Mainly known outside of his home country for his design of the 2014 Serpentine Gallery Pavilion, architect Smiljan Radić (born June 21, 1965) is one of the most prominent figures in current Chilean architecture. With a distinctive approach to form, materials, and natural settings, Radić mostly builds small- to medium-sized projects that flirt with the notion of fragility.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
The academy's annual architecture awards program began in 1955 with the opening of the Arnold W. Brunner Memorial Prize. The prize is given to an architect of any nationality who has made a significant contribution to architecture as an art. The program has since been expanded to include four Arts and Literature Awards for American architects that explore ideas in architecture through any medium of expression.
With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.
Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund's 1920 design for the Woodland Chapel.
A lot of things are said about Smiljan Radic. Some say that he belongs to an architecture that borders on the sculptural. It is also said that both his aesthetic and his silence is admired by his peers. It is also said that he is so hermetic that he doesn’t even have a website to promote his work. All these things are said about the 52 years old Chilean architect, before he starts his talk "more or less a year," at the Puerto de Ideas Festival in Valparaíso (Chile), where he reviews his latest projects.
"Saying something -and saying something else- has always seemed impossible or very difficult for me. I always collect things from everywhere. And that's what I do. There isn’t much more to it than that: there is little invention. In spite of everything, one has to end up talking, saying things. And today we are going to talk about what I could and could not do in the past year", he says at the beginning of his talk at the Cousiño Palace in Valparaíso.
CLOUD ’68—PAPER VOICE
Smiljan Radić’s Collection of Radical Architecture
With recordings of interviews by Hans Ulrich Obrist
Co-curated by Patricio Mardones
In 2018 the Vatican will participate in the Venice Architecture Biennale for the first time. Ten international architects will construct 10 different chapels as part of the representation of the city-state in the Italian architecture event. The news was confirmed by Paraguayan media outlets ABC y Última Hora, who revealed that one of the participants was local architect Javier Corvalán.
The elite group of architects was selected by Francesco Dal Co, an Italian architecture historian and curator. The designers have been instructed that their chapels must be able to be relocated so that they can be deployed around the world, in places that are in need of these spaces of worship.
The architects who will build chapels in the 2018 Venice Architecture Biennale:
Each year millions of wine enthusiasts travel the globe in search of memorable tasting experiences. And architecture-loving Oenophiles (wine aficionados) are likely to seek vineyards that not only produce outstanding libations, but also those with impressive architecture. With world-famous wines and evergrowing international renown, the vineyards of South America accommodate thousands of wine tourists each year. Chile and Argentina currently sit in the top 10 wine-exporting countries; Chile exported $1.9 billion worth of wine in 2016 and Argentina exported $816.8 million in the same year.
Separated by the Andes, the valleys surrounding Argentina's Mendoza and Chile's central valley (including Elqui, Limarí, Aconcagua, Maipo, Casablanca, Colchagua, Cachapoal, Maule and Curicó valleys) attract a high number of enotourists. The wineries and vineyards featured below have moved away from the traditional image of the historic country house in both aesthetic terms and (sometimes) in the use of materials in the winemaking process. These properties also exist in natural harmony with the surrounding landscape to make the most of sunlight, air circulation and topography for the construction of wine cellars, hotels, tasting rooms, lookouts and viewing points, and research centers. The new and vibrant architectural designs serve as innovation inspiration in their production of the wines as well.
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
Narrative has a powerful place in architecture, and some of the most enduring narratives come in the form of fairy tales. A recent series by Places Journal brings the two directly together, exploring “the intimate relationship between the domestic structures of fairy tales and the imaginative realm of architecture.” The curation team reflects this duality, with the diverse collection put together by writer Kate Bernheimer and architect Andrew Bernheimer. Read on for a quick look at four new additions to the series released by Places Journal this week.
The office of Peter Zumthor has been selected to design an expansion to the Beyeler Foundation, located just outside Zumthor’s childhood home of Basel, Switzerland. The Swiss architect was chosen from a prestigious shortlist of 11 firms to add to the existing museum building, designed by Renzo Piano Building Workshop and completed in 1997.
“The sky above Basel, the city and its surroundings–those are the landscapes of my youth,” said Zumthor. “It is heart-warming to be able to design a major building here.”
The Center for Architecture, in collaboration with CONSTRUCTO, will present the exhibition EXTRA-ORDINARY: New Practices in Chilean Architecture, opening on Wednesday, June 22 at 5:30 pm, curated by CONSTRUCTO foundersJeannette Plaut and Marcelo Sarovic. The opening will begin with a roundtable discussion between Plaut, Sarovic and MoMA Director Glenn Lowry and will be followed by a presentation by architect Smiljan Radic.
Chilean architecture, having long stood in the shadow of more established design traditions in Europe and North America, has been catapulted to the forefront of global attention with the news that architect Alejandro Aravena has been named the 41st Pritzker Prize Laureate – the first Chilean to receive the award. He is also the director of this year’s Venice Architecture Biennale, which focuses on the role of architects in improving the living conditions of people across the globe, especially in cases where scarce resources and the “inertia of reality” stand in the way of progress.
LocationLibertad 410, Santiago, Región Metropolitana, Chile
CollaboratorsEduardo Castillo, Danilo Lazcano, Patricio Alvarado, Alejandro Luer
Structural EngineeringBYB ingeniería Estructural Ltda.
Site Area1270 m2
Project Area2000.0 m2
Last month, as part of their Park Nights event series, COS assembled Spanish architects José Selgas and Lucía Cano (SelgasCano) at their new pavilion for the Serpentine Gallery in London's Hyde Park to discuss the concepts behind their design and the history of the Pavilion Commission with Serpentine directors Julia Peyton-Jones and Hans Ulrich Obrist. They were joined by Chilean architect Smiljan Radić, designer of the 2014 pavilion, and Japanese architect Sou Fujimoto, designer of 2013's, in an hour long conversation moderated by Sarah Ichioka.
A prelude to Serpentine Park Nights, selgascano, Sou Fujimoto and Smiljan Radic sat down with Serpentine Directors Julia Peyton-Jones and Hans Ulrich Obrist to discuss the concepts behind the design of the 2015 Serpentine Pavilion and the history of the commission. The conversation, moderated by Sarah Ichioka, marks the 15th anniversary of the Serpentine Pavilion.
In honor of International Museum Day we’ve collected twenty compelling museum projects. In this round up you’ll find a truly global selection; from Wang Shu's Ningbo Historic Museum in China and Tod Williams + Billie Tsien's Barnes Foundation in Philadelphia to Monoblock's Contemporary Art Museum in Buenos Aires, see all of our editors’ favorites after the break!
Chilean architect Smiljan Radić’s shell-shaped Serpentine Pavilion has been relocated from Hyde Park to the gardens of Hauser & Wirth Somerset in Bruton. Just under three hours from London, the new site positions the translucent fiberglass structure in short proximity to a main gallery complex designed by Paris-based Argentine architect Luis Laplace and within an lush garden designed by Dutch landscape architect Piet Oudolf.