Finding the right tools to represent a project idea or carry out a construction job remains an ongoing challenge for architecture and design professionals. While software for drafting, 3D modeling, and calculations has increased precision and efficiency, many architects continue using legacy tools learned in academia or practice—tools that feel familiar, but don't necessarily offer the best design experience. From overloaded interfaces and clunky workflows to endless plug-ins and constant back-and-forth between disconnected software, traditional design tools often reveal their complexity and fragmentation.
Architecture is being reshaped by artificial intelligence, climate change, and shifting social structures. At SCI-Arc, students learn to face these challenges head-on, using design to shape a rapidly changing world.
This fall, SCI-Arc's upper-level Vertical Studios bring the world into the studio. Each is led by a practicing architect working at the forefront of the field—from experimental fabrication to urban and environmental design. Drawing on real projects and professional experience, faculty challenge students to engage with the realities of the present and to design with precision, empathy, and imagination.
How is it possible to achieve emotional well-being in public spaces? What role do public spaces play in promoting urban well-being? Considering that sports practices can be a vital component in creating healthy public spaces, skateboarding, one of the most globally recognized urban activities, offers an alternative for building opportunities for the physical, recreational, social, cultural, and even professional development of multiple generations.
Nowadays, we spend over 90% of our time indoors, and it is becoming increasingly evident that architecture has a profound influence on our brains and bodies. The interest in comprehending how the environment affects human well-being is on the rise, with a growing number of new studies on this subject emerging each year. Moreover, architecture firms are increasingly enlisting the expertise of researchers and human experience design consultants to explore and optimize these effects.
El caso de Sieger Suarez y Arquitectonica en Miami, Estados Unidos. Image Cortesía de Mitch Tuchman. Imágenes: U.S. District Court for the Southern District of Florida, Miami Division
The Chilean lawyer, Juan Pablo Klenner, has dedicated himself to investigating one of the most discussed and least in-depth topics in architecture: copyright in our discipline. Plagiarism, referents or inspirations? It is a discussion that surely falls on deaf ears every time we talk about it among ourselves, but in the legal world it is clearly very well developed. If for some people creativity should not be measured in these terms, for others it is an issue that can go to court.
Following the publication of his book "Architecture too. Copyright for Architects", we talked to Klenner about what we have always wanted to know, but never dared to ask. "The idea of total originality must be rejected, no one is capable of creating something out of nothing, even in the work with the least external influences," he warns.
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
The School of Architecture and Design at IE University expands the boundaries of architecture and design to provide sustainable responses for a changing world. Located in Madrid and Segovia, Spain, this innovative school is one to watch.
Conference by Carme Pigem , principal and founder of RCR Arquitectes, on their work and their philosophy of shared creativity.
RCR Arquitectes is a studio of Catalan architects, created in Olot in 1987 by Rafael Aranda, Carme Pigem and Ramon Vilalta. The atelier has received many prizes including the Gold Medal of the Academy of French Architecture in 2015 and the prestigious Pritzker Prize in 2017.
The International Workshop RCR is born of a way of understanding Architecture and Landscape from a humanistic spirit. The coexistence in a space and time of different creative disciplines creates synergies for mutual enrichment between the parties.
The workshop is designed following four main ideas that articulate the program:
- Competition Format: Closed exercises that condense a complex process within a specific time frame - Transversality: An integrative interdisciplinary approach - Sharing: Shared creativity fostering the capacity for dialogue - Experience: Understanding derived from observation, participation and experience
The workshop focuses on the living of a direct experience of the participants, showing the territory where the
The International Workshop RCR is born of a way of understanding Architecture and Landscape from a humanistic spirit. The coexistence in a space and time of different creative disciplines creates synergies for mutual enrichment between the parties.
The workshop is designed following four main ideas that articulate the program:
- Competition Format: Closed exercises that condense a complex process within a specific time frame - Transversality: An integrative interdisciplinary approach - Sharing: Shared creativity fostering the capacity for dialogue - Experience: Understanding derived from observation, participation and experience
The workshop has the aim of broadening knowledge of audiovisual and photography, centered in Architecture and Space. The
The International Workshop RCR is born of a way of understanding Architecture and Landscape from a humanistic spirit. The coexistence in a space and time of different creative disciplines creates synergies for mutual enrichment between the parties.
The workshop is designed following four main ideas that articulate the program:
- Competition Format: Closed exercises that condense a complex process within a specific time frame - Transversality: An integrative interdisciplinary approach - Sharing: Shared creativity fostering the capacity for dialogue - Experience: Understanding derived from observation, participation and experience
The Program consists in
- Creative Atelier. The workshop offers a brief approach to the elements that surround scenography:
While architects are known for promoting sleek, clutter-free spaces, we have to ask: is this the best way to inspire creativity?Personal preference certainly plays a large part in how you respond to a stark table-tops with nary a stray pencil--maybe this is your nirvana. Or perhaps it’s theoretically preferable but once you have to sit down and work, you find yourself uninspired.
Author Tim Harford researched and compiled a number of examples for his book Messy in which “creativity, responsiveness, [and] resilience” were “integral to the disorder, confusion and disarray.” Do you agree? Or perhaps more importantly, what are you surrounded by when you’re in the zone and at your creative peak?
https://www.archdaily.com/887133/neat-and-tidy-or-messy-and-cluttered-which-inspires-more-creativityAD Editorial Team
