La Sagrada Familia by Antoni Gaudi. Image by Maksim Sokolov, via Wikimedia Commons, License CC BY-SA 4.0
As 2025 concludes, we look ahead to 2026, a year scheduled to deliver a diverse range of significant architectural projects across the world. The year is particularly notable for the completion of new infrastructure and cultural buildings, including long-term projects. Europe will be in the spotlight of the new year with the Milano Cortina 2026 Winter Olympics. This event will feature projects such as the Olympic Village by SOM and the Winter Olympics Arena by David Chipperfield Architects. Also in Milan, BIG is set to complete construction of the City Wave project as part of a new business district in the city. At the same time, after more than 140 years of its establishment, the architects around the world will also be watching for the long-awaited completion of Antoni Gaudí's La Sagrada Familia in Barcelona, announced for 2026.
While adaptive reuse has been increasingly acknowledged as a vital architectural strategy worldwide, its discourse and implementation in Asia are still expanding—driven by growing ecological awareness and a shifting understanding of architectural knowledge. Rather than accelerating a developmentalist model centered on demolition and new construction, architects today are confronted with a different approach to the built environment: treating the existing structure as a resource—an archive of materials, spatial organizations, and informal histories.
Adaptive reuse is often associated with the preservation of historic buildings and culturally significant heritage. Yet the vast field of seemingly 'less-valued' structures—abandoned houses, standard yet old dwellings, non-conforming office buildings, and overlooked urban voids—has become ground for experimentation. These sites challenge architects and designers to reconsider prevailing standards of efficiency and market-driven development, and to imagine spatial and ecological practices that avoid the continual loss of embodied material and cultural knowledge inherent in constant rebuilding.
The Holcim Foundation for Sustainable Construction has announced the Grand Prize Winners of the 2025 Holcim Awards, selecting one project from each global region to represent the most impactful approaches to sustainable design in this cycle. This edition marks the introduction of the Grand Prize format, replacing the previous tiered distinctions to better acknowledge diverse regional contexts and avoid hierarchical rankings. Evaluated by juries chaired by Sou Fujimoto (Asia Pacific), Kjetil Trædal Thorsen (Europe), Sandra Barclay (Latin America), Lina Ghotmeh (Middle East and Africa), and Jeanne Gang (North America), the winning projects reflect the Foundation's principles of holistic, transformational, and transferable design.
The second edition of the Ammodo Architecture Award has recognized 26 recipients for their contributions to socially and ecologically responsible design. Selected from 168 submissions spanning over 60 countries, the laureates represent a wide range of practices, from established offices to emerging collectives and community-led initiatives. Each recipient receives a grant ranging from €10,000 to €150,000 to support the continued development of their projects. Beyond recognition and financial support, the Ammodo Architecture initiative also functions as a knowledge platform, connecting awardees across regions and facilitating the exchange of ideas on key themes identified by the advisory committee.
The island of Taiwan presents a varied natural and topographical context, characterized by a land area of 36,197 square kilometers and a high population density of 644 people per square kilometer. Its geological location, situated on the edges of the Eurasian and Philippine Sea plates, has resulted in a predominantly mountainous and rugged topography. While this forces the majority of the 23 million residents to inhabit large urban centers on the western coastal plains, the island maintains an active agricultural sector, with approximately 22% of its land allocated to farming.
The North Gate of Taipei, also known as Beimen, stands not only as a reminder of the city's complex history but also as a witness to the changing urban landscape around it, and its shifting attitudes towards the urban spaces bordering heritage buildings. Initially a Chinese imperial frontier, spared from demolition during the Japanese colonial dominion, crowded by overpasses and highways in the postwar modernization efforts, it has recently regained its prominent status through the development of the plaza that now frames it. The gate's resilience through shifting urban priorities and architectural policies tells a story of heritage preservation not only through the built form, but also through the open spaces framing it.
Lina Ghotmeh — Architecture has recently unveiled images of a project to transform a historic residence in Bukhara, Uzbekistan, into a "21st-century cultural destination." The proposal envisions a museum dedicated to the ideas and influence of Jadidism, a Muslim reform movement that advocated for the modernization of education across Central Asia during the late 19th and early 20th centuries.
The project was commissioned by the Uzbekistan Art and Culture Development Foundation (ACDF), established in 2017 to preserve, promote, and nurture the country's heritage, arts, and culture, while integrating them into the global art world and cultural landscape. Scheduled to open to the public in 2027, the museum is part of the ACDF's broader efforts to create landmark cultural institutions that engage audiences worldwide.
In traditional Chinese medicine, acupuncture works through strategically placed needles that trigger healing throughout the entire body. Urban planner Jaime Lerner's concept around targeted architectural interventions find success in China as well as neighboring countries in Asia, where localities are revitalized through simple interventions. Libraries, specifically, are bringing in social, cultural, and economic transformation to the continent.
