Contemporary Architecture: The Latest Architecture and News

Architecture has traditionally been described as a discipline concerned with space, form, and material presence. Yet this understanding becomes increasingly limited when confronted with the conditions that shape contemporary construction. Buildings no longer emerge from a stable relationship between site, program, and material. Instead, they are produced within a dense web of technological systems that operate across territorial, ecological, and temporal scales. Energy networks, data infrastructures, extraction processes, and global logistics shape architecture as decisively as climate or urban context.

Seen from this angle, architecture is less a discrete object than a moment within a larger technical field. Supply chains, data systems, automated maintenance, and energy grids do not sit "behind" the built environment. In a certain way, they influence what can be built, what is affordable, how buildings perform over time, and what kinds of waste they produce. When architecture is assessed primarily through form, it risks overlooking the systems that condition its production and afterlife.

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Located within the Parque Tecnológico de Brasília, the World Trade Center Biotic is a mixed-use development designed by Brazilian studio Architects Office as part of the district's broader urban expansion. The project is part of the master plan developed in 2020 by Carlo Ratti Associati and is currently being developed. Conceived as a multi-program complex, the proposal brings together offices, residential units, a hotel, retail spaces, and shared facilities within a single urban framework. The project occupies a site of approximately 70,000 square meters and is planned to reach about 180,000 square meters of built area, with an estimated 150,000 square meters expected to be completed by 2030.

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Smiljan Radić Clarke, the 2026 Pritzker Prize winner, is a contemporary Chilean architect known for his experimental approach to design, with a practice that balances the elemental with the intimate, the monumental with the fragile. Over the course of more than three decades, Radić has developed an architecture that resists repetition and conventional stylistic categorization, favoring instead deeply site-specific, materially attuned, and culturally reflective interventions.

His work negotiates between permanence and impermanence, memory and imagination, creating buildings that are as much about human experience and emotion as they are about structure and form. Across residences, cultural institutions, and temporary installations, Radić's architecture foregrounds the interplay between context, materials, and the subtle gestures that shape how spaces are inhabited and perceived.

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EDGE Awards 2026 - CALL FOR APPLICATION

As the architecture community looks ahead to the announcement of the 2026 laureate of the Pritzker Architecture Prize, anticipation once again gathers around what is widely regarded as the profession's highest honor. Founded in 1979 by Jay Pritzker and administered by the Hyatt Foundation, the prize recognizes a living architect whose body of work demonstrates a consistent and significant contribution to humanity and the built environment.

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In Hong Kong, where interiors and small buildings are routinely caught between two extremes—high-gloss "luxury" finishes on one end, and budget-cautious industrial roughness on the other—a third attitude has emerged through the calibration of both: a uniquely precise, relevant, and materially honest execution that is not dependent on price point. This is calibrated rawness. Calibrated rawness describes an architecture that retains the directness of matter and materiality—concrete, metal, blockwork, exposed structure, visible services—while subjecting it to rigorous control.

The "raw" is not a costume, and the "refined" is not polished; it is a discipline of precise execution, producing spaces that feel balanced and considered, yet never "made up" or overworked. Studio 1:1 demonstrates this attitude consistently across its work—and its upcoming publication, Architecture under the Radar: Three Projects in Asia (with a foreword by Nader Tehrani), offers a timely frame through which to read this ethos as more than an aesthetic, but as a repeatable architectural method.

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As environmental accountability becomes embedded in design culture, the building envelope is being reconsidered not just as a protective skin, but as an active energy-producing surface. Treating solar technology as a material rather than an attachment reshapes how architecture is conceived and detailed. Color, texture, rhythm, and assembly become inseparable from performance. Building-Integrated Photovoltaics (BIPV) operate within this expanded definition of materiality. By integrating solar technology into façades and rainscreens from the earliest project stages, architects can reduce redundancy, align energy goals with design intent, and rethink how envelopes are composed. Yet translating this ambition into buildable systems requires technical precision and construction intelligence.

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The single-family house remains one of the most complex territories in contemporary architecture. At once intimate and technical, everyday and symbolic, it concentrates debates around comfort, sustainability, landscape, and ways of living, while also serving as an instrument for projecting the identity of its inhabitants. It is within this field that ARK Architects operates. Based in Marbella and Sotogrande, the studio's work, under the creative direction of co-founder Manuel Ruiz Moriche, develops from a direct relationship between architecture, natural light, and environmental context.

The role of heritage rehabilitation in the contemporary architectural landscape is shaped by a wide range of research, beliefs, memories, and efforts aimed at redefining and strengthening our built environment. When undertaking a transformation, renovation, or preservation project, architects can employ diverse strategies and tools to encourage a meaningful coexistence between what already exists and what is newly introduced. Together with three Madrid-based architecture practices—SOLAR, Pachón-Paredes, and BA-RRO—we set out to engage in conversation and explore their creative processes and ideals, recognizing the complexity and value of historic buildings as repositories of materials, structures, and construction techniques from other eras.

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Set on the edge of the Mediterranean and shaped by centuries of continuous occupation, Naples is a city where architecture is inseparable from time. Layers of Greek foundations, Roman infrastructures, medieval churches, Baroque palaces, and Modern interventions coexist within a dense and compact urban fabric. Naples reveals itself as an accumulation of structures, adaptations, and reuse, where buildings are rarely isolated objects and more often part of a larger spatial, social, and historical system.

