- Design Team:Ove Arup & Partners, Fisher Dachs Associates, Jaffe Holden Acoustics, Heintges Architects Consultants, L'Observatoire International, 2 x 4 Inc, Scharff/Weisberg, Jerome Gillman, Shen Milsom & Wilke, CSI, Poltrana Frau
- Original Architect:Pietro Belluschi
- Opening Night:September 11, 1969
- Architects:Diller Scofidio + Renfro, FXFOWLE Architects
- City:New York
- Country:United States
Text description provided by the architects. The re-design is intended to transform the venue from a good multi-purpose hall into a premiere chamber music venue with street identity and upgraded functionality for all performance needs. Tucked under The Juilliard School, the opaque base of Pietro Belluschi’s building is stripped away to reveal the hall’s outer shell.
The sloped underside of Juilliard’s expansion serves as the canopy framing the hall, its expanded lobby and box office. A shear one-way cable net glass façade puts the hall on display. The liner of African moabi is tailored around all existing hall features and new programmatic elements to eliminate visual noise and illumination emerges from the wood skin the way a bioluminescent marine organism exudes an internal glow.
A percentage of the wood liner is constructed of translucent custom-molded resin panels surfaced in veneer to match and blend seamlessly with the wood, binding the house and stage with light. Like the raising of a chandelier or the parting of a curtain signaling the start of performance, the blush will be part of the performance choreography: a hush will fall in the seconds of transition from distraction to attention when the blushing walls become the first performer.