Ma Yansong: The Latest Architecture and News

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As the 19th International Architecture Exhibition enters its final week before closing on November 23, the 2025 Venice Architecture Biennale offers a lens through which to revisit the ideas and experiments that have shaped this year's global architectural conversation. Curated by Carlo Ratti under the theme "Intelligens. Natural. Artificial. Collective.", the Biennale brings together more than 750 participants across national pavilions, collateral events, and city-wide installations. Framed around interconnected forms of intelligence, this edition examines architecture's role in navigating climatic instability, evolving technologies, and emerging forms of collaboration.

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The Lucas Museum of Narrative Art has announced that it will open to the public on September 22, 2026, adding a new cultural institution to Los Angeles's Exposition Park. Founded by George Lucas and Mellody Hobson, the museum is dedicated to illustrated and narrative storytelling, understood as visual works that communicate stories across media and periods. The building is designed by Ma Yansong of MAD Architects, with landscape architecture by Mia Lehrer of Studio-MLA and Stantec serving as executive architect.

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As the 19th International Architecture Exhibition enters its final month before closing on November 23, the 2025 Venice Architecture Biennale continues to reaffirm its position as one of the most influential global platforms for contemporary architectural discourse. Opened to the public on May 10 under the curatorship of Italian architect Carlo Ratti, this edition, titled "Intelligens. Natural. Artificial. Collective." brings together over 750 participants across 65 national pavilions, 11 collateral events, and numerous parallel initiatives throughout the city. Structured around the themes of Natural, Artificial, and Collective Intelligence, the Biennale examines how architecture can respond to the intertwined challenges of climate adaptation, technological transformation, and social collaboration.

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French-Lebanese architect Lina Ghotmeh has been recognized on the TIME100 Next 2025 list, an annual ranking of emerging leaders and innovators across disciplines. Known for her sensitive approach to context and materiality, Ghotmeh has built an international portfolio that bridges tradition and modernity. In her TIME profile, written by Danish architect Bjarke Ingels, Ghotmeh is praised for combining historical awareness with forward-looking experimentation. The acknowledgment positions her as the only architect on this year's list, highlighting the continued presence of design voices in a ranking that typically spans entertainment, politics, science, and business.

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Cities today are being reimagined as living, evolving organisms, combining digital intelligence, ecological systems, and new materials to shape radical futures. At Carlo Ratti's "Intelligens. Natural. Artificial. Collective." biennial, over 750 participants challenge established boundaries between architecture, landscape, and technology. Several conceptual projects showcased in the main exhibition challenge conventional boundaries between architecture, landscape, and technology. From bio-adaptive urban systems and Martian water-based settlements to immersive symphonies of satellite data, these works collectively envision new models for cohabitation, resilience, and planetary awareness.

This month's Unbuilt selection presents six speculative projects, presented as part of the 2025 Venice Architecture Biennale exhibition, as provocations for rethinking the future of cities and human settlement. While some proposals transform architecture into self-sustaining, living infrastructures, others explore how data and sensory interfaces can redefine our relationship with natural and urban environments. Together, they offer a cross-section of how architects and designers are using unbuilt work to imagine new possibilities for life on Earth and beyond.

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At the 19th Venice Architecture Biennale, the Chinese Pavilion presents Coexist, an exhibition curated by Ma Yansong, founder of MAD Architects. The pavilion assembles ten interdisciplinary teams, spanning architects, scholars, students, scientists, and even social media participants, to collectively investigate the potential of architecture to reconcile contradictions between tradition and futurity, artificial and nature, technology and emotion. Rather than presenting a singular vision, Coexist aims to open space for responses to the diverse realities shaping contemporary architecture. While on site in Venice, ArchDaily's editors had the opportunity to discuss the ideas that shaped the Chinese Pavilion with the curator.

The exhibition "Ma Yansong: Architecture and Emotion," presenting the work of Chinese architect Ma Yansong and his globally recognized practice MAD Architects, has opened at the Nieuwe Instituut in Rotterdam, the Netherlands' national museum for architecture, design, and digital culture. Featuring a selection of projects from MAD's international portfolio, the exhibition explores how the studio challenges conventional architectural paradigms through forms influenced by nature and guided by sensorial experience. The exhibition will be on view until 12 October, and on Thursday 26 June, Ma Yansong will be the guest of honour at the Nieuwe Instituut for "An Evening With...", a public program where he will discuss his design philosophy with Aric Chen.

