Design Trust provides project grants to individual designers, curators, collectives and non-profit organisations for projects and activities focusing on the context and content relevant to Hong Kong and the Greater Pearl River Delta region. These include but are not limited to: talks, exhibitions, residencies, overseas research projects and creative installations. Design Trust currently offers applications every 20th of January, April, July and October.
The European Commission and Europe Nostra announced the winners of the 2018 EU Prize for Cultural Heritage/ Europa Nostra Awards. The 29 winners from 17 countries have been recognized for their achievements in four categories: conservation, research, dedicated services, and education, training and raising awareness. The winners will be honored at an award ceremony at the first ever European Cultural Heritage Summit on June 22.
Since the start of civil war in 1991, the political and architectural landscapes of the East African country of Somalia have been unstable. While the country’s urban centers, such as the capital city Mogadishu, boast a diverse fabric of historic mosques, citadels, and monuments alongside modernist civic structures, the decades of conflict have resulted in the destruction of many important structures. And, while the fighting has substantially subsided in recent years, the future of the country's architectural heritage is still far from secure.
In response, Somali architecture students from across the UK, Italy, and the United States have banded together to form Somali Architecture, an ongoing research project archiving and digitally "rebuilding" iconic structures through 3D models. Their goal is “to preserve the identity and authenticity” of Somalia through its architecture—both existing and destroyed. “We want each iconic building of the past to be reinterpreted for a more coherent future,” they say.
See below for a selection of the structures Somali Architecture has uncovered and re-constructed so far.
Every two years, the Manuel de Solà-Morales European Prize recognizes the best university research in the field of urbanism carried out by a student granted a PhD.
The award honours the memory of professor in urbanism, and architect, Manuel de Solà-Morales Rubió (1939-2012), who understood his subject as a creative and intellectual activity, committed to improving cities through what he called «persistent research».
ARCHITECT magazine is now accepting entries for its 12th Annual R+D Awards! We would be grateful if you could share the competition details below with your network. The winners will published in ARCHITECT’s July 2018 issue and on our website. As with previous years, full-time students and faculty are eligible for a reduced registration fee!
In this video, Wendover Productions asks some simple (if rarely asked) questions about cities: Why do they exist? What causes them to grow exponentially over time in the way they do? In answering these questions, the video suggests that, somewhat paradoxically, the creation and growth of cities is a natural phenomenon, bringing up some interesting implications regarding city planning in the future.
Since 1989, the James Marston Fitch Charitable Foundation has been in the vanguard of historic preservation practice and theory. The mission of the Fitch Foundation is to support professionals in the field of historic preservation, and to achieve this we provide mid-career grants to those working in preservation, landscape architecture, urban design, environmental planning, materials conservation, decorative arts, architectural design and history, and allied fields.
Are.na Grants is a new initiative to support research, writing, and other creative projects that are being developed and built on Are.na. For the first set of grants, we are especially interested in projects that address issues around the shifting nature of “knowledge work,” algorithmic governance, and networked learning, though proposals of all kinds are welcome.
Call for Papers: The International Journal of Environmental Science & Sustainable Development (ESSD)
The International Journal of Environmental Science & Sustainable Development (ESSD) is calling for papers for its third issue titled Environmental Sustainability: Methods for Green Energy Management.
Three M. Arch. candidates at Montana State University, Jonathan Chavez, Kimball Kaiser and Adam Shilling, won an Undergraduate Scholars Program research grant which they used to fund their design-build project: B.O.B., the Backyard Office Box. B.O.B. is a kit of parts which, when put together, create a 150-square-foot dwelling space. The design team, also known as Tr3s, wanted their project to be adaptable to a variety of sites and users. B.O.B. can function as an additional space to already existing projects or standalone as a temporary shelter.
“How shall we hew the sun / Split it and make blocks / To build a ruddy palace?” wondered Wallace Stevens in his 1918 poem Architecture for the Adoration of Beauty. Inspired by the verse, in his essay The Room, the Street and Human Agreement, Louis Kahn paraphrased “What slice of the sun enters your room?” The great architect also spent his entire career experimenting with those dual protagonists: light and shadow. Kahn’s obsession with light, and in particular the architectural control of it, influenced countless architects, including Peter Zumthor and Tadao Ando.
