Next year New York's iconic High Line will open a new public space for art designed by James Corner Field Operations and Diller Scofidio + Renfro, with artwork by Simone Leigh. The public space will be the newest section of the elevated park dedicated to a rotating series of contemporary art commissions. The first art project in the space will be Brick House, a sixteen-foot-tall bronze bust of a black woman by Brooklyn’s Simone Leigh.
Bjarke Ingels Group, James Corner Field Operations, and Gensler have released new renderings of the new Oakland Athletics baseball stadium and surrounding development. The new stadium will replace the Oakland A’s existing 51-year-old Oakland-Alameda County Coliseum, which the A’s share with the Oakland Raiders football team. The mega-ballpark includes a waterfront “jewel box” stadium at Howard Terminal and would turn the current Coliseum site into a tech and housing hub.
Work is set to begin on the Miami “Underline” project, a 10-mile-long park and trail under Miami’s elevated Metrorail tracks. Designed by James Corner Field Operations, the team behind the acclaimed Manhattan High Line, along with a team of volunteers and entrepreneurs led by Meg Daly and “Friends of the Underline,” the scheme has recently broken ground, set for completion by the summer of 2020.
The Oakland Athletics baseball team have hired Bjarke Ingels Group (BIG), James Corner Field Operations, and Gensler to lead the design process for their new ballpark and surrounding development in California. The new stadium will replace the Oakland A’s existing 51-year-old Oakland-Alameda County Coliseum, which the A’s share with the Oakland Raiders football team.
It has been reported by the San Francisco Business Times that BIG will lead the masterplan for the privately-financed ballpark, either at Howard Terminal or near the existing stadium, while Gensler will collaborate on the ballpark design. Field Operations will adopt the role of landscape architect for the development.
As the river offers a place of beauty and solitude to the people of Detroit, four international design teams have presented their creative schemes for the West Riverfront to extend this vibrant area in the city as part of an international design competition led by the Detroit Riverfront Conservancy (DRFC). The development of the 22-acre West Riverfront Park is expected to cost around $50 million to complete the DRFC’s ultimate vision for 5.5 miles of revitalized riverfront.
The four principal firms include Gustafson Guthrie Nichol (GGN), Hood Design Studio (HDS), James Corner Field Operations and Michael Van Valkenburgh and Associates (MVVA) collaborating with numerous Detroit and Michigan- based firms. Each of the teams has collaborated closely with the public to achieve a design that gives justice to the legacy of the people.
The innovative Cornell Tech campus has officially opened on New York City’s Roosevelt Island. Master planned by SOM and featuring buildings and landscapes by Morphosis, Weiss/Manfredi, Handel Architects, and James Corner Field Operations, the campus represents a new vision of a campus for the digital age. Two years after breaking ground in 2015, the campus now houses some of the most environmentally-friendly and energy-efficient buildings in the world.
With decaying infrastructure and a lack of viable public amenities, Hong Kong’s popular yet problematic waterfront is the focus of the latest undertaking by James Corner Field Operations, aiming to transform the site into an attractive tourist and local destination. Home to Hong Kong’s Avenue of Stars (the equivalent of Hollywood’s Walk of Fame), the Tsim Sha Tsui (TST) waterfront is in need of severe revitalization, with areas requiring demolition if not reinforced within the decade.
Part of a larger project known as Victoria Dockside, the landscape architecture firm’s vision incorporates new seating, shading and green space to reinvigorate the promenade while offering panoramic views of the city’s skyline as it guides visitors towards the harbor, allowing visitors to get closer to the harbor than ever before. Trellises will provide 800 times more shade than what is currently offered, while seating will increase 325-fold to encourage public engagement and interaction with each other and the space.
Real estate developer Two Trees Management has unveiled new images of the James Corner-designed Domino Park to coincide with the announcement of the park’s opening date, slated for Summer 2018. Located along the East River in the Brooklyn neighborhood of Williamsburg, the park is a central component of the 11-acre Domino Sugar redevelopment site, which will feature several new residential towers and a transformation of the former Domino Sugar factory by the Partnership for Architecture and Urbanism and Beyer Blinder Belle.
James Corner Field Operations Selected to Transform Historic Canal Park in DC Neighborhood of Georgetown
James Corner Field Operations, the urban design and landscape architecture firm behind the High Line in New York City, has been selected by Georgetown Heritage to complete a similar transformation of a historic canal in the Washington D.C. neighborhood of Georgetown. Working with the National Park Service and the D.C. Office of Planning, the team will design a comprehensive master plan for a one-mile section of the Chesapeake and Ohio National Historical Park (C&O Canal NHP) to update the site from a historic location into a community asset.
