CLOUD ’68—PAPER VOICE
Smiljan Radić’s Collection of Radical Architecture
With recordings of interviews by Hans Ulrich Obrist
Co-curated by Patricio Mardones
CLOUD ’68—PAPER VOICE
In 2018 the Vatican will participate in the Venice Architecture Biennale for the first time. Ten international architects will construct 10 different chapels as part of the representation of the city-state in the Italian architecture event. The news was confirmed by Paraguayan media outlets ABC y Última Hora, who revealed that one of the participants was local architect Javier Corvalán.
The elite group of architects was selected by Francesco Dal Co, an Italian architecture historian and curator. The designers have been instructed that their chapels must be able to be relocated so that they can be deployed around the world, in places that are in need of these spaces of worship.
The architects who will build chapels in the 2018 Venice Architecture Biennale:
Each year millions of wine enthusiasts travel the globe in search of memorable tasting experiences. And architecture-loving Oenophiles (wine aficionados) are likely to seek vineyards that not only produce outstanding libations, but also those with impressive architecture. With world-famous wines and evergrowing international renown, the vineyards of South America accommodate thousands of wine tourists each year. Chile and Argentina currently sit in the top 10 wine-exporting countries; Chile exported $1.9 billion worth of wine in 2016 and Argentina exported $816.8 million in the same year.
Separated by the Andes, the valleys surrounding Argentina's Mendoza and Chile's central valley (including Elqui, Limarí, Aconcagua, Maipo, Casablanca, Colchagua, Cachapoal, Maule and Curicó valleys) attract a high number of enotourists. The wineries and vineyards featured below have moved away from the traditional image of the historic country house in both aesthetic terms and (sometimes) in the use of materials in the winemaking process. These properties also exist in natural harmony with the surrounding landscape to make the most of sunlight, air circulation and topography for the construction of wine cellars, hotels, tasting rooms, lookouts and viewing points, and research centers. The new and vibrant architectural designs serve as innovation inspiration in their production of the wines as well.
Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
Narrative has a powerful place in architecture, and some of the most enduring narratives come in the form of fairy tales. A recent series by Places Journal brings the two directly together, exploring “the intimate relationship between the domestic structures of fairy tales and the imaginative realm of architecture.” The curation team reflects this duality, with the diverse collection put together by writer Kate Bernheimer and architect Andrew Bernheimer. Read on for a quick look at four new additions to the series released by Places Journal this week.
The office of Peter Zumthor has been selected to design an expansion to the Beyeler Foundation, located just outside Zumthor’s childhood home of Basel, Switzerland. The Swiss architect was chosen from a prestigious shortlist of 11 firms to add to the existing museum building, designed by Renzo Piano Building Workshop and completed in 1997.
“The sky above Basel, the city and its surroundings–those are the landscapes of my youth,” said Zumthor. “It is heart-warming to be able to design a major building here.”
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The Center for Architecture, in collaboration with CONSTRUCTO, will present the exhibition EXTRA-ORDINARY: New Practices in Chilean Architecture, opening on Wednesday, June 22 at 5:30 pm, curated by CONSTRUCTO foundersJeannette Plaut and Marcelo Sarovic. The opening will begin with a roundtable discussion between Plaut, Sarovic and MoMA Director Glenn Lowry and will be followed by a presentation by architect Smiljan Radic.
Chilean architecture, having long stood in the shadow of more established design traditions in Europe and North America, has been catapulted to the forefront of global attention with the news that architect Alejandro Aravena has been named the 41st Pritzker Prize Laureate – the first Chilean to receive the award. He is also the director of this year’s Venice Architecture Biennale, which focuses on the role of architects in improving the living conditions of people across the globe, especially in cases where scarce resources and the “inertia of reality” stand in the way of progress.
LocationLibertad 410, Santiago, Región Metropolitana, Chile
CollaboratorsEduardo Castillo, Danilo Lazcano, Patricio Alvarado, Alejandro Luer
Structural EngineeringBYB ingeniería Estructural Ltda.
