A new rendering released of the project shows the design in its final form (developed through a series of iterations), standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.
New Rendering Shows Off the Final Design of BIG's Twisting High Line Towers as Construction Moves Forward
The new images show how some of the cultural venue’s interior spaces will look, including the galleries and the vast event space created when the wheeled steel structure is rolled out to its furthest extents. This space will be known as “the McCourt,” named after businessman Frank McCourt Jr, who donated $45 million to the project.
Designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, the 200,000-square-foot cultural center was envisioned as a spiritual successor to Cedric Price’s visionary “Fun Palace,” a flexible framework that could transform to host different types of events.
Eight long and prosperous years have passed since the first part of the New York High Line opened in 2009. As a prominent piece New York's architectural and urban identity, it is no wonder that it has been awarded the Harvard GSD Veronica Rudge Green Prize in Urban Design, recognising the ongoing efforts of the Friends of the High Line for their adaptivity to the changing context of the park and their support from the beginning for design excellence.
The jury was particularly inspired by the multidisciplinary project between James Corner Field Operations, Diller Scofidio + Renfro, and Piet Oudolf, spanning the public and private domains as a model of collaborative design. It was also commented on the social and political relevance of the High Line in saving a piece of American history from ruin and interacting through community outreach programs and a wider dissemination program for cities across the US.
New York City’s most buzzy megaproject, Hudson Yards, may have just added two more huge names to their list of notable architects, if a new report from the Wall Street Journal is to be trusted.
According to a source the WSJ describes as “a person familiar with the matter,” Santiago Calatrava and Frank Gehry will both design new residential towers for the second phase of the 28-acre complex, located at the north end of the High Line in west Manhattan.
The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.
In the latest video in their Daily 360 series, The New York Times takes us inside Heatherwick Studio’s “Vessel” at Hudson Yards. After topping out last week, the full 154 flights of stairs that make up the unique public structure are now in place, offering some pretty extraordinary views of the Hudson River and west Manhattan.
Heatherwick Studio’s glimmering staircase monument, ‘Vessel,’ has topped out after eight months of construction at New York City’s Hudson Yards development. Consisting of 154 flights of stairs, 2,500 individual steps and 80 landings, the sculptural public space has now reached its full height of 150 feet, which will allow it to offer sweeping views of Manhattan’s west side when it opens in early 2019.
Now open to residents, the first photos of the lobby and amenity spaces at Zaha Hadid Architects’ New York residential tower, 520 West 28th Street, have been revealed by developer Related Companies. Rising 11 stories next to the High Line in West Chelsea, the building houses 39 bespoke residences, interiors of which were revealed for the first time earlier this year.
Now, the building’s spectacular common spaces are complete, including a 75-foot-long skylight-lit pool; an entertainment lounge with complete kitchen; a fully equipped gym; a 24-hour juice bar; and a spa suite containing a hot tub, rain showers, treatment beds, a plunge pool, sauna and steam room. But perhaps the most unique feature is the 12-seat IMAX theaters, one of the first private IMAX theaters in the world. The space will be able to be reserved by residents for film watching, parties or video game tournaments.
The New York High Line is set to receive a new British sibling, in the form the Camden High Line – a conversion of the defunct railway line connecting Camden Town and King’s Cross, into an elevated public space and commuting route. The invited competition for the project was won by London-based practices Studio Weave and Architecture 00, whose proposal is one of three international designs that have followed the success of the High Line in New York, with the other two situated in Bangkok and Mexico City.
“We think the re-use of this railway line for the Camden High Line outweighs the benefits and costs of leaving it vacant,” said Simon Pitkeathley, Chief Executive at Camden Town Unlimited. “This new transport link can reduce overcrowding and journey times on the existing, cycling and pedestrian routes nearby like Regent’s Canal.”
Elijah Equities, LLC has unveiled plans for the redevelopment of The Warehouse in New York City, a property currently occupied by car parking and art galleries, which will be transformed into 100,000 square feet of rentable office and retail space designed by Morris Adjmi.
Situated next to the High Line, the building currently at the site is a four-story, 65,000-square-foot former apparel-manufacturing warehouse. The redevelopment will add a three-story, steel-framed, cantilevered addition, resulting in a seven-story building with over 18,000 square feet of rooftop and outdoor amenity space.
