In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building's signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a "green heart" and an "urban mountain," the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a "stunning green pyramid."
For over five decades, Swiss photographer Thomas Mayer has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the top architectural photographers, Mayer carries an abundant fascination for light and space.
The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.
Porto's architectural legacy has long been shaped by the weight of history and the clarity of form. From the work of Álvaro Siza to the dense network of studios emerging from the city's schools, Porto offers a unique blend of continuity and reinvention. Here, architecture is not only a matter of design but often one of endurance — of working within constraints, of drawing with precision, and of navigating a built environment marked by permanence and resistance to spectacle.
Yet within this persistent context, a new generation of architects has been reshaping the field with quiet determination. Often formed in shared spaces, these practices balance autonomy with collaboration and meticulous detailing with broader urban concerns. Their studios tend to reflect this ethos: modest in scale, defined by adaptive reuse, and rooted in the material reality of the city. In these workspaces, architecture unfolds as a process — sometimes speculative, sometimes grounded — but always reflective of a practice that is deeply local and increasingly global.
Now in its 18th edition, the Sony World Photography Awards serve as a global platform for both established and emerging artists, offering an annual glimpse into contemporary photography. This free-to-enter competition provides exposure across 10 categories, including Architecture, Landscape, Travel, and Street Photography. Each category awards a winner, features a shortlist of selected works, and culminates in the title of Open Photographer of the Year. For the 2025 Open competition, participants were invited to submit their strongest single images from 2024, with a focus on capturing and distilling a singular moment while evoking a broader narrative.
The Paul Klee Center, designed by Renzo Piano Building Workshop, is a tribute to the renowned German-Swiss artist Paul Klee. Blending architecture with the natural landscape of Bern, Switzerland, the museum echoes the rolling hills and fields of the region. Situated on the city's easter outskirts, the structure aims to harmonize with its surroundings. Renowned as an iconic structure, Bern-based photographer Katerina Skarka has recently captured it through her lens, showcasing the architectural landmark.
In his latest photographic journey, Paul Clemence explores the architectural essence of SwissMuseums at Le Salon Suisse, Miami Art Week. Delving into the architectural artistry of the region and the museum's significance in today's urban landscape, the photographer showcases a comprehensive exhibition. Titled "Shapes, Rhythm, Abstraction: Swiss Museums," the photo series includes Geneva, Lausanne, Basel, Zurich, and St. Gallen.
Beyond just a visual record, architectural photography is a powerful medium that holds the ability to reveal and explore architectural spaces from unique perspectives. Through the lens of a skilled photographer, architecture showcases its interplay of lights and shadows, the tectonics of its structural elements, the careful detailing of joined materials, and the larger narratives of cultural heritage. On World Photography Day 2024, we celebrate this unique art form by highlighting the work of 25 distinguished photographers who have captured architecture in its most evocative forms.
Among the featured photo series, Paul Clemence explores the minimalist precision of Swiss museums, Iwan Baan offers a visual narrative of Prague, while Simone Bossi highlights the contrast between man-made structures and their natural surroundings. Additionally, Marc Goodwin continues his series on architecture studios from around the world, providing a glimpse into the profession’s creative spaces. Erieta Attali’s work transports viewers to ancient ruins to explore historical juxtapositions and cultural landscapes.
To create this collection, Marc Goodwin collaborated with Italian architect, publisher, teacher, and curator Alessandro Martinelli, who is based in Taipei. He selected the participants with the help of Mr. Chung-Hsiung Wang, the curator of the Taiwan Pavilion at the Venice Architecture Biennale 2018. The series will continue to develop with the creation of scale models for each studio, which will be exhibited alongside the photographs in the Taiwan Pavilion of the Venice Biennale.
With the 2024 Olympic Games opening ceremony fast approaching, Paris has captured global attention. In addition to the venues being prepared for the Olympics, the city offers a wide range of architectural projects that showcase its efforts to improve the urban environment and promote a greener and more inclusive city. Among these, the new Clichy Batignolles Eco-District in the 17th arrondissement of Paris is a 54-hectare development that set out to transform the former SNCF rail yard into a new neighborhood. The initiative features contributions from internationally recognized architects including MAD Architects, Architect Périphériques, and RPBW, among others. Read on to discover the urban development through the lens of architecture photographer Paul Clemence.