The city's architecture is deeply tied to its geography and construction culture. Built between the sea and volcanic terrain, Naples developed vertically and inward, relying on courtyards, narrow streets, and thick masonry walls to mediate light, climate, and movement. Underground spaces, reused Roman cisterns, and carved tuff structures extend the city below ground, creating a parallel architectural dimension that supports daily life above.

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The European Commission and the Fundació Mies van der Rohe have announced the seven finalist projects for the 2026 European Union Prize for Contemporary Architecture - Mies van der Rohe Awards, supported by the European Union's Creative Europe programme. The selection follows the announcement of 410 nominated works in November and a shortlist of 40 projects revealed in early January. Of the seven finalists, five have been selected in the Architecture category and two in the Emerging category. According to the jury chaired by Smiljan Radić, the finalist projects are exemplary contributions to the future of European architecture, demonstrating how the discipline can respond simultaneously to specific local conditions and broader social, cultural, and environmental challenges. The selected works range from interventions in former industrial sites, small villages, and peripheral urban areas to carefully calibrated projects within larger cities. Across these varied contexts, the projects show how architecture can transform overlooked or ordinary settings into inclusive, high-quality spaces for living, learning, and social exchange.

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As part of the CONTEMPORANEA programme, the House of Architecture of Rome promotes the Call for Proposal 2026, addressed to architects, planners, landscape architects and/or conservation specialists, and aimed at selecting a research project to be developed through the use of the space known as "Monitor P" at the Casa dell'Architettura of Rome for a three-month period, between April and June 2026.

Architectural heritage is often described as what survives time. Yet survival does not explain why certain buildings are preserved while others disappear. Many works now protected as cultural heritage were once criticized, contested, or openly rejected; they were accused of being socially misguided, materially flawed, or symbolically excessive. Over time, however, these same shortcomings have become central to their meaning as heritage emerges as a slow and unstable process of interpretation.

Contemporary architecture operates under intense scrutiny, pressured by environmental responsibility, social equity, economic volatility, and accelerated technological change. Buildings are expected to perform ethically, efficiently, and symbolically, often simultaneously. As a result, architectural failure is no longer an exception but an increasingly common condition. Projects age faster, materials reveal limitations sooner, and urban strategies quickly fall out of sync with shifting political, social, and environmental realities.

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A long table can sit almost anywhere and still do the same work. It can stretch beneath a market canopy, run along a school dining hall, or occupy the center of a shared living room, and it immediately changes the room's temperature.

That is why the long table is less an object than a spatial instrument. It does not guarantee a connection, and it rarely looks "inclusive" by default. Instead, it sets conditions: a shared edge, a common rhythm of arrival, a field of mutual visibility, or a rule that turns eating into a scene with others. Food studies describe this practice as commensality, the act of eating together and the social order it can create, reinforce, or contest. But what matters here is not a specific dimension or the table's function, but the way a long surface holds difference, conversation, and silence; intimacy and distance; the decision to join and the right to hesitate.

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This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Traditionally, a museum visit is a calendared occasion with a clearly scripted sequence. Arrival is ceremonially marked—by grand stairs or thresholds, by ticketing and information desks, by an audio guide and a concise institutional preface about mission and history. That deliberate "special occasion" quality extends from how museums were long conceived: deliberately exceptional, tightly curated, and organized around a specific narrative arc. In this model, the museum assumes an authoritative voice—its knowledge deep, vetted, and to be respected rather than contested—while architecture and choreography reinforce a rather singular way of entering, learning, and remembering.

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The Royal Institute of British Architects (RIBA) has announced that Irish architect, educator, and writer Níall McLaughlin will receive the 2026 Royal Gold Medal for Architecture. Awarded on behalf of His Majesty the King, the Royal Gold Medal is among the significant international distinctions in architecture, recognizing a sustained contribution to the advancement of the discipline through built work, education, and critical discourse. In announcing the award, RIBA noted McLaughlin's long-standing influence across architectural practice and pedagogy, citing a career that spans more than three decades and reflects a consistent engagement with the cultural, environmental, and social dimensions of architecture.

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Foster + Partners, in collaboration with Angola's Ministry of Transport, has unveiled the master plan for the Icolo e Bengo Aerotropolis, a large-scale development planned around the recently completed Dr. Antonio Agostinho Neto International Airport. The proposal organizes business, research, residential, and hospitality programs within a landscape-led framework structured around the airport. Development is planned to proceed in phases, beginning with the business and cultural district located to the north of the site.

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WORKac is a New York-based firm founded in 2003 by Amale Andraos and Dan Wood. The firm has always believed in "the power of architecture and design to engage in environmental and social concerns, and to create new possibilities for the future." In that sense, the firm's principals define their approach to architecture as a constant evolution. For them, it is a continuous process of learning, questioning, and relearning, which is nurtured through the firm's engagement in local culture, climates, and histories, as well as discourse in the fields of ecology, landscape, and urbanism. In this way, they are able to bring these topics together with a focus on public, cultural, and civic projects that aim to reinvent how people live, work, and experience the world.

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