Photography: The Latest Architecture and News

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With museums in Stockholm, New York, and Tallinn, Fotografiska has announced plans to launch its fourth space in Berlin. Expected in 2022 in the Kunsthaus Tacheles to be renovated by Herzog & de Meuron, the contemporary Swedish photography museum will cover over 59,000 square feet.

Marking the 80th birthday of architect Ricardo Bofill last December, photographer Sebastian Weiss recently captured the designer's iconic La Muralla Roja in Calp, Spain. The housing project references popular architecture of the Mediterranean and was inspired by the tradition of the casbah. The striking colors that cover the outer and inner facades are selected to both contrast nature and complement its purity.

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When we talk about natural or man-made spaces, the void immediately comes into play. This is understood as that matter that is untouched and that allows living the experience of inhabiting.

The photography of the artist Simone Bossi narrates the qualities of the space creating atmospheres that allow a new reading on the emptiness.

You have only to look at Miguel De Guzmán and Rocío Romero's portfolio to know that the duo have succeeded in capturing a wide array of panoramas and sharing the ideas attached to them. Through their Madrid and New York based photography and film studio, Imagen Subliminal, document the latest happenings in the world of architecture in an effort to give their audience a taste of the energy and creativity that drives it.

We sat down with the duo in honor World Photography Day, where they shared how their work has changed through the years and photography's contemporary and future role in architecture.

Seeing from above – the aerial vantage point – is the illusion of knowledge. This was the idea of Frenchman Michel de Certeau, a historian who was interested in the everyday practices that occur on the ground, on the streetscape. In contrast to Certeau's view, satellite images can be a powerful tool to understand, predict, and strive for a better future for humankind. This is the mission of Benjamin Grant, founder of Overview, a platform that explores human activity on Earth through aerial imagery.

Interested in fostering "an experience of awe" through elevated vantage points of our world, Overview offers snapshots featuring traces of human activity on the surface of the planet. Photos of cities and other cultural artifacts join pictures of mesmerizing topography and natural beauty in an impressive archive of drone and satellite images. Awe abounds as we face not only some of the most impressive human endeavors seen from the sky, but also as we are confronted with the rather gruesome side-effects of our very existence on Earth.

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Rodolfo Lagos shared a series of photographs capturing the Brutalist architecture of Barcelona, illustrating how the movement has evolved in this iconic city.

Across the world, urban clusters have —to a greater or lesser extent— social and economic differences. Reflected in space, these imbalances of income and access to education, health, sanitation, and infrastructure generate ruptures more or less visible —although drastically felt.

Although a daily reality for some, socio-spatial inequalities can often go unnoticed. Photographer Johnny Miller states, "Discrepancies in how people live are sometimes hard to see from the ground... Oftentimes, communities of extreme wealth and privilege will exist just meters from squalid conditions and shack dwellings." Miller's photo series 'Unequal Scenes' seeks "to portray the most 'Unequal Scenes' in [the world] as objectively as possible."

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In architecture and urbanism, both proximity and distance from a certain object of study, whether on a building scale or urban scale, are frequent strategies that help us better visualize details and also have a broader overall perception, both essential for understanding the object in question. Changing the point of view allows different perceptions of the same place. By moving from the ground level, or from the eye-level, which we are accustomed to in everyday life, to the aerial point of view, we can establish connections similar to those achieved through site plans, location plans, and urban plans.

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Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid. For architects and the people they work with, the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.  

As remnants of the Industrial Age, the London gas holders are a fascinating presence across the urban landscape, one which is on the verge of disappearing. The photographic essay Ruin or Rust portrays the uncanny structures as the backdrop of everyday life, capturing their relationship to the urban context. The result of a two-year-long endeavor, this personal project of London-based photographer Francesco Russo frames the dialogue between these elements of the cityscape and the life going on around them, investigating their role in contemporary society and the urban fabric.

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Social media is changing urban planning, facilitating the shift from a functional understanding of design to a formal and commercial one. Behind the friendly veneer of spaces conceived as sets for social media content, complex systems of surveillance are being tested and developed. The built environment turns into an attraction, populated not by citizens but rather by users who feel the need to self-document their lives. Public space disappears under the lack of agency and collective use, becoming a stage on which bodies move according to predefined rules and choreography.

This article was originally published on Common Edge.

New York City: locked down, empty. It was heartbreaking, of course, but it was also beautiful. For artist Edgar Jerins, that revelation was something of a surprise. Who knew this bustling, chaotic, dirty, vibrant, profane, amazing city could look so … gorgeous when stripped of people and activity? For years, Jerins rode the subway to his studio near Times Square. When news of the spreading pandemic first surfaced—more as a vague, undefined threat, initially—he fled out of fear to the bus, and then, after the severity of the event became apparent and the lockdown began, he borrowed his daughter’s bicycle.

The new Zoomed In virtual photography and architecture festival has launched this week. Running from 21st - 24th of April, the festival brings together a diverse international selection of architectural photographers and cross-disciplinary creatives in a series of online talks and discussions, short film screenings, image galleries, and a charity print sale to raise funds for those most in need during the current pandemic crisis.

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Architectural and fine art photographer Pygmalion Karatzas is presenting a number of free online architectural photography resources for readers to explore in the period of the COVID-19 pandemic. The selected resources include e-books, numerous interviews with renowned photographers from around the world, educational presentations (academic papers, lectures, workshops), and videos.

As author Jeremy Lent points out in a recent article, the phrase “social distancing” is helpfully being recast as “physical distancing” since this pandemic is bringing people closer together in solidarity than ever before, and we are witnessing a heartwarming rediscovery of the value of community, and humanity’s prosocial impulses like altruism and compassion manifesting across sectors and boundaries.