Paul Clemence has released a new series of images showcasing the ongoing construction works in The Los Angeles County Museum of Art (LACMA). Undergoing massive transformations, including a new building by Swiss architect Peter Zumthor, the LACMA is the largest art museum in the western United States. Approved in 2019, Zumthor’s design, known as the David Geffen Galleries, aims to modernize the museum’s campus.
As an architect I find it truly interesting to read cities and architecture through films, and this is why I went to see the latest film by one of my favourite directors Wim Wenders: Perfect Days. In Wenders’ cinema, his gaze over the city is always the protagonist. He possesses the remarkable ability to make the space of the photographic image the central focus of his filmmaking. It is not only the story that is important to him, but the time and space in which the story takes shape almost by chance.
Renowned French architect Jean Nouvel has unveiled his design for Samsung’s pop-up store on the iconic Avenue des Champs-Élysées in Paris, France. The store aims to represent the company’s role as a Worldwide Olympic Partner, offering visitors a space where they can engage with the newest mobile technologies and Olympic-related activities. The first images by architectural photographer Jad Sylla highlight Jean Nouvel’s design of the immersive retail space.
A photograph is supposed to show things, unless these belong to the indivisible, the space beyond, such as the absolute darkness of the infinite. In that expanse where the supernatural lurks. The deities long since known and attached to a particular sanctified topos. Delos Island stands out in that category as a place easily identified on a map but physically impossible to reach as one sails in the Aegean Sea. You know it is there, but you are hindered from gaining hold of it. It is as elusive as an imagined place that belongs to another sphere of existence. This explains its flickering sight from a distance which soon leads to a vanishing image at closer distance: as if the magic has escaped.
Stepping out into the sunlit arena and onto the track. The noise of a cheering crowd swells up alongside competitors as they race around the stadium and past those who just entered the site of this athletic spectacle. The atmosphere is overwhelming and intimidating, but exhilarating at the same time. What an experience. Being here. In this moment.
The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.
The Sony World Photography Awards 2024 has announced its category winners and shortlist, showcasing the best single images from around the world captured during the last year. With over 395,000 submissions from 220 countries and territories, the competition aims to highlight established and emerging photographers from around the world. The Open Competition is divided into 10 category sections, covering a diverse range of themes, from Architecture and Landscape to Portraiture, Lifestyle, and Wildlife photography.
For the Architecture category, ArchDaily collaborator Ana Skobe has been declared the winner with a photograph titled “Falling Out of Time.” Bathed in the soft hues of evening light, a sleek geometric structure rises from the coastal landscape, its clean lines contrasting with the natural elements surrounding it. Positioned at the base of the lighthouse, a solitary figure gives a sense of scale to the composition, as it contemplates the vastness of the ocean.
Christopher Payne’s fascination with factories goes back decades. As an architecture student at the University of Pennsylvania in the 1990s, Payne had the good fortune to find a summer job with an agency inside the National Park Service called the Historic American Buildings Survey. “They sent teams of architecture students, historians, and photographers to document all kinds of projects,” he says. “We documented grain elevators in Buffalo, cast iron bridges in Ohio, a power plant in Alabama, and national parks in Utah. That experience instilled a deep appreciation for industrial architecture.” After graduation, he worked for several years as an architect in New York City before transitioning full-time to photography. His previous books include New York’s Forgotten Substations: The Power Behind the Subway; Asylum: Inside the Closed World of State Mental Hospitals; North Brother Island: The Last Unknown Place in New York City; and Making Steinway: An American Workplace. Last month, Payne gave the School of Visual Art’s Ralph Caplan Memorial Lecture, and shortly afterward I reached out to him to talk about his most recent book, Made in America (Abrams), his long love affair with factories, and the photographic process.
