Uzbekistan's architectural and artistic heritage reflects a layered history shaped by centuries of cultural exchange along the Silk Road. From the monumental ensembles of Samarkand and Bukhara to the scientific and educational institutions of the Timurid era, architecture has long been a vessel of identity and knowledge across the region. In the twentieth century, Tashkent emerged as a new urban laboratory, where modernist ideals met local craft traditions and environmental pragmatism. The city's reconstruction following the 1966 earthquake became a defining moment, fusing Soviet urbanism with regional aesthetics to produce a distinctly Central Asian expression of modernity, one that translated cultural continuity into concrete, glass, and light.
A blast destroyed 40% of the city of Beirut on August 4, 2020. Five years after the port explosions, the UNESCO Director-General visited Lebanon to assess the institution's work in the capital city. UNESCO's efforts have been based on the recognition that the explosion destroyed numerous buildings and historic neighborhoods that were home to a community of cultural professionals, leaving a void in the city's cultural landscape and economy. The organization mobilized international efforts to restore, reactivate, and safeguard Beirut's heritage buildings, schools, museums, and cultural institutions, seeking to provide a comprehensive response to protect the city's cultural fabric. During the visit in September, new restoration and reconstruction programs were announced, including the rehabilitation of the Mar Mikhael train station and Beirut's Grand Theatre, as well as support for cultural industries in Tyre and Baalbek.
Al-Saa'a Convent after restoration. Image Courtesy of UNESCO / Abdullah Rashid
From 2014 to 2019, Daesh (ISIS) occupied and controlled territory in Iraq and Syria, including the northern city of Mosul. UNESCO estimates that 80% of Mosul's historic town was destroyed during this period, which led to one of the most ambitious reconstruction campaigns in recent decades: "Revive the Spirit of Mosul." Since 2019, UNESCO has carried out large-scale efforts to rebuild the city's landscapes and monuments, reconstructing three religious and cultural landmarks and 124 heritage houses, along with other buildings located in the Old City. The program was structured around three pillars: restoring significant heritage, promoting the return of cultural life, and strengthening spaces for education. On September 1, 2025, Iraq's Prime Minister inaugurated three major landmarks: the Al-Nouri Mosque complex, Al-Saa'a Convent, and Al-Tahera Church, marking the completion of the restoration project.
The Benedictine Monastery of San Nicolò l’Arena in Catania, Sicily, holds within its stones the echoes of five centuries, shaped by time, varied uses, violent earthquakes, and the blazing force of Mount Etna. Its walls, silent witnesses to history, were molded both by the fire of nature and by human hands. Yet among all the transformations it underwent, none was as profound or poetic as the one led by Italian architect Giancarlo De Carlo, starting in 1980. After 30 years of dedicated work, time required to truly understand such a complex and awe-inspiring site, the former monastic residence was reborn as a university, not by force, but through revelation.
The Lebanese Pavilion at the Venice Architecture Biennale 2025 explores the land as a site of memory, intelligence, and resistance. Titled The Land Remembers, the exhibition is presented by the Collective for Architecture Lebanon, composed of Lynn Chamoun, Elias Tamer, Shereen Doummar, and Edouard Souhaid, and takes the form of a fictional public institution: the Ministry of Land Intelligens. The pavilion addresses the ongoing ecological crisis in Lebanon through an architectural lens, framing ecocide as both an environmental and social injustice. Positioned within this year's curatorial frameworkIntelligens: Natural. Artificial. Collective. the project calls for a reevaluation of how architecture engages with damaged landscapes. In this interview with ArchDaily editors during the Biennale, the curators explain how the project impels a rethinking of architecture's foundational commitment to the land.
Gyumri, the capital of Armenia's Shirak region and the country's second-largest city, was historically known for its culture and architectural heritage. While it was part of the Soviet Union, the city hosted many factories that turned it into a primary industrial center in the region, reaching a population of approximately 225,000 people. However, during the past decades, Gyumri has seen a considerable population decline as a consequence of a devastating earthquake that destroyed the city in 1988 and killed thousands of people. More than 30 years later, Gyumri's regeneration process is still unfolding. The city's ongoing efforts to restore its built environment and boost economic development offer valuable insights into how urban regeneration can be navigated in the aftermath of disaster.
Campus sidewalk. Render. Image Courtesy of stantec
Stantec, an architecture, engineering, and environmental consulting firm, has been selected as the winner of an international competition organized by the State Tax University (STU) to redesign its Main Campus building. The building was partially destroyed in 2022 during the early stages of the war. The international call for redesign proposals was launched in November 2024, free of charge and "open to all design bureaus, architectural firms, and individual architects from every corner of the globe." The goal of the competition was to develop a 21st-century educational building described as a "progressive and comfortable place for learning, research, and student leisure based on innovative educational standards," as stated in the competition announcement.
A year after the Viña del Mar mega-fire in Chile and with reconstruction efforts progressing at just 26%, the architecture firm ELEMENTAL and local authorities have begun construction on a prefabricated housing project in one of the residential neighborhoods most affected by the disaster. The project consists of a mid-density residential building with a modular steel structure, intended as a starting point for similar initiatives in response to what is now considered one of the most catastrophic events in Chile's recent history. As stated by Alejandro Aravena and the city's mayor, Macarena Ripamonti, the goal is for the technology and management model behind this project to set a precedent for delivering rapid and permanent housing solutions in emergency situations.
