Olson Kundig has announced the opening of its new Bob Dylan Center, a warehouse-turned-museum that gives visitors exclusive access to the cultural treasures found in The Bob Dylan Archive®. Led by design principal Alan Maskin, the center showcases Bob Dylan's worldwide cultural significance, featuring a collection of more than 100,000 items spanning nearly 60 years of Dylan’s career, from handwritten manuscripts and correspondence, to films, videos, artwork, and original studio recordings.
Center: The Latest Architecture and News
Bjarke Ingels Group has unveiled the design of a new Neuroscience Center building that will bring together psychiatry and neuroscience under one roof, combining research and treatment of physical and mental brain diseases, spinal cord, and nervous systems. The 20,000 sqm facility, which will be a part of the Aarhus University Hospital in Denmark, translates the "gyrification of the human brain" in a spatially-efficient structure that creates synergies between the different disciplines within the hospital.
Nestled in the Arctic landscape of Greenland's UNESCO-protected wilderness, Dorte Mandrup Arkitekter has completed the Ilulissat Icefjord Centre, a research and visitor center that highlights the effects of climate change. The structure blends into the surrounding landscape, offering visitors a unique panorama of the Icefjord, while observing the detrimental consequences that climate change has on the environment.
A Low-Tech Office Building and a Vineyard Hotel: 14 Unbuilt Commercial Projects Submitted by Established Firms
This week’s curated selection of Best Unbuilt Architecture highlights commercial projects submitted by established firms. From art museums to offices, this article explores cultural functions and commercial spaces, and presents projects submitted to us from all over the world.
Featuring a reception center that merges the cultures of China and Italy by aoe architects, and a post-pandemic office building by NBBJ, this roundup explores how established architecture firms have designed buildings that optimize the functions of projects and ensure the comfort of their users. This round up also includes a collection of proposals from KPF Architects, Nordic Office of Architecture, AFF Architekten, along with many other firms, each responding to different spatial needs, facilities, and environments.
Ennead Architects have won the international competition to design a dynamic 32-floor commercial tower in the heart of Shenzhen’s high-tech Nanshan District. The architecture studio’s aim was to create a platform that “embraces creative exchange and the sharing of human experiences and ideas”, so they developed a design that offers a flexible working environment with a subtle use of color and materials, complimenting the spatial and functional needs of Chinese tech company ByteDance. The tower, which is expected to be completed by 2024, will employ co-working spaces, commercial, and recreational facilities in a dynamic-looking structure overlooking Shenzhen Bay.
Contreras Earl Architecture has revealed its design for the world-first coral ark. Located at the gateway to the Great Barrier Reef in Port Douglas, North Queensland, Australia, the conservation facility “aims to secure the long-term future and biodiversity of corals worldwide which are under severe threat due to climate change”.
Focusing on research, education, and public engagement, the Trust for Governors Island unveiled plans to develop a climate solutions center, designed by WXY Architecture + Urban Design. Inspired by the unique environment of the island, the project will generate a public living laboratory, cementing NYC’s position as a leader in climate change action.
Stefano Boeri Wins International Competition to Design Largest Rehabilitation Center in Shenzhen, China
Stefano Boeri Architetti has won the international competition for the construction of the largest and most innovative Rehabilitation Centre in Shenzhen, China. With his Chinese office, SBA was selected by a jury composed of local and international figures such as Peter Cook and Sou Fujimoto. Planned to be built in the next three years, the project will put in place “a set of green terraces and overlapping spaces in a sustainable system combining nature, architecture and biodiversity and including internal gardens dedicated to rehabilitation”.
Open International Competition for the Development of the Territory Adjacent to the Samara Arena Stadium in Samara, Russia
The Open International Competition for the Development of a Master Plan for the
Territory Adjacent to the Samara Arena (total area: 360 hectares) was announced
on 26 February at the TASS information agency (the major Russian news agency) in Moscow.
This is one of the first projects aimed at converting the sports venues that were built especially for the FIFA World Cup 2018 into hubs for urban development and community, business, and cultural life. The Samara Arena stadium was built especially for the FIFA World Cup that was hosted by Russia in 2018 UEFA rated it as a Category Four stadium, which
WERK and Snøhetta have been selected as the winners of the maritime center competition on the harbor of Esbjerg, in Denmark. The proposal puts in place a glowing building entitled Lanternen or the Lantern, a new addition that will gather communal activities.
To further promote the area's scenic landscape, Turkish architecture firm Fabric.a Architects have proposed the ‘Botan Visitor Center’, an observation pavilion and restaurant overlooking the rocky landscapes of the Botan Valley.
The modern movement was a key player in the cultural construction of Chile in the 20th century. Although the first projects came from the private sector, their urban and landscape principles were adopted by the modernizing project of the welfare state that began to be built after the social conflicts that exploded in the 1920s.
During chile's industrialization process, the State's housing construction incorporated concepts such as liveability, and universal access to housing and sanitation, which were put to the test early on in the reconstruction of cities such as Chillán after the 1939 earthquake. As Chile is a country that is familiar with earthquakes, it was necessary to readjust the concepts of the modern movement to national structural requirements, that is, resizing the reinforced concrete sections, which gave them a heavier visual expression than in Brazil or Argentina.
From the daring vision of Sergio Larraín García-Moreno and Jorge Arteaga in the Oberpaur building - the first of the modern movement - to the urban visions of BVCH in the Villa Portales, or the first exercises in height in the upper middle class sectors, the modern movement has left its mark on our society and in our cities. However, only one of the projects presented here is declared a historical monument.