Regardless of what field designers specialize in, they are capable of translating their ideas and fantasies into visible and tangible material. After all, a designer's principle is quite simple: If it doesn't exist, create it.
Photography: The Latest Architecture and News
Nothing is ordinary about the Italian city of Venice. Whether it is the vividly-colored architecture that dates back to Gothic and Byzantine eras, or the fact that the city is floating on water, culturally-rich Venice is an intriguing destination for people of all backgrounds and interests.
With every visit to Venice, London-based architect and photographer Mayank Thammalla found himself discovering new scenic views of the city, ones that are often tucked beneath its architecture. In his recent photographic series ‘Echoes of Venice’, Thammalla used the canal ripples as his canvas and displayed the deteriorating architecture of Venice from a unique, inverted perspective.
Although Brutalist architecture is often criticized for its raw, unfinished look, it has been frequently used in the design of public buildings, with many becoming iconic landmarks. Some architects chose to break away from typical concrete structures and implemented a pop of color on the walls, window frames, and flooring, adding some dynamism to the monotonous palette.
Shot with a Leica M6 film camera, architecture and interior design photographer Luciano Spinelli photographed the Düsseldorf University campus, displaying the contrast between its brutalist architecture and vibrant design features.
Madrid-based architectural photographer Zisko Gómez captures the recently-growing interest in Spanish architect Fernando Higueras with his photo series of Higueras’ “La Corona de Espinas,” or “The Crown of Thorns.” The building is currently headquarters to the Spanish Cultural Heritage Institute and contemporary art foundation ICO recently organized an exhibition in Madrid of Higueras’ work.
Architectural photographer Marc Goodwin recently visited Brazil to continue on his journey documenting the world's architecture offices. Expanding on his current list, he's already visited Panama City, the Netherlands, Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona, and Los Angeles. In Brazil, Marc photographed 20 offices across a range of scales and project types. Find out more about the individual offices and the city they are a part of through Marc's feature.
British architectural photographer Peter M. Cook has documented the city of Tokyo and its evolution for more than twenty years. Following the development of the city and its buildings with a large-format camera, Cook's first book of photographs have been published by Hatje Cantz Verlag with 100 shots. The monochromatic, large-format photographs reveal a story of one of the world's most iconic cities.
Over the past few days, exceptional products have been exhibited at the Salone del Mobile, ranging from furniture pieces and light fixtures, to textiles and finishes. As part of Milan Design Week, the Salone saw impressive collaborations with architects and the use of never-seen-before materials, all displayed at the Milan Fairgrounds, while some projects — too grand and imposing for a constraint exhibition — took place at the second part of the event, the Fuorisalone.
The workshop has the aim of broadening knowledge of audiovisual and photography, centered in Architecture and Space. The course develops from the approach to the territory and architecture of RCR and combines reflection on Visual Arts and its implementation in practice through creative work. The exercises are raised around the awakening of the senses, stimulating the creation of images that make us experience wanting to touch, listen and be in this specific place.
Architectural photographer Marc Goodwin recently visited Panama City to continue on his journey documenting the world's architecture offices. He's already featured an impressive list, including the Netherlands, Dubai London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, Barcelona, and Los Angeles. In Panama, Marc photographed a range of work spaces across eight offices, from a studio of five people all the way up to 200. Looking outside and in, he captured both the spaces where designers work and glimpses into the city itself.
What would historic cities look like if scale didn’t exist and functions were manipulated?
Dutch artist Tamara Stoffers found inspiration from an old Soviet Union book published in the early 1960s, which featured images of mass-housing apartment blocks without any ornamentation or color. The book highlighted the symmetry and functionality of Soviet architecture, representing what a communist future strived to look like. It became clear to her that a lot of stories lie in the history of USSR that deserve to be explored.
Stoffers' admiration extended beyond Russian architecture, looking at everyday objects, banners, postcards, and books. In a matter of 4-5 years, she put together a series of surreal collages taken from more than 30 picture books. The images, which seemed intriguing on their own, were mixed and matched with complementary photographs in an exaggerated, amusing way, presenting the Soviet Union as never seen before.
Magic lies in architectural ruins. Beneath the dirt and mold, fractured walls and deserted rooms still stand, preserving the remains that have lingered long after their owners' departure.
During his explorations of abandoned places across Europe, photographer Romain Veillon stumbled upon enchanting frescoes and paintings that were left to fade in the parlors of the aristocrats. Veillon became keen on finding more of these imaginary museums across the continent, and to his chance, managed to discover many in France, Germany, Italy, Ireland, and Portugal.
Before their art is forgotten and their houses quietly rust away, Veillon captured the murals found in these haute bourgeoisie family houses, which illustrate stories of the cities they lay in and the people they once belonged to.
The Virtues and Limits of Photography in the Representation of Architecture: Five Photographers Share their Perspectives
As a way of representing architecture, photography has certain undisputed qualities. With it, it is possible to present to a project from a distant corner of the globe to people anywhere in the world, showing everything from general views to internal spaces and constructive details - extending the reach and, in a way, the access to the architecture.
But like any other form of representation, it is not infallible. Even as technological advances allow for ever more well-defined images and editing software offer tools to retouch and even alter aspects of the built space, photography by its very nature lacks the means to convey sensory and tactile aspects of architecture. It is not possible - at least not satisfactorily - to experience the textures, sounds, feelings, and scents of spaces through static images.
“The Flying Photographer” is the name of the documentary that will showcase Sara Nunes (architectural film director from Building Pictures) following the amazing journey of Fernando Guerra during the period of one year of travel to get the best architecture photographs from around the world.
Celebrate Bauhaus 100 through the world's number one visual storytelling platform, Instagram. An essential tool for designers, Instagram is a constantly growing digital database of market sharing and stimulation. Social media has changed not only how we gather precedents and market our designs, but also our designs themselves. "Instagram Culture" drives designers to create more shareable moments. As we continue to seek these dynamic encounters, let us not forget our forefathers of user experience design and the Bauhaus school.
Opening in the late 1980s after more than ten years of construction, the Slovak Radio Tower is an unmissable feature in the landscape of Bratislava. The building, an inverted pyramid of steel frame construction, was designed by Štefan Svetko, Štefan Ďurkovič, and Barnabáš Kissling during the height of socialist realism.