ArchDaily and Airbnb were both founded in 2008, but for two very different reasons. Since then, ArchDaily has amassed a vast database of tens of thousands of buildings, located in cities and countries all around the world. Meanwhile, Airbnb has revolutionized the way in which we explore these countries, and use these buildings, even if just for one night.
About a month before he unveiled his eighth album Ye in June, Kanye West re-entered architectural conversation with the unexpected and mostly unexplained announcement that he intends to hire architects and industrial designers to staff an architecture practice connected to his Yeezy brand. An outspoken fan and admirer of contemporary architecture, Kanye’s fashion and design projects have been a major focus for him since shortly after the prodigious producer started making his own rap albums. Kanye’s architectural ambitions have been an interesting factor in the relationship between architecture and rap culture, which seems to be just coming into focus through programs like the Hip Hop Architecture Camps organized by Michael Ford’s Urban Arts Collective, and the research of Sekou Cooke. Architecture and rap music have influenced each other in ways we’re just starting to notice—with the connection between the two even revealed as consciously and conspicuously as rappers including references to notable architects in their lyrics.
It only takes a pen, paper, and an innovative mind to create remarkable structures. Bringing these architectures to life, however, is where challenges arise. While some architects have shown their creativity and ambition by designing and constructing some of the craziest structures the world has ever seen, other architects were only left with an ambitious drawing. Whether due to financial limitations or designs that are way ahead of their time, some projects never saw the light of day.
Although you won’t be visiting these structures anytime soon—or ever, as far as we know—take a virtual tour of what could have been 7 of the world’s most iconic, innovative structures, courtesy of renders produced by Onward, the blog from Onstride Financial.
From the Fundación Arquia Blog, architect José Ramón Hernandez brings us an article that reflects on projects that can only be appreciated because of who they were created by. If it weren't for the fact that they bear the signature of their illustrious creator, they most likely would have gone completely unnoticed or even despised.
In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” Over his lifetime, Frank Lloyd Wright (June 8, 1867 – April 9, 1959) completed more than 500 architectural works; many of them are considered masterpieces. Thanks to the wide dissemination of his designs and his many years spent teaching at the school he founded, few architects in history can claim to have inspired more young people into joining the architecture profession.
In the ambit of architecture, much of the twentieth century is marked by a production that reads, in general, as modern. The foundations of this work have been the subject of discussion for at least six decades, bringing together conflicting opinions about the true intention behind the modern gestalt.
Now in its fifth year, the Modernism in America Awards were founded to celebrate "the people and projects working to preserve, restore and rehabilitate our modern heritage sensitively and productively. The program seeks to advance those preservation efforts; to increase appreciation for the period and to raise awareness of the on-going threats against modern architecture and design."
Below, we have rounded up the successful schemes, and an organizer’s description of their significance.
The MIT Press, in collaboration with the Andrew W. Mellon Foundation, is set to digitize landmark out-of-print architecture and urban studies books published by the MIT Press, making them freely accessible online for discovery and research. Aided by a $157,000 grant by the Andrew W. Mellon Foundation, MIT Press are enabled to digitize a collection of “image-rich and intellectually prized architecture and urban studies titles” complete with the commissioning of new forewords for the works. Following the project’s completion, MIT Press intends to distribute a minimum of 25 titles for free on several platforms, including its own ebook service.
Among the titles to be released are Francoise Choay’s “The Rule and the Model: On the Theory of Architecture and Urbanism,” which links modern theory with classical and Renaissance architecture, and John Templer’s “The Staircase,” regarded as the first theoretical and historical analysis of the elemental stair. Books on the subject of famous architects will also be released, such as Donald Leslie Johnson’s “Frank Lloyd Wright vs. America: The 1930s” and Grant Hildebrand’s “On Leon Battista Alberti: His Literary and Aesthetic Theories.”
https://www.archdaily.com/893543/mit-press-to-make-landmark-architecture-books-freely-accessible-onlineNiall Patrick Walsh
The old adage "writing about music is like dancing about architecture" (it's stupid etc.), loses some of its impact when architecture becomes the backdrop for both music, and dancing. Ever since video killed the radio star, famous houses, quirky spaces, and history's great buildings have provided beautiful, unique and dramatic settings for music videos of all types. So which of 2017s music videos have capitalized on the wonderful world of architecture?
Douglas Barnhard, the owner of the home decor company Sourgrassbuilt, designs and builds birdhouses. Built out of repurposed materials, his designs are inspired by mid-century modernism and pay homage to the likes of Frank Lloyd Wright, Joseph Eichler and the Bauhaus School in Germany yet mix with Barnhard's experience of the rich surf and skate scene in Santa Cruz.
