From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time.
Polycarbonate, commonly used in roofing and industrial cladding, has gone beyond its initial applications to become a material widely used across various architectural typologies. Its combination of strength, lightness, easy installation, and ability to allow natural light to pass through has made it an attractive option for residential,educational, and even cultural architecture projects. In homes, polycarbonate not only helps create bright and comfortable environments but also allows for creative use of translucency to generate private spaces without sacrificing visual connection to the outdoors.
Fire is a primordial force of nature, possessing both destructive and protective power throughout human history. Capable of devastating landscapes, crops, and entire cities, it also provides heat, enables cooking, and is used to generate energy. This duality highlights the importance of balancing its use and control, especially in construction, where fire safety is crucial. Building codes for fire protection are strict, often complex and restrictive, but essential to ensure the safety of occupants.
Wood is undeniably an elegant choice for architectural projects, offering a natural and welcoming aesthetic that enhances any space. However, when exposed to the elements, this same wood demands a high level of maintenance. Sun, rain, and temperature variations can compromise its appearance and integrity over time, requiring regular care to preserve its original beauty. For many, this is the price to pay for the irreplaceable aesthetics of wood, but the search for alternatives that combine natural beauty with durability has grown, allowing the charm of wood to be enjoyed with less effort.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss their pet peeves in architecture design. The two cover poorly adapted historical elements; inconsistent use of materiality and detail in a project; dead-end hallways; poor construction execution and more.
https://www.archdaily.com/1019964/the-second-studio-podcast-architecture-pet-peevesThe Second Studio Podcast
CUPACLAD® 201 VANGUARD. Image Courtesy of Cupa Pizarras
Slate is a metamorphic natural rock composed of clay minerals such as mica and chlorite, which give it a laminated texture and predominant shades of gray, black, and green. Widely used in the construction industry, it is known for its durability and distinct elegance, offering a timeless and sober finish for roofs and exterior walls. With its unique texture, it can transform the look of any structure using rectangular—or other shaped—pieces. Additionally, it is a highly resistant material to weather, fire, and environmental pollutants, ensuring long-term performance with minimal maintenance. Its eco-friendly production process, involving only raw material extraction and minimal processing, reduces CO₂ emissions, making it an ideal choice for sustainable contemporary architecture.
The use of contrast is an essential practice in both cuisine and architecture, whether it's harmonizing different aromas and flavors or integrating buildings from different eras. This principle comes to life in a striking way at the top of the imposing Austrian Alps, where the Steirereck am Pogusch restaurant strives for culinary excellence, architectural mastery and the fusion of tradition and innovation. Under the guidance of PPAG architects, the establishment has undergone a revitalization and expansion marked by a deep respect for nature, while making a bold statement of contemporary design.
Heatherwick Studio has just been selected to design a new educational facility for a university in Bogotá, Colombia. Marking Heatherwick’s Studio’s debut in South America, the construction is set to begin in 2025. Located on the existing campus in central Bogotá, the new design school and makers’ space for Universidad EAN will become a home for the university’s school of sustainable design. The seven-story structure features a striking façade adorned with colorful artistic columns and open terraces.
In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.
For centuries, arid environments have solved the problem of light, privacy, and heat through a statement architectural feature of Islamic and Arab architecture, the mashrabiya. Crafted from geometric patterns traditionally made from short lengths of turned wood, the mashrabiya features lattice-like patterns that form large areas. Traditionally, it was used to catch wind and offer passive cooling in the dry Middle Eastern desert heat. Frequently used on the side street of a built structure, water jars, and basins were placed inside it to activate evaporative cooling. The cool air from the street would pass through the wooden screen, providing air movement for the occupants.
Similar to the Indian jali, the vernacular language also offers a playful experience with daylight while still maintaining a certain degree of privacy. Traced back to Ottoman origins, the perforated screens protected occupants’ from the sun while simultaneously letting daylight through in calculated doses. Although the mashrabiya was a statement in arab and Islamic architecture languages, it wasn’t until 1987 that the archetypal element began appearing with a revised contemporary application.
The concept of "eyes on the street" is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who - consciously or unconsciously - use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street
The principles of the circular economy have been most influential and applicable to the construction industry. Emphasizing the efficient use of resources, models around reuse and recycling of components and materials are increasingly being pioneered by global architecture practices. The concept of "design for disassembly" has emerged as an innovative approach especially in the case of building facades. Striking a balance between the demands for new infrastructure and the transition towards sustainability requires a review of traditional facade design throughout its lifecycle.
Architecture – once it moved out from under its cavernous beginnings – started off largely nomadic. For a long time, the shade of trees and moveable tents made from animal skin were utilized instead of more permanent dwellings to meet nomadic lifestyles and basic survival needs. These early portable structures were primarily supported by wooden frames and were used by various ancient civilizations, including the Bedouins in the Arabian Peninsula and the Native American tribes in North America. The advent of woven cloth some 40,000 years ago made the dwellings even lighter and easier to transport, a boon to nomadic cultures around the globe.
Though tents have remained popular since then in recreational contexts and as a staple of the architectural form, contemporary architecture has rediscovered the principle of draping fabric and taken its development further – not just for temporary structures, but for permanent buildings and installations, too. Advanced and durable materials have turned fabric into a facade and roof alternative that has sparked a highly specialized sector within the construction industry and created some of the most intriguing exteriors around the globe.
Translucency, at its essence, is an optical property that enables the total or partial passage of light through materials, without providing a clear view of the objects behind them. Despite its apparent simplicity, this property has fascinating applications in the architectural field, generating attractive and powerful proposals that play with light without obstructing views.
Traditionally, glass sheets have been the symbolic material associated with transparency, commonly used in the fabrication of doors and windows. However, technological advances in production and the exploration of innovative materials have significantly expanded the opportunities to take advantage of this property in both interior and exterior applications. These advances challenge preconceived limitations and encourage creativity in the development of novel architectural proposals.
https://www.archdaily.com/1013517/seeing-through-layers-translucent-materials-in-architectureEnrique Tovar
Cortesia de SolarLab, Photo by doublespacephoto.com
Autonomy and freedom during the design process are invaluable resources for architects, especially when defining a volume and choosing materials, systems, and solutions for a building. The flexibility of these elements must not only promote their harmonious integration within a structure but, above all, allow architects to incorporate them without the need to change their initial concepts. This design freedom becomes even more crucial in the context of facades, specifically in building-integrated photovoltaic (BIPV) facades. This is due to the unique challenge of incorporating the energy capture function into the design of the building envelope, simultaneously demanding adaptation to the designer's aesthetic preferences and effective performance, as well as the entire infrastructure for capturing and transporting energy.
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.
Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.
To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.
https://www.archdaily.com/1010187/sustainable-building-models-an-eco-friendly-structure-in-natural-slate-within-a-multi-ecological-neighborhoodEnrique Tovar
