Snohetta: The Latest Architecture and News

The World Architecture Festival (WAF) is set to host its 17th edition in Miami, marking the event's first appearance in the United States. This year's festival theme, announced as Hearts and Minds, will explore the intersection between rational design strategies and emotional resonance. Through a series of talks and panel discussions, speakers will examine how architecture operates both as an intellectual pursuit and a sensory experience, engaging perception, memory, and affect. Scheduled from November 12-14 at the Miami Beach Convention Center in Florida, the festival will gather architects and designers from around the globe for a three-day program featuring talks, awards, exhibitions, and fringe events. The event will highlight international practices, showcase new projects, and facilitate discussions on key issues shaping the built environment.

In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.

Despite their whimsical appearance, treehouses offer a unique platform for structural innovations and design explorations. Traditional treehouses rely on the trunks of trees for structural support, but, in order to ease the load supported by the tree, contemporary projects often introduce additional systems, such as stilts to maintain the image while offering additional support. One of the key advantages of elevating them in this way is the reduced environmental footprint. Treehouses can be designed to leave the forest floor untouched, preserving small-scale ecosystems. By freeing up the ground below, they minimize disruptions to native flora and fauna, allowing nature to thrive undisturbed. Similarly, many architects use the local topography to create seamless connections, incorporating ramps, stairs, or bridges that integrate with the landscape. These solutions not only improve accessibility but also enhance the overall experience creating an architectural promenade that moves between the treehouse and its surroundings.

"This sensitivity to the environment is reflected not only in the structural design but also in the careful selection of materials. The use of natural materials like wood, also helps the structure blend with its environment. Some designers have gone further by employing alternative materials such as mirrored panels to reflect the surrounding forest and mask the treehouse's presence entirely, demonstrating that the choice of material can contribute to creating a project that feels like an extension of its setting rather than an imposition on it. This collection highlights notable examples from Sweden, Denmark, Indonesia, and France, showcasing their diverse approaches.

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Architectural firms Snøhetta and HGA have just began work on the Barbara and Gerson Bakar Research and Academic Building (BRAB) at the University of California, San Francisco (UCSF). This nine-story, 323,000-square-foot facility is set to redefine UCSF's approach to biomedical research and academic collaboration. Designed as a state-of-the-art hub for scientific inquiry, BRAB will offer cutting-edge spaces for translational research, fostering breakthroughs in critical areas such as cancer, diabetes, microbiology, immunology, and cell biology.

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Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.

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Snøhetta has revealed its design for a new building dedicated to a well-loved institution, the Omaha Children's Museum. Located just a few blocks from the Kiewit Luminarium and overlooking the river, this new facility is designed following best practices in early child development, providing exhibits and programming aimed at fostering joy, curiosity, and connection for young children and their caregivers.

Snøhetta has announced a project to rebuild the Refuge de Barroude, a mountain refuge located in a UNESCO World Heritage site in the Pyrenees Mountain range of France. The old building, destroyed in an accidental fire ten years ago, is set to be revived as a stop-off point for hikers on the Haute Route des Pyrénées and as a support center for the staff of the National Park. The next phase of the project is due to begin in 2025.

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Architecture has long been understood as a powerful tool for shaping the physical environment and social dynamics within it. However, its potential to foster social equity is often overlooked. Empathy-driven design invites architects to approach their work not only as creators of space but as facilitators of human connection and community well-being. This approach centers on understanding people's lived experiences, struggles, and aspirations — particularly marginalized communities — and responding to their needs through thoughtful, inclusive architecture. It goes beyond aesthetics and functionality, instead focusing on creating spaces fostering dignity, accessibility, and social equity. By prioritizing empathy, architects can design environments that uplift communities, address disparities, and create inclusive spaces that promote positive societal change in a tangible, human-centered way.

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The office building typology emerged from the need to unite thousands of people within a relatively strict working environment. In major cities, these structures clustered into Central Business Districts (CBDs), which became dedicated neighborhoods accommodating commerce and businesses. However, the COVID-19 pandemic disrupted this model, leading to the rise of remote and hybrid work. Now, nearly four years later, occupancy rates in these urban centers remain lower than pre-pandemic levels, signaling a long-term shift in the work environment. To address this challenge, developers have been increasingly looking into “repositioning” their projects, seeking to redefine their image by adapting them to contemporary demands. This typology considers the surrounding urban fabric, aiming to expand the building’s use beyond its original purpose and attract people back to the CBDs.

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