Real Estate firm Related Companies has announced the development of 15 new art gallery spaces to be located in and around the base of Zaha Hadid’s 520 West 28th Street residential building, located along the High Line in the New York neighborhood of Chelsea. The acclaimed Paul Kasmin Gallery, currently located in three West Chelsea locations, will serve as the anchor tenant with a 5,000 square-foot gallery in the base of the Hadid-designed building and additional space in the ‘High Line Nine,’ a collection of full service boutique exhibition spaces located adjacent to the building beneath the High Line.
New renderings have been revealed of Studio Gang’s Solar Carve Tower, located at 40 10th Avenue along the High Line in New York City, as the project gets set to begin construction. Initially conceived by the architects in 2012, the tower was presented to New York’s Board of Standards and Appeals on four occasions before finally receiving planning approval in November 2015. In the new images, the building’s interiors and roof terrace are seen for the first time, as well as its relationship to the nearby Pier 55, the proposed park along the Hudson Waterfront designed by Heatherwick Studio.
Continuing in her firm’s tradition of blurring the lines between architecture, art and environment, Elizabeth Diller, founding partner of Diller Scofidio + Renfro, is producing an opera for the High Line. Dubbed the “Mile Long Opera,” the production will be set along New York’s new favorite attraction, which was designed by DS+R with James Corner and Piet Oudolf and opened to the public in 2009.
BIG’s planned residential complex along the High Line in New York has gone through multiple iterations since its unveiling last November. Now, in its latest form of two twisting towers rising from a split podium, the project is receiving a new name and key program piece.
UPDATE: We've added a video of Thomas Heatherwick explaining the design of "Vessel," after the break!
Thomas Heatherwick is bringing a new public monument to New York City. Today, Heatherwick Studio revealed the first renderings of “Vessel,” a 15-story tall occupiable sculpture comprised of 154 intricately interconnecting flights of stairs that will serve as the centerpiece of the new Hudson Yards development in west Manhattan.
Diller Scofidio + Renfro in collaboration with Rockwell Group has released a new animation of “The Shed” (previously known as “The Culture Shed”), a convertible cultural center designed for New York City’s Hudson Yards development overlooking The High Line. When complete, the building will contain 170,000 square feet of exhibition space for temporary installations, concerts, performances and other cultural productions. Watch in the video as The Shed grows out of its partnering residential skyscraper, also designed by Diller Scofidio + Renfro and Rockwell Group, and transforms to serve various program types.
A part of Phase 1 of the Hudson Yards project, construction on The Shed began in mid-2015 and is scheduled to be completed in 2019. The venue will serve as the new home of several high profile events, including New York Fashion Week.
Lisson Gallery New York by studioMDA and Studio Christian Wassmann Opening Soon Beneath the High Line
On May 3, Lisson Gallery New York will open beneath the High Line between 23rd and 24th Street. Designed by studioMDA and Studio Christian Wassmann, the 8,500 square foot space is split between a gallery, offices, viewing rooms, and storage. Although the main gallery is directly under the High Line – the steel columns in the photos are actually supports for the elevated railway – it will receive ample sun from dramatically angled skylights along the space’s edge, which also aid to extend the walls vertically. The gallery's polished concrete floors, white walls, and natural light are typical of today's contemporary art spaces, but also maintain the aesthetic of Lisson's other galleries. The public will access the space via 24th Street, while the 23rd Street entrance will be reserved for staff purposes and private functions.
Developer Tishman Speyer has commissioned BIG to design a new office tower on the northern end of the High Line at Hudson Yards in New York City. Dubbed "The Spiral," the 1005-foot-tall tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels.
"The Spiral combines the classic Ziggurat silhouette of the premodern skyscraper with the slender proportions and efficient layouts of the modern high-rise," adds Ingels. "Designed for the people that occupy it, The Spiral ensures that every floor of the tower opens up to the outdoors creating hanging gardens and cascading atria that connect the open floor plates from the ground floor to the summit into a single uninterrupted work space. The string of terraces wrapping around the building expand the daily life of the tenants to the outside air and light.”
Walking along the High Line in his self-designed wardrobe, Moshe Safdie spent the day with New York Times journalist Ruth La Ferla to discuss his views on architecture and the city. "Look what happens in the city when something becomes a destination,” he told Ferla, referring to the High Line. The 77-year-old architect is preparing to build his first project in New York. Follow this link to read the New York Time's complete conversation with Safdie.