The Eppstein House, one of Wright’s Usonian designs built in 1953, has been restored to its original beauty by owners Marika Broere and Tony Hillebrandt and is now accepting visitors for a limited time through Airbnb. Located in Galesburg, Michigan, the house was originally designed as part of a planned Usonian community intended to contain 21 homes, though just four ended up being built.
For most of the 20th century, Detroit was our nation’s economic dynamo. This heritage is reflected in the treasure trove of outstanding historic homes, buildings, and factories that still define the cityscape. While Detroit has struggled into the 21st century, its role as a center for architectural innovation is undiminished. With stunning early 20th-century mansions, grand Art Deco skyscrapers, and surprising mid-century masterpieces, the Motor City has more to offer than most realize. Explore the Cranbrook Academy of Art, Lafayette Park, Eastern Market, private homes, and special projects by local preservation organizations. Learn about how Detroit is rebounding while experiencing the innovative and seminal works of great architects like Eliel Saarinen, Daniel Burnham, Cass Gilbert, John Burgee, Albert Kahn, Minoru Yamasaki, and Mies van der Rohe along the way.
Some love them, some loath them: open-plan office spaces are either conducive to conversation and collaboration or nothing more than noisy environments defined by distractions. Much, for instance, has been questioned recently about the "innovative" open working environments in Apple's new Cupertino campus. In a new series by Vox, overlooked, misrepresented, and overrated phenomena are put under the microscope. By exploring the work of Frank Lloyd Wright, Herman Miller, and others, this episode posits that open office spaces are, contrary to popular assumption, "misunderstood for their role in workplace culture."
Where did open offices and cubicles come from, and are they really what we want?
https://www.archdaily.com/881479/understanding-the-origins-of-the-open-plan-office-spaceAD Editorial Team
Early on in my career I had to decide between honest arrogance and hypocritical humility. I chose honest arrogance and have seen no occasion to change.
Frank Lloyd Wright is the household name of architects in the United States, with stories of his ego as widespread as his prolific work. Watching Frank Lloyd Wright at 83 years old is not your typical history lesson. The interview aired on NBC Chicago in 1958 and captures Frank Lloyd Wright telling stories to Hugh Downs about his education, early career with Louis Sullivan, an inspiration for Taliesin and Taliesin West and his own innovations in architecture (let's just say this question didn't get a humble response).
On October 15th four languages, three countries, and three astounding architectural projects will be brought together through a series of events and workshops to celebrate the 20th anniversary of the Guggenheim Museum Bilbao. The Solomon R. Guggenheim Foundation seeks to commemorate the event with a full day program of activities entitled Drawing the Guggenheim. Visitors can explore and sketch the museums during a variety of public drawing exercises, architectural tours, films and family events at each of the Guggenheim locations.
During the year of the 150th anniversary of his birth, Frank Lloyd Wright is having another glorious moment in the public consciousness. While many of Wright’s structures, including Fallingwater, the Guggenheim and Taliesin, are staples of the architectural canon, this renewed interest has given some of Wright’s other 380 remaining buildings the chance to step out into the sun.
Many of these other still-standing buildings are houses, and while some have been converted into museums, many remain on the market for prospective homebuyers with a knack for preservation – but not necessarily exorbitant wealth (according to the New York Times, the 1917 Prairie-style Meier House sold in 2013 for just $125,000). In total, 45 Wright properties have been sold in the last five years alone.
This article was originally published on the blog of the Chicago Architecture Biennial, the largest platform for contemporary architecture in North America. The 2017 Biennial, entitled Make New History, will be free and open to the public between September 16, 2017 and January 6, 2018.
Form follows function—that has been misunderstood. Form and function should be one, joined in a spiritual union.
Frank Lloyd Wright may have famously said these words in 1908, but he was by no means the first to embody them. In fact, the deeper sense of unity that Wright sought in Modern architecture had existed centuries before his time as a guiding principle for Native peoples all over the world.
Home to Frank Lloyd Wright for many years, Oak Park, Illinois is also the site of the greatest concentration of Frank Lloyd Wright-designed homes and buildings than anywhere else in the world. Having designed structures for the neighborhood for nearly four decades, Wright used Oak Park as a place to try out new techniques and evolve his personal style.
Picking up on this, Illustrator Phil Thompson of Cape Horn Illustration has created a new map of Wright’s Oak Park designs. Organized both chronologically and by location, the map allows viewers to make connections between the structures, as their lines evolved from gabled to flat roofs and expanded in scale and in ambition.
https://www.archdaily.com/877939/this-map-shows-the-evolution-of-frank-lloyd-wrights-oak-park-designsAD Editorial Team