The Midnight Charetteis an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charetteis available for free on iTunes, YouTube, Spotify, and all other podcast directories.
On this episode of The Midnight Charette Podcast, Sharon Zukin discusses the economic and social impact the technology industry has had on cities around the world, the relationship between gentrification and the commodification of modern life, building improvement districts and the increasing securitization of public spaces, and the desire to live in authentic neighborhoods.
Many of us have already lived, are living, or will live in a shared student house - a good mix of cheap housing and intense socializing with friends and school mates. For a reasonable price, it is possible to have a single private room and share common spaces. In fact, not only university students are living this way nowadays. The concept of co-living is becoming more and more an attractive and effective solution.
Last week, we asked our social media followers, "What does public architecture mean to you?" These thoughts are intrinsic to the architectural debate and come into play in various types of projects, especially in those related tothe planning of common-use spaces in cities.
In Ancient Greece, a Polis referred to both the city and its body of citizens, where one cannot exist without the other. It is in this intersection, where Public Architecture, has the opportunity to construct the ideals of society: a space where individuals gather, relate to one another, and become citizens.
This article was originally published on CommonEdge as "What Landscape Architects and Urban Designers Can Learn About Public Space From Cuba."
It was certainly what I had come for: I was sitting on broad, cobbled steps, watching people interact in the public realm. It was an August afternoon in Cuba, and I had found temporary respite from the harsh sun beneath a haphazard array of trees. My design work as a landscape architect focuses on urban parks, streetscapes, and academic campuses, and I wanted to see how differently the open spaces of Cuba might function.
Paris La Défense is seeking to vitalise the ‘interstitial volumes’ that lie beneath its central esplanade, interlocked with underground infrastructures. Located at the heart of La Défense, those spaces are very close to public transport and offer high potential due to their distinctive size and morphology. The aim is to use them to develop a new offering of activities accessible to the public – and see a lively and unusual destination emerge as a result. Paris La Défense, as the urban planner, developer and manager of the business district, is launching a competitive dialogue process. The purpose to this
Cultural flagships, from trendy breeding grounds to iconic cultural palaces, form the core of many urban cultural landscapes. Spaces of Culture is about the new construction and redevelopment of cultural buildings in Amsterdam in the period 2000-2016.
In the construction and development of new cultural spaces in the city, the precise location and architecture play a major role in connecting the venue to the changing needs of the public, the makers and the neighbourhood. Using various case studies, Spaces of Culture shows that the cultural sector could benefit from knowledge exchange between urban planners, developers and the world of architecture.
BOUN Serves as a unit block for UNI in the field of furniture design. It will be a platform for experimentation and conceptual exchange of ideas for furniture designs happening at various levels. The program intends to bring out some extraordinary design ideas and designers across the globe to help them in realizing their great Ideas.
In 1994, with the third millennium fast approaching, the British announced a national festival to mark the year 2000. Amid a new sense of optimism, the year-long festival, which became known as the Millennium Experience, would take the form of an exhibition celebrating “who we are, what we do, and where we live.” Under the project direction of Mike Davies, a partner of Richard Rogers’ practice (known today as RSHP) designed the Millennium Dome to house this exhibition.
In an extraordinary feat of architecture and engineering, the vast dome, whose canopy encompasses a volume of 2.2million cubic meters, sped from initial concept design to topping out in only two years. Although the Millennium Experience closed its doors as the year 2000, the building which housed it has since been put to a variety of uses, its durability largely due to Richard Rogers’ characteristically flexible design.
The career of Japanese architect Kenzō Tange features a curious anomaly: he received the same commission twice. In 1952, during the early stages of his career, Tange designed an administrative building in Yūrakuchō, Tokyo, for the city's metropolitan government. Over thirty years later, when the government relocated to Shinjuku, Tokyo, he again won the commission to design its administrative building. Completed in 1991, this would be one of his last, and most ambitious, projects. The second incarnation now dominates the city’s skyline, its highly distinctive design guaranteeing it landmark status. Nicknamed Tochō (an abbreviation of its Japanese name Tōkyō-to Chōsha), its architectural references to both tradition and modernity act as a visual metaphor for the eclectic city over which its inhabitants govern.
Active Public Space is seeking case studies regarding existing public spaces with particular interest in new “active” forms that emerge from the technological advances of the Information Age. The call is aimed at detecting and mapping existing successful examples of active-smart public space in terms of design, technology, management and occupancy by citizens.
Re-Ball! is an open design competition to turn 650,000+ 3-inch, white, translucent plastic balls into a site-specific installation in the Dupont Underground’s 14,000-square-foot east platform. The balls were previously part of the National Building Museum’s blockbuster 2015 summer destination The Beach. The winning concept will take the medium in a new direction, one that responds to the uniqueness of the installation site. From the open, light-filled box of the National Building Museum’s Great Hall to the curving concrete volume of the Dupont Underground's east platform, Re-Ball! entries should transform the constituent materials — and the space itself — into an entirely
The City of Portland, Maine is seeking proposals from qualified Design Teams for the schematic phase re-design of Congress Square, a 1.3 acre public open space and traffic intersection in the heart of the city’s Arts District in downtown Portland, Maine. The project includes the Congress Square Redesign and the commissioning of works of Public Art, presenting a unique opportunity for collaborative urban design and public art; the redesign concept will be developed in tandem and integrated with the public artwork.