On August 19th, the world photography day is celebrated, a fundamental tool for the imagery record of our society. If, on the one hand, photography is the protagonist in dialogues that involve architecture and the city, portraying historical moments and enhancing buildings, on the other hand, it guides us through the context and backstage of the moment, eternalizing the process.
Over the years, ArchDaily has brought us the most innovative architecture projects through the eyes of creative specialized photographers. Their captures bring us closer to the works, reflect the vision of the architects and, above all, transmit and generate the most varied emotions.
From conversations with these talented photographers, we can understand, at least a little, what they feel when facing an architectural project with a camera in hand.
Few other materials can convey architectural atmosphere as well as the glass. A to-go choice for the modernists, due to its transparent nature, glass still holds a solid place within the material palette for architects around the globe. Such unique element is the subject of Archiving Flux / Stasis, a photographic exhibition by Erieta Attali hosted by the Greek Ministry of Culture in Casa Romana, Kos Island, Greece, set to open its doors in July 21st.
Following five years of construction, Portuguese architecture firm Aires Mateus has completed its awaited mudac: museum of Contemporary Design and Applied Arts in Lausanne, Switzerland. The sculptural building is part of a new cultural district and urban regeneration plan promoted by the Canton of Vaud, the City of Lausanne, and the CFF (Swiss Federal Railways), which features three art museums that translate the memory of the site, echoing its former industrial status with prismatic geometric forms, concrete surfaces, and sharp lines.
During his latest esplanade in Switzerland, architectural photographer Paul Clemence captured the newly inaugurated museum, highlighting its unique concrete geometry, play of shadow and light, and how the architecture complements its surroundings.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Joe Fletcher, Architectural Photographer to discuss his transition from painting to photography; his experience with a formalized education in photography; how an architectural photographer can influence architects and architecture; his process; the distillation of architecture through photography; why photogenic buildings are not always comfortable to be in; and more.
Moving forward with his "ultra-marathon of photoshoots", architectural photographer Marc Goodwin is putting together an Atlas of Architectural Atmospheres by Arcmospheres, a project that seeks to document diverse architecture and design studios from around the world. Since 2016, the architectural photographer has been traveling "far and wide to capture the atmospheres of architecture studios in order to produce an online and print resource for the architecture community", and after a two-year hiatus due to the pandemic, Goodwin resumed his project with an exploration of Berlin's architecture offices, capturing the work environment of renowned firms such as Hesse, LAVA, JWA, and FAR frohn&rojas, to name a few.
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Designed by Herzog & de Meuron, Tate Modern’s Switch House was Tate Modern’s latest extension in 2016, radical in form and surface, yet intimately relative to the vast building to which it joins, which opened as London’s foremost modern art gallery in 2000. Shot recently by Bahaa Ghoussainy, the building that opened in 2016, is a model for museums in the 21st century.
Capturing an image has become spontaneous and immediate. While mobile photography maintains quality, it loses the ritual of taking a picture, i.e. thinking about an image while walking through a new city or the framing possibilities for a building from your point of view. In short, each image is the result of focus, aperture, exposure and the characteristics of the space. Travelling with a 35mm camera sets your limits, some say it is the closest lens to the human eye, others say it is too narrow to capture a building from the outside, but no doubt it all depends on your judgement and the capabilities of the equipment at your disposal.
Miami’s long-awaited landmark, the Elysee Edgewater has finally reached construction completion. Designed by Arquitectonica, the 649-foot-tall glass tower features 57 storeys of luxury residences, as well as recreational and fitness amenities across its tiered floors. Architectural photographer Paul Clemence released images of the newly-completed tower, which now sits as the tallest residential building in the Edgewater district.
In this episode of “Behind the Scenes”, where we showcase the work of visionary photographers and ask about their experiences beyond what is seen by the public, we present Pablo Casals Aguirre, an architect, professor, photographer, and filmmaker based in Santiago, Chile. Here, he shares his methodology, which he developed with references to cinema, and highlights his intentions of translating the best architectural works into imagery - be it still or in movement.
Another year comes to an end and with it, another round up that explores the most important events that took place over the past twelve months. In this article, we look into the photos that received the most interactions (likes, comments, shares, and saves) on ArchDaily's Instagram.
Architectural photographer Paul Clemence has released a new photoseries of Riken Yamamoto's The Circle project, a mixed use development at the Zurich Airport. The design was a competition entry that asked architects to create a program that offers visitors: Swissness, Surprise, and Connections to the World. Yamamoto's winning design, with its inclined facade and combination of linear and curved outlines, linked the airport to the park physically and visually, creating an architecture that highlights the Swiss identity.
"From your eyes to my eyes" is a project that was born from the idea of involving the people who follow me in magazines and on social media in my photo reports; inviting them to send me their favorite architectural places, the ones they carry within themselves, in their eyes.
The Architectural Photography Awards 2021 has announced its shortlist for its ninth edition. Supported by Aluprof UK and the World Architecture Festival (WAF), the shortlist was selected from around 2000 entries and 42 countries, "highlighting the expertise of architectural photography and focusing on the skill and creativity of the photographer". The photographs are divided into 6 categories: Exterior, Interior, Sense of Place, Buildings in Use, Mobile, which this year’s theme is Greening the City, and Portfolio with the theme of Building with History.
Architectural photographer Paul Clemence has released a new photoseries of 30 E 31, a luxury apartment tower in Midtown Manhattan designed by Morris Adjmi Architects. Inspired by classic New York skyscrapers of the 1920s, the architects reimagined NoMad’s Neo-Gothic and Art Deco architecture and designed a structure with a "distinctive lattice crown" that blends two architectural eras with the city’s iconic skyline.
Barcelona-based Miralles Tagliabue - EMBT under the direction of Benedetta Tagliabue, has completed its construction of the Centro Direzionale di Napoli train station and subway, an underground central station that combines the city's natural volcanic geography with the site's 1970's-built master plan designed by Kenzo Tange. The design focuses on art, architecture, and archaeology, also known as the "Triple A", giving the site a highly recognizable identity that contrasts its surroundings and historical context.
Architectural photographer Paul Clemence has released a new photoseries of the newly-opened Kunsthaus Zürich Museum Extension designed by David Chipperfield Architects. The extension is a freestanding addition to the existing Kunsthaus museum, and houses a collection of classic modernist artwork, the Bührle collection, and temporary exhibitions. The architectural identity takes inspiration from traditional stone façades found on the existing Kunsthaus as well as other significant public buildings in the Swiss city, and combines tradition and innovation through slender vertical fins crafted from local Jurassic limestone.
During his explorations of abandoned places across Europe, award-winning French photographer Romain Veillon has stumbled upon enchanting architectures that have been left to decay for decades. In his latest book Green Urbex: The World Without Us, Veillon explored what the world would look like if the human race disappeared and nature took its course without any human interference.
