This article was originally published on CommonEdge as "When Buildings Are Shaped More by Code than by Architects."
Architects are often driven by forces which are stronger than aesthetics or even client whims and desires. To some extent we’re captive to the tools and materials we use, and the legal limitations placed on us as architects. Today a new code definition has changed one type of building in all of the ways architects usually control.
Harvard Graduate School of Design (GSD) has announced the six recipients of the 2019 cycle of the six recipients of their Richard Rogers Fellowship program. Inspired by Lord Richard Rogers’ “commitment to cross-disciplinary investigation and engagement,” the Fellowship established last year to support individuals “whose research will be enhanced by access to London’s extraordinary institutions, libraries, practices, professionals, and other unique resources.”
The 2019 winners were chosen from a pool of more than 140 applicants hailing from around the world. As in previous years, the fellowship allows the winners to spend a three-and-a-half month residency at the Rogers' Wimbledon House in London. The recipients also receive funding to cover their travel to London and $100,000 cash.
This article was originally published by Autodesk's Redshift publication as "Respect: Architect Zaha Hadid, Queen of the Curve."
In March 2016, when world-renowned architect Zaha Hadid died of a heart attack at age 65 in a Miami hospital, the news sent shockwaves through the architecture community.
The flamboyant British designer—born on October 31, 1950 in Iraq, educated in Beirut, and known as the “Queen of the Curve” for her swooping, elegantly complex designs—was a legend in her time. She had design commissions around the world, been awarded the Pritzker Prize in 2004 and the Royal Institute of British Architects’ gold medal in 2016, and transcended the old-guard strictures of a staunchly male-dominated profession.
Since the end of World War II, Russia’s cities have grown in a Modern Soviet style. This prolonged use and application of the principles of architecture’s modern movement heavily affected the country’s development and urban expansion. But now, the new generations of architecture professionals are seeking to make a change.
Following an extensive day of presentations, panels, critiques, and talks The World Architecture Festival (WAF) has announced the Day 1 category winners in their 2018 programming. Winners are recognized in over 35 categories over the first two days of the conference, which culminates with the announcement of the World Building of the Year 2018 on the third and final day of the conference.
While still early days, the world’s largest architectural award program, the WAF Awards is poised for its biggest year yet, with a total of 535 shortlisted projects from 57 countries across the world.
This week, we're highlighting a selection of the best images of projects built using rammed earth. These 15 works show the attractive aesthetic finish created by the superposition of multiple layers of compressed soil. Despite having been neglected as a construction technique for years, this type of construction is now experiencing a renaissance in architecture. Read on for a selection of images from prominent photographers such as Filip Dujardin, João Morgado, and Nic Lehoux.
This article was originally published on CommonEdge as "Was Modernism Really International? A New History Says No."
I taught architectural history in two schools of architecture during the 1980s and 1990s. Back then it was common for students to get a full three-semester course that began with Antiquity and ended with Modernism, with a nod to later twentieth-century architecture. My text for the middle section was Spiro Kostof’s magisterial History of Architecture: Settings and Rituals. With many centuries to cover, he spent very little effort in dealing with the twentieth century. In the last third of the course, students read texts such as Towards a New Architecture by Le Corbusier and Reyner Banham’s Theory and Design in the First Machine Age. My colleagues and I felt that we offered students a pluralistic and comprehensive review of key developments in the history of the built environment.
With the extensive list of acclaimed alumni of his firm, OMA, it is not a stretch to call Rem Koolhaas (born 17 November 1944) the godfather of contemporary architecture. Equal parts theorist and designer, over his 40-year career Koolhaas has revolutionized the way architects look at program and interaction of space, and today continues to design buildings that push the capabilities of architecture to new places.
Forensic Architecture has been crowned overall winner of the Beazley Designs of the Year 2018, with their exhibition “Counter Investigations.” The firm has undertaken sterling work in recent years, uncovering miscarriages of justice and international war crimes through architectural analysis of imagery, from official news, satellite footage, and crowdsourced information.
The spatial investigation group, based in Goldsmith University London, is currently nominated for the 2018 Turner Prize. The interdisciplinary group of architects, filmmakers, journalists, lawyers, and scientists have devoted their energy to investigating state and corporate violations worldwide.
In her lifetime, Pritzker prize-winning architect, fashion designer and artist Zaha Hadid (31 October 1950 – 31 March 2016) became one of the most recognizable faces of our field. Revered and denounced in equal measure for the sensuous curved forms for which she was known, Hadid rose to prominence not solely through parametricism but by designing spaces to occupy geometries in new ways. Despite her tragically early death in March of 2016, the projects now being completed by her office without their original lead designer continue to push boundaries both creative and technological, while the fearless media presence she cultivated in recent decades has cemented her place in society as a woman who needs just one name: Zaha.
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Surely every architect has wondered how the fluid but complex forms of the architecture of Zaha Hadid Architects are brought to reality. And it's beautiful to see how an initial conceptual idea –probably drawn as a quick sketch– materializes in precise and detailed planimetric drawings.
We have compiled a series of construction details from 9 projects developed by Zaha Hadid Architects that give insight into her distinct style and approach, showing us that, with a little ingenuity and a lot of expertise, even the most impossible-seeming dreams can be built.
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Founded in 1995 by architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, light buildings grounded in the architects’ Japanese cultural origins. Despite the white exteriors, their architecture is far from modernist; the constant incorporation of ambiguity and doubt in SANAA’s buildings is refreshing and playful, taking the reflective properties of glass and brightness of white to a new level.
Architecture is a profession deeply dependent on the visual. It’s imagined, sold, critiqued and consumed almost entirely on the strength (or lack thereof) of drawings. We pick and prod at images presented at angles we’ll never be able to see, admiring the architectonic qualities of elements we’ll never actually experience.
The opening ceremony has taken place for the world’s largest performing arts center in Taiwan, designed by Mecanoo. The National Kaohsiung Center for the Arts comprises five state-of-the-art performance spaces under a single roof measuring 35 acres (140,000 square meters).
Opened on October 13th 2018, the scheme is set across a subtropical park in the southern Taiwanese city of Kaohsiung, occupying a former military training base to symbolize the city’s transition from a major international harbor into a rich, diverse, cultural hub, connecting local and international artistic talent.
__by_Karl_Henrik_Nostvik__1967-1973._Image_%C2%A9_Iwan_Baan__.jpg?1542624862 "© Iwan Baan")
__by_Henri_Chomette_and_Roland_Depret__1973-1978._Image_%C2%A9_Iwan_Baan__.jpg?1542624833 "© Iwan Baan")
.jpg?1542420077 "Perry and Marty Granoff Center for the Creative Arts, Brown University / Diller Scofidio + Renfro")
.jpg?1542420087 "Perry and Marty Granoff Center for the Creative Arts, Brown University / Diller Scofidio + Renfro")
.jpg?1540930206 "MAXXI Museum / Zaha Hadid Architects. Image © Iwan Baan")
_Dean_Kaufman.jpg?1477582154 "Grace Farms / SANAA. Image © Dean Kaufman")
.jpg?1477667050 "New Museum / SANAA. Image © Laurian Ghinitoiu")
