Detroit: The Latest Architecture and News

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Detroit is different.

We say that with confidence knowing the city’s demographics (nearly 80 percent African-American and with one of the highest poverty rates in the United States) present unique challenges to providing economic opportunity. And we say that with certainty knowing that a pernicious history of redlining, loan discrimination, and other inequities has denied Detroit’s Black majority the kind of power and say-so in design and economic development that would produce more favorable outcomes.

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OMA /Jason Long revealed its latest adaptive reuse project in Detroit, transforming a former bakery and warehouse into mixed-use art, education and community space. Developed in collaboration with Library Street Collective, the project provides new headquarters for two local non-profits, PASC and Signal-Return, while creating a mix of artist studios, galleries, community-serving retail and gathering spaces. Dubbed “LANTERN”, the development is set to become an “activity condenser.”

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The Architectural League of New York has announced the winners of the 41st cycle of the annual Architectural League Prize for Young Architects + Designers. Open to young architects and designers ten years or less out of a bachelor’s or master’s degree program, the award seeks to recognize visionary work by young practitioners and encourage the development of talented young architects and designers.

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This article was originally published on Common Edge.

While Stephen Zacks’ new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there’s an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It’s a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why “gentrification” needs a new name.

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The French pavilion at the 2021 Venice Biennale, “aims to reflect on the meeting between architectural know-how and the inhabitants’ own experiences of their living spaces”. Curated by Christophe Hutin, the intervention entitled “Communities at Work” will provide an immersive experience with the help of images in motion. Using five specific case studies on different continents: in Europe, Asia, America, and Africa, the exhibition presents a journey into a world where communities transformations their own living spaces, without following any formal schemes designed by an architect.

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MVRDV was commissioned the design of Glass Mural, a new 3,716-square-meter office and retail building with a custom glass façade that integrates colorful murals by artists DENIAL and Sheefy McFly. Located in Detroit’s Eastern Market neighborhood, the project will be MVRDV’s third mixed-use project in the United States and first in the Midwest.

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Design Core Detroit is launching the 10th annual Detroit Month of Design in September. The event will recognize Detroit’s designation as the first and only UNESCO City of Design in the United States, and will include more than 175 participants presenting over 65 events and special projects. The programming will explore design solutions to the challenges faced by Detroit and the global community since the start of 2020.

Metropolis catches up with the High Line Network, a consortium of North American reuse projects that has been sharing notes and best practices through the pandemic.

Since the pandemic began, the High Line Network—a group of North American infrastructure reuse projects founded in 2017—has been conducting regular teleconference calls among its members, comparing notes on operations and sharing best practices and advice with fellow members. With many open or planning to reopen soon, and as the pandemic continues, many observers expect these projects will become even more popular among the public, since they provide outdoor space where visitors can walk, bicycle, and safely enjoy themselves—usually at an appropriate distance from one another. Especially now, the network believes its constituent projects can deliver tremendous and much-needed social, health, environmental, and economic benefits.

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Minoru Yamasaki (December 1, 1912 – February 7, 1986) has the uncommon distinction of being most well known for how his buildings were destroyed. His twin towers at the World Trade Center in New York collapsed in the terrorist attacks of September 11th, 2001, and his Pruitt-Igoe complex in St. Louis, Missouri, demolished less than 20 years after its completion, came to symbolize the failure of public housing and urban renewal in the United States. But beyond those infamous cases, Yamasaki enjoyed a long and prolific career, and was considered one of the masters of “New Formalism,” infusing modern buildings with classical proportions and sumptuous materials.

ODA New York has been selected as the Design Architect for the rehabilitation of Detroit's iconic Book Tower. Working with real estate company Bedrock, the team will create a mix of residential, hospitality, retail and office space in the tower. ODA plans to update and expand on Book Tower’s programming and existing structures with nearly 500,000 square feet of downtown programming. The restoration of the 38-story landmark aims to create a cohesive civic vision for Washington Boulevard.

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A team composed of international and local studios and individuals—Agence Ter, rootoftwo, Akoaki, and Harley Etienne—was recently chosen to revitalize the 83-acre area.

Over the course of the 20th century, across a series of administrations and economic contexts, Midtown Detroit grew into one of America’s largest (or densest) cultural districts, with over 12 major institutions, such as the Detroit Institute for the Arts (DIA) and the College for Creative Studies. But you wouldn’t know it, even if you were there—the nine-block, 83-acre area is a mish-mash of styles spanning Beaux Arts, Modernism, and Brutalism, and has a certain sense of placelessness. The area feels architecturally disjointed, illegible, and fails to translate the vibrancy of each institution into the broader public space.