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The 19th International Architecture Exhibition, organised by La Biennale di Venezia under Carlo Ratti's curatorship and the theme "Intelligens. Natural. Artificial. Collective," is set to transform Venice into a "Living Laboratory" of experimentation and collaboration. This year's special projects extend beyond the exhibition grounds, integrating into various city locations and Forte Marghera in Mestre, providing an alternative perspective that expands the reach of architectural discourse.

The Biennale promises to be a dynamic platform uniting over 750 participants from diverse backgrounds, including architects, engineers, mathematicians, climate scientists, and artists. Such a broad coalition of over 280 projects underlines the Exhibition's focus on inclusivity and interdisciplinary collaboration, an essential aspect for adaptation. The selection process proposed a bottom-up, open call approach through the Space for Ideas initiative, which ran between May and June 2024. It encouraged participation from global teams, from Pritzker Prize winners and Nobel laureates to emerging architects and scientists.

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Designed by MAD Architects, the FENIX Museum of Migration is scheduled to open in Rotterdam's City Harbor in 2025. Currently under construction, the museum is set to explore the global narrative of migration through art, architecture, photography, and history. Situated in a 16,000-square-meter warehouse built in 1923, once part of the world's largest warehouse, the building has historical significance as a key storage and shipping hub for the Holland America Line. New construction photographs showcase the assembly of the metallic helix, named The Tornado, taking shape above the historical warehouse.

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Tencent is developing its new headquarters campus on five parcels spanning over 80 hectares east of Da Chan Bay Island in Qianhai, Bao'an District, Shenzhen. MAD Architects, led by Ma Yansong, has designed LOT 04 East of Tencent's new headquarters, envisioning two biomorphic office towers, three interconnected buildings, and a raindrop-shaped building. This project covers approximately 72,000 square meters with a Gross Floor Area of 412,000 square meters. Currently under construction, Lot 04 East of the headquarters is expected to be completed and open for users in 2025. Other projects announced for the campus include Büro Ole Scheeren’s swirling design for the Tencent Helix, and MVRDV’s residential complex named Tencent P5.

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The Hainan Science Museum, designed by Ma Yansong / MAD Architects, is progressing through its construction phases. The project began its design phase in 2020, broke ground in November 2021, and completed its main structure in June 2023. The museum, located on the west coast of Haikou City in Hainan Province, aims to be a landmark that integrates modern architecture with natural surroundings, promoting the convergence of technology and nature. The museum is expected to finish its curtain wall and landscaping by June this year and open for visitors in 2025.

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Ma Yansong/MAD Architects has unveiled their design for the Cloud 9 Sports Center, a 6,000-square-meter athletic complex in the city of Shijiazhuang, China. The venue is proposed to become the focal point of CBD's Central Park, marking the public space surrounded by residential, commercial, and recreational amenities. The center is designed to showcase a soft and fluid exterior to fit into its surroundings, mirroring the landscaped park while offering a range of facilities including a gym, indoor and outdoor tennis courts, and commercial spaces. The new sports center broke ground in March this year and is expected to be completed in 2025.

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MAD Architects has revealed the designs for the Nanhai Art Center in Foshan City, Guangdong. Covering 59,445 sqm, the project features three main elements: a Grand Theater, a Museum, and a Sports Center. Aiming to encourage community and traditional culture, the center features a wave-like form with a new public gateway to the waterfront. Upon completion, the Art Center seeks to become a new waterfront public space blending social and creative aspects.

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Designed by MAD Architects, the FENIX Museum of Migration is set to be inaugurated in 2025 in Rotterdam’s City Harbor. The purpose of the institution is to showcase and highlight the stories of global migration through encounters with art, architecture, photography, and history. The museum broke ground in 2020 when the first images of the proposal were also released. MAD Architects is working with Bureau Polderman for the restoration of the historic warehouse dating back to 1932, which now represents the base and starting point for the museum experience.

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The Shenzhen Museum of Contemporary Art and Urban Planning in China (MoCAUP) has recently opened an exhibition titled “Ma Yansong: Landscapes in Motion.” This retrospective showcases the work of MAD Architects, led by Ma Yansong, Dang Qun, and Yosuke Hayano, spanning nearly two decades and 52 projects. Running until December 17, the display is envisioned as a platform for imaginative exploration of future urban life.

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Led by Ma Yansong, MAD Architects has revealed the design of the Anji Culture and Art Center in the Zhejiang Province in southeast China. The new center, covering a site area of about 149,000 square meters, features six event venues: a Grand Theater, a Conference Center, a Leisure Center, a Sports Center, a Youth Activity Center, and an Art Education Center. All functions are spread out beneath bamboo-leaves-inspired roofs, referencing the Anji area, known as the ‘bamboo and white tea’ town of China. Construction of the center has begun and is expected to be completed and in use by 2025.

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