathroom is an integral part of interior architecture.
Conceptual Plan of Wuhan Nanhu Art Center. Image Courtesy of Jing Studio
This week’s curated selection of Best Unbuilt Architecture highlights commercial projects submitted by established firms. From art museums to offices, this article explores cultural functions and commercial spaces, and presents projects submitted to us from all over the world.
Featuring a reception center that merges the cultures of China and Italy by aoe architects, and a post-pandemic office building by NBBJ, this roundup explores how established architecture firms have designed buildings that optimize the functions of projects and ensure the comfort of their users. This round up also includes a collection of proposals from KPF Architects, Nordic Office of Architecture, AFF Architekten, along with many other firms, each responding to different spatial needs, facilities, and environments.
Kengo Kuma and Associates, together with Bekim Ramku and OUD+ Architects, has recently been awarded first prize in the competition to redesign the Gërmia building into a concert hall and will lead the conversion of Prishtina’s architectural icon into a cultural landmark for Kosovo. The proposal preserves the existing structures and articulates the program within and around the modernist buildings. The design envisions a canopy weaving together the different volumes and creating a new layer of public space.