The Philippines' Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia presents Soil-beings (Lamánlupa), an exhibition curated by artistic director Renan Laru-an. Through interdisciplinary collaborations, the Pavilion brings together architects, technical experts, indigenous leaders, artists, policymakers, and local communities to explore the cultural, ecological, and technological dimensions of soil. Its objective is to challenge conventional architectural paradigms by shifting the focus from structure to soil, not as a passive material, but as a living force with agency, history, and power.
In contemporary Japanese and Chinese kindergarten design, architects are transforming the interior spaces from a simple container into an active, multi-sensory environment. This shift seems to follow Studies in developmental psychology that suggest that a child's experience of space begins with a sensorimotor engagement through touch and manipulation. Thus, they place a strong emphasis on the use of materials and the approach of learning through play. Architects seem to be moving beyond traditional classrooms, into environments that are tactile, stimulating, and rooted in their specific contexts. The buildings themselves become tools for education, encouraging children to learn and explore through direct physical engagement.
Red clay roof tiles appear in many architectural traditions around the world, despite the cultures being geographically or historically distant. However, this isn't necessarily surprising. Clay is an abundant and accessible building material worldwide, with some studies and other sources suggesting it comprises approximately 10-13% of the Earth's soils. Red tiles, in particular, are often a product of the local soil's mineral content and the firing process. Their widespread use across unrelated regions is less about shared cultural influence and more about material logic: clay is cheap, durable, and easy to work with using simple tools and techniques. In Vietnam, for example, there is a unique and visible tradition of clay tile use that dates back centuries. Regions like Vinh Long, nicknamed the "kingdom of red ceramics", have an abundance of this material, supporting a long history of tile-making. In some parts of Vietnam, these tiles are known as Yin-Yang tiles, due to the concave and convex shape in which they are formed during production.
Vernacular architecture often utilizes locally sourced materials and construction practices honed over centuries. This approach raises questions about its potential relevance for contemporary design challenges. The prevalence of high-rise developments globally, often relying on sealed envelopes and mechanical climate control, contrasts with historical architectural practices. Traditionally, regional architectures emerged from local communities, fostering distinct cultural identities and integrating passive systems for ventilation, cooling, and heating, often utilizing natural elements. The Hanok, traditional Korean houses, serve as a case study. Beyond their current role in tourism, they are also an example of how vernacular knowledge can provide passive climate-response strategies that align with the current principles of creating environmentally friendly buildings.
The Sharjah Architecture Triennial has announced the theme for its upcoming edition: Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Scheduled for November 2026, the event will unfold across the city and the Emirate of Sharjah, UAE, through site-specific installations, exhibitions, performances, workshops, and public programs. Positioned as a platform for architectural and urban exploration across West Asia, South Asia, and the African continent, the Triennial will combine practical and theoretical approaches to contemporary urban life. Conceived by its curators, Vyjayanthi Rao and Tau Tavengwa, SAT03 aims to explore how architecture can shape collective life in regions undergoing rapid urban transformation. Consequently, selected participants will take part in month-long residencies, embedding their work within the social and cultural fabric of Sharjah.
Kampung Admiralty / Ramboll Studio Dreiseitl + WOHA. Image Courtesy of WOHA
Ebenezer Howard's verdant visions for cities have spread eastwards, far beyond his British roots. In the 1900s, city planning welcomed the Garden City Movement as a champion of good design - a response to Western industrial urbanization. Soon, Asian cities conceived their archetypes, juggling local constraints in climate and density. Designs and development, from colonial-era experiments to contemporary mega-projects, have embraced and reinvented Howard's vision well into the 21st century.
Thatching is a traditional building technique that has been reinterpreted in different ways in contemporary projects, allowing its value to continue to endure over time. As well as being a culturally and historically valuable technique, given its presence in humanity for centuries, it also has a number of other constructive advantages, such as its great environmental value, as it is an accessible renewable material.
The technique consists of grouping, intertwining, and overlapping dry vegetation, creating light surfaces with excellent thermal and sound insulation and which are cheap and relatively simple to build. In addition, flexibility is one of the technique's most prominent features, and it is particularly popular in roofing applications.
A series of recently announced projects across Europe, Asia, the Middle East, and North America reflects an ongoing shift in architectural thinking toward approaches that integrate buildings with their landscapes, programs with public life, and design with long-term environmental goals. In Nantes, France, a healthcare campus redefines medical education through climate-conscious planning, while in San Antonio, Texas, a new arboretum transforms a former golf course into a research-driven public landscape. Residential towers are rising beside Bangkok's Lumphini Park, a new coastal community is underway in the UAE, and an expansion to the Nelson-Atkins Museum in Kansas City reconsiders how cultural institutions connect with their surroundings. Together, these announcements point to a growing interest in projects that embed architecture within broader ecological and civic systems, proposing new models of spatial integration, accessibility, and resilience.