Kynthia Chamilothori shares that fascination. A 2014 Architectural Engineering graduate from the Technical University of Crete, where she received the Limmat Stiftung Excellence Award, and current PhD candidate in the Laboratory of Integrated Performance In Design (LIPID) in EPFL under the supervision of Prof. Marilyne Andersen and Dr. Jan Wienold, Chamilothori’s doctoral research project focuses on how the patterns of light and shadow shape the way we perceive architectural spaces. But, while Kahn and other architects throughout history have relied on little more than intuition, Chamilothori is using far more scientific methods, working with a tool that wasn’t available to the great masters: virtual reality. Through experiments in virtual and real environments, Chamilothori investigates the impact of facade and daylight patterns on the atmosphere of a space. Her PhD is supported by a grant awarded by the Velux Stiftung Foundation.
As architecture students head to their final year of BArch, half-crazy from years’ worth of scraped fingers, ghastly juries, sleepless nights, and a general lack of social life, they encounter the mighty problem of choosing a thesis topic. There are many subjects to choose from, but a personal interest in a particular subject is just one of the many factors that should influence this decision. Students need to ask themselves several other questions: Is the topic significant enough? Is it expansive enough? Is the project realistically doable?
The process can be daunting, for the decision has many consequences; sometimes, the choice of topic alone can mean the difference between the success and failure of a thesis. With so many factors to consider and deadlines closing in, students easily end up making decisions that they regret later. Here are eight tips to help you make an informed choice on the matter:
This article was originally published by Common Edge as "The Confused and Impoverished State of Architectural Research."
For a discipline that thinks of itself as learned, scholarly research eludes the architectural profession. This is a long standing problem. “Failure,” John Ruskin wrote in his 1848 introduction to The Seven Lamps of Architecture, “is less frequently attributable to either insufficiency of means or impatience of labor, than to a confused understanding of the thing actually to be done.”
Roughly 150 years later, Harry Nilsson—surely singing to architects—opined in his song, Joy that if you’re unable to find the answer to a question, you may not have a question worth asking (and probably don’t have a problem worth solving). In between Ruskin and rock and roll, is William Peña, the author of the architectural programming guide, Problem Seeking, who nearly a half-century ago wrote that “you can’t solve a problem unless you know what it is.”
Now a one-year program with student funding, the Design Research, Writing & Criticism MA program at NYC’s School of Visual Arts empowers professionals as researchers, writers and—above all—critical thinkers.
“Will I get a job with this degree?” It’s a question that would-be students around the world are having to engage with far more seriously these days. In a climate where graduates can often find themselves “under qualified” when entering a lopsided jobs market, the number of institutions and programs that can confidently point to proven track records are on the decline.
The Council on Tall Buildings and Urban Habitat (CTBUH) is pleased to announce the “Call for Proposals” for its CTBUH 2017 Student Research Competition – culminating with an award of $20,000 to be recognized at the CTBUH 2017 Conference to be held in Sydney, Australia, from October 30 to November 3, 2017. The funding for this competition has been made possible with the kind support of Underwriters Laboratories.
Het Nieuwe Instituut, the Dutch institute of architecture, design, and digital culture, announces an open call for three research fellows to work in residence from September 2017 to February 2018. Since its founding in 2013, Het Nieuwe Instituut has fostered research initiatives in the form of exhibitions, events, archival investigations and publications by a variety of practitioners, independent researchers, academics and curators.
Professor Alan Short of the University of Cambridge has published a book advocating for the revival of 19th-century architectural ideas to address the crippling energy use of modern skyscrapers. The Recovery of Natural Environments in Architecture proposes an end to the architectural fetish for glass, steel, and air conditioning, instead drawing inspiration from forgotten techniques in naturally ventilated buildings of the 1800s. The book is a culmination of 30 years’ research and design by Prof. Short and his colleagues at the University of Cambridge.
The Deborah J. Norden Fund, a program of The Architectural League of New York, was established in 1995 in memory of architect and arts administrator Deborah Norden. The Fund has supported a fascinating array of projects, from a study of the Cambodian modernist Vann Molyvann, to the social impact of new architecture and planning interventions in Medellin, Colombia, to the insertion of built form into fragile ecosystems in Australia, to the stereotomy of complex surfaces in French Baroque architecture.