A few days ago, the Pantone Color Institute ended the annual suspense of fashionistas and color connoisseurs everywhere by announcing its 2019 Color of the Year: Living Coral. Described by the Institute as “an animating and life-affirming coral hue with a golden undertone that energizes and enlivens with a softer edge,”  PANTONE 16-1546 will surely be seen throughout the new year and perhaps in places you wouldn’t expect.
What comes to mind when you think of Brazilian architecture? The strong forms of Oscar Niemeyer? Neutral-toned works of brutalism? Cobogós? In spite of the fact that colors are present in Brazil's colonial architecture, the aforementioned qualities tend to dominate the perception of the architecture of South America's largest country.
However, current architectural production in Brazil is bringing more and more colorful elements that shy away from the gray and beige purity. We've selected fifteen projects that use color to highlight architectural elements and generate dynamic perceptions of space.
"Anyone can be a photographer nowadays, all you need is a smartphone." Although this is a well-known cliche, that doesn't mean it's entirely untrue. Recently, with the advancement of smartphone technology, aided by social networks, the growth of photographic capabilities on these devices has increased at an exponential speed.
Colors and their perceptions are responsible for a series of conscious and subconscious stimuli in our psycho-spatial relationship. Despite its presence and its variations, it is present in all places. Have you ever wondered what its role is in architecture?
As well as the constructive elements that make up an architectural object, the application of colors on surfaces also influences the user's experience of the space. According to Israel Pedrosa, "a colorful sensation is produced by the nuances of light refracted or reflected by a material, commonly the word color is designated to those shades that function as stimuli in a chromatic sensation." 
This innovative multidisciplinary study considers the concept of green from multiple perspectives—aesthetic, architectural, environmental, political, and social—in the Kingdom of Bahrain, where green has a long and deep history of appearing cooling, productive, and prosperous—a radical contrast to the hot and hostile desert.
UK-based design studio NEWSUBSTANCE has debuted at the Coachella Valley Music & Art Festival with a seven-floor pavilion taking visitors on an “ever-changing journey of light, color and perspective.” The 75-foot-high (23-meter-high) pavilion named “Spectra” consists of a spiral form featuring an observation deck at its peak, projecting a rainbow band of color.
The dazzling color scheme is produced by the separation of light waves by their varying degrees of refraction, embodying the lively spirit of the Coachella festival. Through this manipulation of the physical properties of light, Spectra is capable of producing over 16 million colors.
Architect Emmanuelle Moureaux’s latest art experience, “COLOR OF TIME,” allows observers to experience the passage of time through color. Moureaux’s installation is one of a series called, “Art and Design, dialogue with materials,” for Toyama Prefectural Museum of Art & Design’s opening ceremonies. Throughout the series artists played with different materials, showing their varying potentials and characteristics.
Moureaux chose paper; layering over 100,000 number cutouts into a 3D grid. From sunrise at 6:30 to 19:49, the numbers turn over 100 shades of color, ending in black. A color changing experience totaling 799 minutes.
In this essay British architect and academic Dr. Timothy Brittain-Catlin presents the work of Space Popular, an emerging practice exploring the meaning of and methods behind deploying virtual reality techniques in the architectural design process.
Architectural practice, especially in the UK, is moving fast into a realm where history plays as much a part as medium. But the ways in which architects work have been transformed entirely from those of the past, generating a fundamental conflict: how in practice does design through virtual reality use history? In the earliest days of fly-throughs we all realised that we could show our work to clients in a way that even the least plan-literate could understand. We could develop details three-dimensionally and from different angles, even representing different times of day. But what next? How do we engage historical knowledge and experience of buildings?
Steven Holl Architects Designs Colored Photovoltaic Glass Building for Doctors Without Borders' Geneva Office
Doctors Without Borders (Médecins Sans Frontières) has selected Steven Holl Architects in collaboration with Rüssli Architekten as the winners of an international competition for the design of their new Geneva Operational Center, beating out proposals from Pool Architekten & Mak Architecture, Sauerbruch Hutton, Emilio Tuñon Arquitectos & Ruckstuhl Architekten, Blue Architects, and Consortium Sou Foujimoto with The New Talent Workshop.
