Using massive s plates, often several centimeters thick and weighing tons, Richard Serra's sculptures convey an almost improbable sense of lightness. This effect does not result from a reduction of mass, but from how that mass is organized: large curved surfaces tilt, narrow passages compress the body, and seemingly unstable elements create a constant sense of imbalance. Serra transforms weight into a dynamic spatial experience.

In architecture, lightness has occupied a central role at least since the modern period. While earlier traditions, such as Greek and Roman architecture, were closely associated with stability, and large churches with monumentality, the twentieth century introduced a decisive shift in how matter is handled, particularly through the separation of structure and enclosure.

What do lightweight materials bring to public space with an ethical, ecological, and non-extractive design principle? Various textile textures offer a point of entry, being closer to the body than heavy conventional structural materials. Through its flexibility and responsiveness, it enables a form of soft enclosure rather than a fixed boundary in architectural space. Responding to minimal environmental stimuli, the fabric brings continuous movements into space. When layered or assembled, it produces gradations of density, depth, and enclosure, while recent innovative fabrication technologies extend the possibilities of its form and structural durability.

Semi-transparent materials further mediate the conditions of visual permeability and bodily experience of the space. By transmitting and filtering light, they blur clear separations between interior and exterior, solid and void, creating thresholds that are neither fully open nor fully enclosed, but constantly in negotiation. Reinterpreting structure in urban space through lightweight, translucency, and softness opens up alternative modes of spatial perception and bodily engagement.

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In 2023, ArchDaily's editor-in-chief sat down with Tarek Qaddumi, Executive Director of the Line Design at NEOM, at the closing of the Line Exhibition in Riyadh. Qaddumi described a layered, three-dimensional city organized around the idea of a "five-minute sphere" of access: walkable communities stacked vertically, connected by high-speed rail, freed from cars and conventional street infrastructure, and designed to coexist symbiotically with the surrounding natural landscape. It was a compelling vision, and in the context of the moment, it was simultaneously credible and appealing. For architects and urban thinkers grappling with the failures of twentieth-century city-building, the ideas articulated were worth engaging and planning.

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Chilean architect Smiljan Radić Clarke has developed a body of work that resists easy categorization. His buildings often seem both ancient and provisional, carrying a monumental presence while retaining an unexpected sense of fragility. Stone, concrete, timber, fabric, and fiberglass are combined in unexpected ways, producing architectures that hover between permanence and ephemerality. Rather than pursuing a stable formal language, the 2026 Pritzker laureate approaches architecture as an open field of experimentation, where material behavior and structural perception are constantly tested.

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Buildings were always intended to solve a straightforward problem: shelter. Through form and material, they protected occupants from the weather and organized human activity. Modern architecture, along with evolving lifestyles, added new priorities — efficiency, density, structural innovation, and aesthetics. People now demand more from buildings. Occupants increasingly want environments that actively support how they live, work, and feel.

Wellness has become a central concern in modern times. Decades of research in environmental psychology and building science reveal that indoor conditions can profoundly affect human health and behavior. Lighting influences circadian rhythms and sleep patterns. Air quality impacts cognitive performance and respiratory health. Temperature and acoustics shape comfort and concentration.

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A revitalized canning factory in a coastal Portuguese city, a memorial park in Ethiopia, a small-town Brazilian home, a wooden pavilion evoking Bahrain's heritage, and 11 other visionary projects comprise the winners of the 2026 ArchDaily Building of the Year Awards. Chosen over three weeks of public voting, the winners are representative of the current architectural landscape, reflecting a diversity of approaches, materialities and aesthetics, while also showcasing common threads across cultures.

In its 17th edition, this year's Building of the Year Awards received more than 120,000 votes from over 100 countries, marking a record-breaking year for the world's largest community-driven architecture award. The winners represent 14 different countries, cultures and perspectives, coming from Brazil, Canada, Chile, Colombia, Denmark, Ethiopia, Germany, India, Indonesia, Japan, Portugal, South Korea, United States and Vietnam.

Two weeks and over 85,000 nominations later, the finalists of this year's Building of the Year Awards are in. The selection is much like the ArchDaily audience that chose it: diverse in geography, generous in ideas, and precise in intent. With projects from 46 countries, in a variety of typologies and scales, they present a beautiful snapshot of the current architectural moment.

We invite you to sit back, browse, and vote for your ultimate favorites. Below, you will find all of the 75 finalists in their respective categories. Voting is open until February 18th at 18:00 EST. Thank you—your participation is key to making this the world's largest community-driven architecture award.

Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection. What happens if the city is no longer treated as a traditional city, but as a national park?

National parks operate through systems of protection that treat land as a network of ecological relationships rather than a collection of isolated sites. They establish a shared baseline for what must be preserved, maintained, and made accessible over time. When this logic is applied to the urban environment, success can inspire pride and a sense of shared responsibility among designers, policymakers, and residents, fostering a collective commitment to health, habitat, and civic infrastructure.

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Architectural heritage is often described as what survives time. Yet survival does not explain why certain buildings are preserved while others disappear. Many works now protected as cultural heritage were once criticized, contested, or openly rejected; they were accused of being socially misguided, materially flawed, or symbolically excessive. Over time, however, these same shortcomings have become central to their meaning as heritage emerges as a slow and unstable process of interpretation.

Contemporary architecture operates under intense scrutiny, pressured by environmental responsibility, social equity, economic volatility, and accelerated technological change. Buildings are expected to perform ethically, efficiently, and symbolically, often simultaneously. As a result, architectural failure is no longer an exception but an increasingly common condition. Projects age faster, materials reveal limitations sooner, and urban strategies quickly fall out of sync with shifting political, social, and environmental realities.

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