How many changes have you done to your interior space during this past year? Whether it was a change of furniture layout, repainting the walls, adding more light fixtures or perhaps even removing them, after spending so much time in one place, the space you were once used to didn’t make sense anymore. We could blame the overall situation for how we’ve been feeling lately, but as a matter of fact, the interior environment plays a huge role in how we feel or behave as well. However, if you were wondering why some neighbors seem much more undisturbed and serene even in the midst of a pandemic, it could be because the interior is greener on the other side.
Color: The Latest Architecture and News
Polycarbonate has become an alluring alternative to glass in facades, as it has different levels of translucency and can provide optimal transmission and diffusion of light. Moreover, it is light, flexible, recyclable, durable, resistant to impact, and includes UV protection, in addition to resisting temperatures between -40°C and 115°C. But beyond its functional properties, this thermoplastic also provides wide-ranging aesthetic opportunities, allowing architects to create unusually dynamic and expressive facades.
Brick is one of the most popular materials for architects designing with a vintage or rustic aesthetic: exposed brick walls are often touted as highly desirable for apartments, restaurants, and stores, and exterior brick facades can make a building or home feel warmer and more inviting. However, the color and cut of the brick can greatly influence the atmosphere it emanates, with white brick lending itself to more minimalist design and tan brick tending to feel more rustic and earthy. In this article, we will explore some of the most popular brick colors, ways to artificially color brick, and recent projects that use brick facades or interior brick elements effectively.
Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid. For architects and the people they work with, the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.
Besides thermal, acoustic and luminous comfort, colors are factors that influence the sensation we feel when in an environment and become a strong device to influence the user's behavior.
With the aim of creating immersive environmental experiences in interior spaces, the design studio Aqua Creations has developed Manta Ray Light, a lighting installation built with responsive RGB LED technology that mixes the colors red, green, and blue to generate more than 16 million light tones. By presetting its color spectrum, offering a range of brightness settings on a scale of 0.1 to 100%, and even loading images and videos into its internal memory, the system allows its user to add color and movement to expressive spaces, or deliver a feeling of warmth and concentration to intimate and private rooms.
With most of our lives spent indoors, the space we occupy has a major role in our psychological behavior. Environmental psychology or Space psychology is, in fact, the interaction between people and the spaces they inhabit. Lighting, colors, configuration, scale, proportions, acoustics, and materials address the senses of the individual and generate a spectrum of feelings and practices.
From inducing warmth and safety, defining well-being, or creating a positive and efficient working environment, space can have a whole lot of impact on how we act or on what we feel; therefore, design and creative measures should be considered according to the social and psychological needs of the occupants.
Expanded polystyrene (EPS) is a plastic material widely used for thermal insulation (and in some cases, acoustics) in building envelopes.
So is it possible to recycle it and apply it again in other construction processes? Yes, EPS can be crushed and compacted to be used in the manufacture of new plastic products. But it can also be recycled and live again in the construction of architectural and urban projects in the form of paints and coatings.
Some architects love color, some are unmoved by it, some hate it, and some love to dismiss it as too whimsical or non-serious for architecture. In an essay on the subject, Timothy Brittain-Catlin mentions the “innate puritanism among clients of architecture,” architects and their “embarrassment of confronting color,” and how “Modernism tried to ‘educate out’ bright colors.” So, while the debate on color in architecture is far from being a new one, it is not finished, and probably never will be.
In today’s world where the exhausted stereotype of the no-nonsense architect clad in black still persists, and while we quietly mull over the strange pull of the Cosmic Latte, there are some architects who haven’t been afraid of using broad swathes of color in their work at all. Read on for a list of 7 such exemplary architects both from the past and the present.
A few days ago, the Pantone Color Institute ended the annual suspense of fashionistas and color connoisseurs everywhere by announcing its 2019 Color of the Year: Living Coral. Described by the Institute as “an animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge,”  PANTONE 16-1546 will surely be seen throughout the new year and perhaps in places you wouldn’t expect.
What comes to mind when you think of Brazilian architecture? The strong forms of Oscar Niemeyer? Neutral-toned works of brutalism? Cobogós? In spite of the fact that colors are present in Brazil's colonial architecture, the aforementioned qualities tend to dominate the perception of the architecture of South America's largest country.
However, current architectural production in Brazil is bringing more and more colorful elements that shy away from the gray and beige purity. We've selected fifteen projects that use color to highlight architectural elements and generate dynamic perceptions of space.
"Anyone can be a photographer nowadays, all you need is a smartphone." Although this is a well-known cliche, that doesn't mean it's entirely untrue. Recently, with the advancement of smartphone technology, aided by social networks, the growth of photographic capabilities on these devices has increased at an exponential speed.
UK-based design studio NEWSUBSTANCE has debuted at the Coachella Valley Music & Art Festival with a seven-floor pavilion taking visitors on an “ever-changing journey of light, color and perspective.” The 75-foot-high (23-meter-high) pavilion named “Spectra” consists of a spiral form featuring an observation deck at its peak, projecting a rainbow band of color.
The dazzling color scheme is produced by the separation of light waves by their varying degrees of refraction, embodying the lively spirit of the Coachella festival. Through this manipulation of the physical properties of light, Spectra is capable of producing over 16 million colors.
Architect Emmanuelle Moureaux’s latest art experience, “COLOR OF TIME,” allows observers to experience the passage of time through color. Moureaux’s installation is one of a series called, “Art and Design, dialogue with materials,” for Toyama Prefectural Museum of Art & Design’s opening ceremonies. Throughout the series artists played with different materials, showing their varying potentials and characteristics.
Moureaux chose paper; layering over 100,000 number cutouts into a 3D grid. From sunrise at 6:30 to 19:49, the numbers turn over 100 shades of color, ending in black. A color changing experience totaling 799 minutes.