The rights to reconstruct Kisho Kurokawa's iconic Nakagin Capsule Tower are currently sold on one of the largest NFT sites. While the tower’s demolition has begun earlier this year, the auction sells the right to rebuild the structure, in both the metaverse and in real space. The idea of recreating the Metabolic building in a virtual space seems natural. It could allow a larger community to explore an iconic piece of architecture and encourage them to experiment with it, an initiative in line with Metabolist ideals. On the other hand, the idea of reconstructing a demolished historical building in the physical world raises a different set of conflicting emotions. Architectural replicas are not the norm, but their existence raises questions regarding the identity and authenticity of works of architecture.
Ludwig Mies van der Rohe: The Latest Architecture and News
The Barcelona Pavilion, an Instrument of Expression: 10 Interventions to Reflect on Contemporary Architecture
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Phyllis Lambert, an architect, the Planning Director of the Seagram Headquarters, and the Founding Director Emeritus of the Canadian Centre for Architecture in Montréal.
The Resor House was a hugely pivotal project for Mies van der Rohe, in both his life, and his career. It was his first commission in the United States and prior to landing in Chicago, he lived for two months on the site of the house near Jackson Hole, Wyoming. Its design was unique for Mies in its rural landscape setting and material choices, mainly its wood-clad exterior and interior. While it was never constructed due to cost overruns, the design documents and working models were collected by MoMA in NY, where the client, Helen Resor was on the Board of Directors. This video traces a digital reconstruction of the house — using those archival documents — to serve as the subject of an in-depth tour and analysis. What sorts of discoveries are to be found inside this unbuilt masterpiece?
Chicago’s most prolific architect, Helmut Jahn has passed away on Saturday afternoon in a cycling accident. He was struck by two vehicles while riding his bicycle in Campton Hills, in the Chicago suburbs. The German-American designer is best known for his postmodern Thompson Center, currently under threat of demolition and United Airlines Terminal 1 at Chicago’s O’Hare International Airport.
Built in a flood plain along the Fox River, the Farnsworth House, designed by Ludwig Mies van der Rohe is endangered again. Floodwaters are threatening the modernist house once more, as water levels are rising to reach the top of the house’s steel columns, covering its lower terrace.
There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.
Most days, architecture is a tough practice; on others, it is wonderfully satisfying. Perhaps, though, most importantly, architecture is accommodating and inherently open to possibility.
This collection of statements illustrates the changing breadth of architecture’s significance; we may define it differently when talking among peers, or adjust our statements for outsiders.
As architects we are often conflicted: what do we do when we have clients who want really big houses, houses that by any measure surpass anything they could really need? How do we walk them back from the idea that they need 3,500 square feet of home for a family of four?
On one hand, we want to design it for them. In fact, a bigger project keeps us employed and financially solvent much longer. On the other hand, how do we reconcile that with the idea of sustainability and the architect's responsibility to promote it?
Had the worst jury ever? Failed your exams? Worry not! Before you fall on your bed and cry yourself to sleep—after posting a cute, frantic-looking selfie on Instagram, of course (hashtag so dead)—take a look at this list of nine celebrated architects, all of whom share a common trait. You might think that a shiny architecture degree is a requirement to be a successful architect; why else would you put yourself through so many years of architecture school? Well, while the title of "architect" may be protected in many countries, that doesn't mean you can't design amazing architecture—as demonstrated by these nine architects, who threw convention to the wind and took the road less traveled to architectural fame.
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
In the 1960s James Stirling asked Ludwig Mies van der Rohe why he didn’t design utopian visions for new societies, like those of Frank Lloyd Wright’s Broadacre City or Corbusier’s Cité Radieuse. Mies replied that he wasn’t interested in fantasies, but only in “making the existing city beautiful.” When Stirling recounted the conversation several decades later it was to the audience of a public enquiry convened in London – he was desperately trying to save Mies’ only UK design from being rejected in planning.
It couldn’t be done: the scheme went unbuilt; the drawings were buried in a private archive. Now, for the first time in more than thirty years, Mies’ Mansion House Square will be presented to the public in both a forthcoming exhibition at the Royal Institute of British Architects (RIBA)—Mies van der Rohe and James Stirling: Circling the Square—and, if it is successful, a book currently being funded through Kickstarter by the REAL foundation.
In early 2016, we introduced Vardehaugen, a Norwegian office that created a series of life sized drawings of their projects in their own backyard. After publishing this exercise on our site, Spanish architect and academic Alberto T. Estévez reached out to tell us that this same exercise has been carried out at ESARQ (UIC Barcelona) for the past 10 years with second and third year architecture students. According to Estévez, the exercise "represents something irreplaceable: it brings you closer to experiencing life-sized spaces of classic works of architecture" from the Farnsworth house to José Antonio Coderch's Casa de la Marina.
About 10 years ago I had an idea for a special teaching exercise, one that I thought would be interesting and instructive at the same time. So I started doing the practice class we’ve been talking about with architecture students in their second and third year of study at ESARQ (UIC Barcelona): the School of Architecture, which I founded 20 years ago as the first Director at the International University of Catalonia.
Now, we do the lesson every year in the Architectural Composition class that I teach, which discusses the theory and history of architecture.
Today marks 130 years since the birth of German architect Ludwig Mies van der Rohe. In honor of this tremendously influential figure, we're shining some light into the lesser known facts about Mies' life in order to better understand and contextualize his architecture.
For this, our colleagues at ArchDaily en Español have referred to "Vidas construidas, Biografías de arquitectos" (Constructed Lives, Biographies of Architects), a book by Anatxu Zabalbeascoa and Javier Rodríguez Marcos. This text, released by publisher Gustavo Gili, features the biographies of 20 of the world's most celebrated architects, from the Renaissance to the Modern movement. Each story is a fascinating journey into the lives of each architect, and the details allow us to understand the genesis of many works that are today considered classics.
We've chosen 20 facts that reveal the thoughts, influences and decisions that brought Ludwig Mies van der Rohe's architecture to the forefront of modernism.
In an exclusive thirty minute-long discussion with Kevin Roche, described in this interview as "arguably the greatest living architect you've never heard of," Monocle's Steve Bloomfield hears about his early years in practice through to the evolution of his design philosophy over a career which has spanned five decades.
In his book We Have Never Been Modern, philosopher Bruno Latour concludes that an inability to make humanity and nature inherently separate is one of Modernism’s most misguided tropes. Thus, contemporary designers that hope to riff on or have continuity with modernism must understand that architecture, even at its most aestheticized, is not hermetically sealed off from the outside world - and that therefore modernism is not a plateau of design, but another base camp on the road to further refinement.
In Chicago, the city where Modernism reached both its metaphoric and physical peak, Atelier 2B, a team of Yewon Ji, Nicolas Lee, Ryan Otterson, recently shared the top-five prize of the Chicago Architecture Foundation's ChiDesign Competition (part of the Chicago Architecture Biennial) for their project Soft in the Middle: The Collaborative Core. Indebted to the legacy of Mies and the International Style, Atelier 2B proposed a Modernist-tower-redux that (externally at least) is composed of three stacked rectangular volumes bisected with terraces, set back from the street by a large public plaza. The project brief called for “a new center for architecture, design and education,” in a competition judged by critics including Stanley Tigerman, David Adjaye, Ned Cramer, Monica Ponce de Leon, and Billie Tsien.