Clad in an innovative colored photovoltaic glass facade system, the energy-efficient building will provide flexible work and social spaces for more than 250 employees.
If you ever have those moments where you take a step back from your life and feel like you’ve suddenly fallen into a scene from a movie, you may appreciate the subreddit /r/AccidentalWesAnderson. Director, producer, screenwriter, and actor Wes Anderson is well known for creating scenes in his films that blur the lines between the real and the unreal. His extreme symmetry and restricted color palettes can often give the impression of a surreal, self-contained world. The purpose of the Accidental Wes Anderson subreddit is for users to post photos of real-world architecture and scenes they’ve stumbled upon that look like they could be stills from one of Anderson’s movies, with Redditors finding Anderson-esque scenes around the globe in everything from bathrooms to staircases to city streets. Even a viewer unfamiliar with Anderson’s films can browse the collection of photos and easily understand his aesthetic. Below is just a small selection of some of the most evocative photos to be found on the subreddit.
Millennial Pink has broken into the design consciousness of more than its named generation. Though hugely successful in fashion and pop-culture (and Instagram), the playful color has established a presence across design products and the built environment like never before. Colour is a fundamental tool in our perception of architecture, with architects like Ricardo Bofill and Luis Barragan having baptized pink into a high-impact contributor through their works. With that in mind, check out these 13 projects showing why pink is here to stay:
In any city across the world, there are countless examples of unsung architecture – well-designed if inoffensive buildings that strive to please by not standing out from the crowd. For German photographer Paul Eis, these buildings provide the perfect canvas for his work. Displayed on his Instagram account, the_architecture_photographer, Eis captures these buildings in their best light, and then digitally adds in bright colors, elevating these structures from mundane to magnificent.
Colored concrete is being used increasingly as a premium building material. Numerous buildings are constructed every year around the world that are colored with inorganic pigments. Specialty chemicals company LANXESS will be presenting in the third Colored Concrete Works Award in 2017 to architects who create modern architecture with colored concrete and focus on their work, the beauty and aesthetic quality of this special, natural building material.
Looking for a challenging new diversion that will keep your architectural mind humming? A new puzzle game from developers Dusty Road, Empty, may just fit the bill.
In an effort to spark new ideas for "zero value landscapes," Amanda Williams has been painting abandoned houses in Chicago's South Side with a "palette of culturally coded, monochromatic colors" to "explore how academic and theoretical definitions of color map across veiled language used in American media/popular culture to describe racially charged city spaces... Think a female Gordon Matta-Clark parading around as a Black Josef Albers," says the artist.
OMA and Buro Ole Scheeren's vertical village in Singapore, The Interlace has been named the World Building of the Year 2015 at culmination of the World Architecture Festival (WAF). Celebrated for being "an example of bold, contemporary architectural thinking," as WAF Director Paul Finch described, the project is eighth building to ever win the illustrious award. It is considered to be a "radical new approach to contemporary living in a tropical environment."
Winners of the year's Future Project, Landscape, Small Project and Color Prize awards were also announced. Read on to see the who won with comments from the jury.
The World Architecture Festival (WAF) has announced the shortlist for its Colour Prize, which is supported by three-time Headline Sponsor AkzoNobel. Last year, the Innovative Use of Color on Exteriors Prize was awarded to the Vienna University of Economics and Business’ Department of Law and Central Administration, for its use of Copper Orange in a 200-meter-long pairing of buildings.
First inspired with a grand vision to transform Rio de Janeiro’s most notorious slum into a community united by color, artists Jeroen Koolhaas and Dre Urhahn of Haas&Hahn have found an ingenious and stunning way to empower some of the world’s most impoverished communities through art.