In this powerful new visual from Spirit of Space, we are introduced to Ricardo Bofill’s headquarters ‘The Factory’ or La Fábrica, Taller de Arquitectura. Once a disused and decaying cement factory from the turn of the century, with 30 silos, machine room, and galleries, it is now a significant transformative project, satisfying the Architect's longing for space via adaptive reuse.
A haven in the urban sprawl, engulfed by a floury of palm, olive, and eucalyptus trees. Spirit of Space visits the former hive of activity, now a tranquil mid-city refuge, an immense contrast to the industrial grime that used to reside here. Through moving pictures and multi-sensory experiences it explores the Brutalist form; a concrete shell… a skeleton intertwined with nature itself.
Studio Gang has revealed 63rd House, its design for Blue Tin Production's new manufacturing studio in the heart of Chicago’s southwest side. The new headquarters, which is an adaptive reuse project of Chicago's two-story brick post office that was built in 1920, will feature a mix of meeting and artist spaces around a central community room, "centralizing workers’ well-being, deepening connections with neighborhood residents and partners, and building long-term economic mobility and racial equity across the city".
Construction is underway at Vestre's new facility designed by BIG, set to become the world's most sustainable furniture factory through carbon-neutral fabrication processes and the use of renewable energy. Called the Plus and placed within the Norwegian forest, the project will be an example of efficient manufacturing, using Industry 4.0 solutions, while also developing Magnor as a tourist destination through its attractive design.
Gmp has won a competition to redesign a disused stainless steel factory that would accommodate the Shanghai Academy of Fine Arts. In tune with China's newfound interest in adaptive reuse, the project retains the core structure of the 860-meter long industrial building, as well as its ventilation towers. At the same time, it redesigns the façade and accentuates the central axis through a mix of social spaces. The design is part of a larger redevelopment plan to transform the former industrial site into an art district.
Adaptive reuse or the process of transforming an older building by reusing the structure and changing its original purpose, has gained relevance over the years especially because it allows a complete optimization of the performance of the existing built environment. In a piece, originally published on Metropolis, author Elissaveta Brandon explores how "architects and developers are transforming the staples of the South—located throughout a 120-mile region from Winston-Salem to Fayetteville—into infrastructure fit for today". Transforming historic mills into design hubs, and mixed-use complexes, the article highlights 3 examples from North Carolina.
https://www.archdaily.com/963472/three-adaptive-reuse-projects-in-north-carolina-reinvent-historic-millsElissaveta M. Brandon
Designed by 3LHD Architects, the new campus for the Croatian electric hypercar manufacturer Rimac brings together a wide array of programs and spaces, from production plant and offices to kindergarten, dormitory and even a sheep meadow. Located in the outskirts of Zagreb, within a natural landscape, the Rimac Campus is organized around two main volumes that follow the site’s natural topography, with several accompanying facilities tucked underneath a green roof that stretches out, meeting the surrounding landscape.
Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.
Foster + Partners is leading massive refurbishment works on a historic building in Madrid. The renovation project that will put in place an office building for Acciona, seeks to revitalize an abandoned old industrial building built in 1905, generating over 10,000 square-meters of new spaces.
The progressive departure of factories from cities, often due to environmental regulations, noise ordinances, or the price of real estate, has left many urban manufacturing facilities abandoned and out of use. As these urban factories are left empty, many adventurous developers are taking advantage of the plentiful space, light, and flexible functions that they offer, leading to a residential revitalization in many of the world's defunct manufacturing facilities.
Oscar Niemeyer’s latest work generated a spherical extension for the Kirow plant’s canteen in Leipzig, Germany. The architect was first approached by the factory’s owner in 2011, and following Niemeyer’s death in 2012, his sketches were further developed by assistant Jair Valera, and executed by Harald Kern Architects.
Gensler has unveiled 545wyn, “the first Class-A office tower in Miami in over a decade”. In collaboration with office developer Sterling Bay and local development partner Joe Furst of Place Projects, the project introduces a new generation of office space, aiming to attract a new type of innovative, forward-focused tenants. In fact, GenslerMiami will be the building’s first tenant of the 10-story tower.
Recycled and reused materials continue to grow as a more attractive alternative in the construction field. They are at most times a coveted sustainable substitute to conventional building materials, offering a financially resourceful solution when appropriately sourced and implemented. Aside from saving up on raw material costs, establishing recycling facilities or factories might present a good opportunity to generate jobs within a local setting (collecting, handling). The recycling process might also be used as a gateway to lower energy consumption, with some plants eventually generating their own power through specific material transformation techniques (Heat generated power).
Presented part of international competitions, this week’s best-unbuilt architecture gathers award-winning projects submitted by our readers. Highlighting as usual diverse approaches from across the globe, ArchDaily is rounding up in this article, a curated selection of cultural, civic, and urban proposals.
In Singapore, an adaptive reuse project transforms a power station into a creative industrial hub, while in Indonesia, a smart city design for the new capital generates an ecologically responsible environment. Moreover, Kjellander Sjöberg designs and develops an original city block in Stockholm, and TheeAe imagines a city hall for China. Other proposals include an entire reflective surface for a public square in Italy, a new city district in Tampere Finland, a University building in Warsaw, and a school for contemporary art in Vienna.
RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
Eric de Maré was one of Britain’s most influential architectural photographers, responsible for raising awareness of the value and beauty of Britain’s overlooked industrial heritage via photographs taken for the Architectural Review in the 1950s and 1960s. A selection from RIBA’s extensive
Works started on Sanpellegrino’s “Factory of the Future”, designed by BIG-Bjarke Ingels Group on the brand’s 120th year anniversary. Scheduled to open in 2022, the new production plant will showcase high levels of innovation, technological advancements, and social sustainability.