Site Area1270 m2
Project Area2000.0 m2
Last month, as part of their Park Nights event series, COS assembled Spanish architects José Selgas and Lucía Cano (SelgasCano) at their new pavilion for the Serpentine Gallery in London's Hyde Park to discuss the concepts behind their design and the history of the Pavilion Commission with Serpentine directors Julia Peyton-Jones and Hans Ulrich Obrist. They were joined by Chilean architect Smiljan Radić, designer of the 2014 pavilion, and Japanese architect Sou Fujimoto, designer of 2013's, in an hour long conversation moderated by Sarah Ichioka.
A prelude to Serpentine Park Nights, selgascano, Sou Fujimoto and Smiljan Radic sat down with Serpentine Directors Julia Peyton-Jones and Hans Ulrich Obrist to discuss the concepts behind the design of the 2015 Serpentine Pavilion and the history of the commission. The conversation, moderated by Sarah Ichioka, marks the 15th anniversary of the Serpentine Pavilion.
In honor of International Museum Day we’ve collected twenty compelling museum projects. In this round up you’ll find a truly global selection; from Wang Shu's Ningbo Historic Museum in China and Tod Williams + Billie Tsien's Barnes Foundation in Philadelphia to Monoblock's Contemporary Art Museum in Buenos Aires, see all of our editors’ favorites after the break!
Chilean architect Smiljan Radić’s shell-shaped Serpentine Pavilion has been relocated from Hyde Park to the gardens of Hauser & Wirth Somerset in Bruton. Just under three hours from London, the new site positions the translucent fiberglass structure in short proximity to a main gallery complex designed by Paris-based Argentine architect Luis Laplace and within an lush garden designed by Dutch landscape architect Piet Oudolf.
The Royal Institute of British Architects (RIBA) have announced the President’s Medals Student Awards at a special event today in London. The awards, recognised as the world’s most prestigious set of awards in architectural education, were inaugurated in 1836 (making them the institutes oldest award, including the RIBA Gold Medal). Three medals in particular – the Bronze for a Part I student, the Silver for a Part II student, and the Dissertation Medal – are awarded to “promote excellence in the study of architecture [and] to reward talent and to encourage architectural debate worldwide.” In addition to these, the winners of the Serjeant Award for Excellence in Drawing and the SOM Foundation Fellowships are also announced.
317 schools of architecture from over 61 countries were invited to nominate design projects and dissertations by their students. This year saw the majority of winners come from London schools, including the Bartlett School of Architecture (UCL), Kingston University, the University of Westminster, London Metropolitan University (the CASS), the Royal College of Art, the University of East London, and the University of Greenwich. University College Dublin (Ireland) and the University of Brighton (UK) also saw their students commended, alongside the University of Sydney (two students) and the University of Hong Kong (one student).
See drawings from all the winning and commended students after the break.
Settled neatly in the quiet hum of London's Kensington Gardens rests Smiljan Radić's 2014 Serpentine Pavilion, an ethereal mass of carefully moulded fiberglass punctuated by precisely cut openings. Radić desired a structure that appears thin and brittle, yet was strong enough to support itself, and his affection for the rudimental layered qualities of papier-mâché - his maquette medium of choice - inspired the use of fiberglass by AECOM, who engineered Radić's wild ideas. In this article, originally published by Metropolis Magazine as "Paper-Thin Walls," an AECOM engineer explains their solution. Read on after the break to find out more.
Ochoalcubo (Eight-Cubed) is a pioneering project in Chile that seeks to unite leading Chilean and Japanese practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including Smiljan Radic (designer of the 2014 Serpentine Pavilion), the third and fourth stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.
See images from all sixteen proposals from third and fourth stages of the Ochoalcubo project, including those by SANAA, Sou Fujimoto, Kengo Kuma, Alejandro Aravena and Atelier Bow Wow, after the break.