On the morning of September 11, 2001, two hijacked commercial jetliners struck the Twin Towers in Lower Manhattan, a third plane struck the Pentagon, and a fourth crashed in rural Pennsylvania. A total of 2.977 people were killed in the terrorist attacks. In the face of this unprecedented loss, the city of New York promised to rebuild Lower Manhattan as a lively neighborhood while honoring and maintaining the memory of this day. Thus began one of the largest reconstruction projects in New York City, a process that is still ongoing now, 23 years after the tragedy.
As part of a wider design-led revitalization process, Türkiye Design Council has announced a new urban plan for the revitalization of Antakya and the wider Hatay province in Türkiye, an area heavily affected by the Türkiye-Syria earthquake on 6 February 2023. The master plan has been developed by Foster + Partners, Buro Happold, MIC-HUB, along with Turkish practices DB Architects, and KEYM Urban Renewal Centre. The plan covers a 30-square-kilometer area of Antakya, the capital district of Hatay, and an important urban center of antiquity known as Antioch. Eight design principles have been outlined to guide the rebuilding efforts in an attempt to maintain the spirit of the city, which suffered extensive damages estimated at 80 percent.
The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.
Rehabilitation involves repairing, renovating, altering, or reconstructing any building or structure. It addresses the need to significantly improve a building's failing features, primarily through strengthening or replacing elements to restore the structure's optimal performance. The impact of building rehabilitation on the physical environment is significant. It is a sustainable strategy for preserving the built environment and mitigating the construction industry's impact on climate change.
However, its social impact is also considerable when viewed as a fundamental framework for sustainable outcomes. Rehabilitation can serve as a model that brings community members together for inclusive repair and restoration of structures. This positively affects communal life quality, social integration, environmental sustainability, and community perception of local architecture.
Several events have shaped Morocco since its independence. One of them is the Architects’ transition from serving the declining French empire to serving the newly independent Moroccan nation. Upon gaining independence in 1956, young Moroccan and foreign architects were tasked with constructing a self-sufficient Morocco. The demand for modern infrastructure, new administrative buildings, and improved education and health facilities led to a construction boom. This boom provided architects and planners the opportunity to express their vision.
Inspired by the popularity of modernism in Europe, architects experimented with buildings that embodied brutalism. This architectural style was not only a rebellion against the colonial vision of urban design in Morocco, but also a symbol of architectural unity in the urban landscape. Buildings were created in various typologies with the characteristic of exposed concrete, showcasing its inherent qualities of strength, durability, and functionality. These buildings, which can be seen in cities such as Agadir, Casablanca, Tangier, and parts of Marrakesh, represent a dialogue between brutalism and Moroccan culture, environment, and climate.
As this bloody year draws to a close, at a moment when the message “Peace on Earth” seems altogether mute, one might well ask: What power does architecture have? How can it address violence against innocent people, whose lives have been turned upside down? How does architecture respond to staggering cruelty? What can it say? Can it raise consciousness?
https://www.archdaily.com/1011673/in-warsaw-a-student-designed-architectural-response-to-dark-timesMichael J. Crosbie
In April 2019, a devastating fire engulfed the 860-year-old Notre Dame Cathedral in Pars, severely damaging its wooden roof and leading to the collapse of the 19th-century spire, originally designed by Viollet-le-Duc. Immediately after, French President Emmanuel Macron promised that the iconic monument would be restored in just 5 years, an ambitious deadline. As the restoration of the roof structures nears completion, in February 2023, the scaffolding for the reconstruction of the spire has been assembled. The Spire is expected to be finished by the end of the month.
WXCA Architectural Design Studio has won the international competition for the reconstruction of the Saxon Palace, a heritage site located in the historical city center of Warsaw, Poland, that was significantly damaged during the Second World War. The competition, organized by the Polish Ministry of Culture and National Heritage in cooperation with the Association of Polish Architects, aimed to create a concept for the restoration of the monument, which is set to be rebuilt in its external Neoclassicist form of 1939.
Zofia Chom�towska, Rubble clearance effort at the site of the Blank Palace on Theatre Square, 1945. Image Courtesy of Museum of Warsaw
The exhibition “Warsaw 1945-1949: Rising from Rubble” took place this year at the Museum of Warsaw, exploring the postwar reconstruction and rebuilding process that took place after the war. After the Second World War, Warsaw’s entire urban fabric, architecture, and social and economic status had to be rebuilt from the ground up. Curated by Adam Przywara, the exhibition “offered a new perspective on the myth of the postwar reconstruction of the Polish capital city and one of the most interesting pages in its history.”
An International European cultural project, U-RE-HERIT, launched an initiative to protect Ukraine’s architecture, heritage, and memory. This wide consortium of architectural institutions came together to reach a common goal of preserving Ukrainian culture. With the ongoing crisis, the project aims to address heritage as a resource for cultural, social, environmental, and economic recovery. Moreover, the project hopes to redefine local cultural identity and rebuild the city with the sensitivity of collective memory.