Mayor Bill de Blasio and the New York City Public Design Commission have announced the winners of their 2016 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.” Both built and unbuilt projects are considered for the award. Previous winners have included Studio Gang’s Fire Rescue 2 (2015), the Louis Kahn-designed Four Freedoms Park (2014), and Steven Holl’s Hunters Point Library (2011).
This year’s installment of the National Building Museum’s Summer Block Party Series, James Corner Field Operations’ ICEBERGS, is now open to the public. On display until September 5th, ICEBERGS takes the form of a shimmering, underwater world of glacial ice fields located in the museum’s expansive Great Hall to provide the public with an escape from the hot Washington, D.C. summer.
Building on the popularity of Snarkitecture's popular BEACH last year and BIG's massive Labyrinth in 2014, the National Building Museum's 2016 Summer Block Party installation has returned this year with "ICEBERGS," designed by James Corner Field Operations. ICEBERGS is an interactive underwater environment of glacial ice spanning the museum's Great Hall, and invites in the public to escape the hot Washington D.C. summer by exploring climbable bergs, ice chutes, caves, grottos and more.
Take a look at this time lapse video to see how the project came together.
Meet the mind behind this summer’s ICEBERGS installation. Landscape architecture and urban design firm James Corner Field Operations believes that a vibrant and dynamic public realm is informed by the interactive ecology between people and nature. Founder and director James Corner presents the firm’s recent work, and recounts how they conceived of an enormous glacial seascape in the Great Hall.
The National Building Museum offers a new, one-of-a-kind destination with ICEBERGS, designed by James Corner Field Operations. Representing a beautiful underwater world of glacial ice spanning the Museum’s enormous Great Hall, the immersive installation features climbable bergs, “ice” chutes, caves and grottoes to explore, and much more.
James Corner Field Operations has completed a nearly 6,000 square foot rooftop garden located in the heart of the DUMBO neighborhood in Brooklyn. The garden is located on top of a seventeen-story apartment complex designed by Leeser Architecture and developed by Two Trees Management. The Dock Street Rooftop Terrace allows residents to view the panoramic scenery of the Brooklyn Bridge, Manhattan Bridge, East River, and Manhattan Skyline.
In his latest article for Vulture, art critic Jerry Saltz celebrates the latest crop of public art in New York City, such as Deborah Kass' OY/YO sculpture, sitting near the Manhattan Bridge in Brooklyn, commenting on the success of such pieces even though (or perhaps because) many of them have been curated by art-world insiders rather than publicly accountable arts commissions or community engagement processes. But for Saltz, this new wave of high-quality public art has come at the expense of quality public space. Despite his admiration for the art installations, he expresses skepticism of the privately-funded public spaces that house them, such as the much-celebrated High Line, designed by Diller Scofidio + Renfro (DS+R) and James Corner Field Operations, as well as future projects such as Pier 55 by Heatherwick Studio, and the "Culture Shed" at the Hudson Yards development also by DS+R. His critique even references a phrase from DS+R that belongs on our list of words only architects use. Read Saltz's full discussion of public art and public space here.
Update: The winner of the competition has now been announced!
Four teams have been chosen to move on to the second stage of the Pershing Square Renew competition. Aiming to transform downtown Los Angeles' oldest park, the finalists will now refine their schematic proposals in preparation of a second review in March 2016. The winning scheme will potentially be the five-acre park's sixth iteration, replacing Mexican architect Ricardo Legorreta and landscape architect Laurie Olin current design that first opened in 1994.
The four teams and their preliminary ideas, include:
James Corner Field Operations has been chosen to design the National Building Museum's 2016 Summer Block Party installation. Just like its predecessors, including Snarkitecture's popular BEACH and BIG's massive Labyrinth, the installation will take over the Museum's Great Hall. With the design in its preliminary stages, little has been revealed. However, its mission is to "present innovative, interactive experiences that experiment with new ways of seeing and understanding the built environment."
“We are very excited about this opportunity to once again transform the Great Hall for summer spectacle and pleasure,” said James Corner, adding that “it will be a great challenge to surpass the genius of previous installations, but also an opportunity to explore something new and unexpected.”