Our entire civilisation is facing one of our most challenging times since WWII.
The results caused by the COVID-19 outbreak are unimaginable and unpredictable yet, but we are already feeling the drastic effects. Richard Kozul-Wright, Director of the UNCTAD, estimates an impact that will cost the world economy around $1 trillion, expecting the worst scenario than the financial collapse in 2008.
( CHALLENGE )
Propose a visionary project that helps to revive the economy of a region, city or community affected by the COVID-19 outbreak.
In a perfect harmony of architecture, economy, and environment, the competition aims to generate visionary ideas
The COVID-19 pandemic has shown yet again how designers are needed to reimagine emergency shelters. With an estimated 900 million people around the world to remain at home because of the virus, there are also a number of hospitals without the necessary beds to treat infected patients. At the same time, the need for emergency shelters is tied to many types of crisis, not just this virus or a pandemic.
It is not your responsibility to finish the work [of perfecting the world], but you are not free to desist from it either.” —Rabbi Tarfon
On a recent flight, a gentleman sitting next to me noticed, aloud, that I was reading a book about architecture. Daring to engage in a conversation with more than two hours of flight time left, I confessed that I not only read about, but also practice architecture. His next question, with the earnest tone of a newly minted grandfather, was whether architects were “solving the housing crisis.”
The architecture world is a very different place compared to what it was ten years ago - a fact that is all too obvious for today's young architects, who bore the brunt of the financial crisis. But how can recent graduates harness such rapid change to make a positive impact? This article written by ArchDaily en Español's Nicolás Valencia explores the impact of the financial crisis on architecture in the Global South and in particular in the Spanish-speaking world, finding that it may be the inalienable right of the architect "to give yourself room to fail or to quit."
For some years now, three figures have been floating around that are worrisome to Chilean architects and architectural students: every year 48 architectural schools enroll 3,500 students and give degrees to another 1,400 in a completely saturated market. The future appears bleak, the professional internships are depressing, and among those who already have degrees, we're all too familiar with the exploitative offices that not only offer their employees zero contracts (or health insurance of any kind, all the while praying that nobody gets injured) but also make them work much more than they agreed to with paltry salaries and labor unions that have seen better days. Meanwhile at the universities, talking about money in studios, or about flesh and blood clients, has become a taboo subject. “Students, don't let money tarnish the beauty of the discipline” they tell you. Of course, not only does it not get tarnished, but we've gotten to the point where many don't even know how much to charge for a plan drawing, let alone for an actual project.