IKEA and Tom Dixon have collaborated to investigate the future of urban farming, “making homes the new farmland.” In an upcoming entry to the Chelsea Flower Show, the UK’s most popular landscape event, the team will share their first ideas on how “affordable, forward-thinking solutions can be used to grow plants and vegetables at home and beyond.”
The ethos behind the collaboration is to celebrate food as a crucial part of everyday life, and inspiring a healthier, more sustainable lifestyle. Identifying the potential savings in transport miles, water usage, and food waste, the team will use IKEA’s democratic design principles to “develop affordable, sustainable food farming and consumption within our homes and urban communities.”
https://www.archdaily.com/906853/ikea-and-tom-dixon-collaborate-to-design-products-for-urban-farmingNiall Patrick Walsh
System Magazine and Buro 24/7 recently brought together Virgil Abloh and Rem Koolhaas to discuss contemporary consumerism and millennial design. Abloh, a rising American fashion designer and artistic director at Louis Vuitton, explains how his background in architecture has shaped his research into consumerism and culture. Koolhaas expands the discussion to explore Abloh's work with IKEA and his thoughts on residential design and the future of work.
Architects are called upon to build society’s greatest structures. We marvel at the museums, performing arts centers and spaces of worship that dot the globe and represent the peculiarities of the world’s many cultures. Yet, at the core of the roles and responsibilities of the architect lies a calling for a far more elemental human need: shelter.
This doesn’t imply that architects are always involved in the creation of all the forms that shelter takes. However, a deep understanding of how people dwell provides an appreciation of the diversity, resilience, alacrity of the human race. The Human Shelter, a documentary about what people value or “need” in their lives, ties into a fundamental quality that any architect would be foolish not to cultivate: the ability to listen and perceive what makes people feel at home.
SPACE10's latest project displayed last week at Copenhagen's CHART art fair hosts the secret to combating malnutrition, greenhouse gases and ending deforestation - a pretty steep demand for a structure only four meters tall. The hero of this story is a microalgae that runs through the three hundred and twenty meters of tubing entwined around the pavilion.
IKEA's future living lab worked with bioengineer, Keenan Pinto and three architects, Aleksander Wadas, Rafal Wroblewski and Anna Stempniewicz to build a photobioreactor that facilitates the high production of microalgae that can be grown almost anywhere on the planet. During the three days of the fair, 450 liters of algae was grown as visitors got to experience the full extent of the neon green process.
A new project in central Copenhagen will see two Danish practices—Bjarke Ingels Group (BIG) and Dorte Mandrup Architects—create a new urban IKEA store, a budget hotel, and housing linked together by green space. Set to open in 2019, the area—which sits adjacent to Kalvebod Brygge, close to the railway lines that pass through the city core—will be master-planned by Dorte Mandrup while two striking high-rise residential towers, dubbed "Cacti", will be designed by BIG.
A new challenger has stepped into the ring of home solar batteries, and it’s a name you may recognize: global furniture retailer IKEA.
A competitor to Tesla’s now-available Powerwall home battery and solar roof system, IKEA’s home battery will be first sold in the UK, where owners of solar-powered homes can typically only sell excess energy produced back to the national grid at a loss. The battery pack will instead allow that power to be stored for later use, helping homeowners reduce their electricity bills by as much as 70 percent.
Picking up on the debate surrounding digitization in fabrication and its impact on traditional crafts, Copenhagen-based SPACE10, the future-living laboratory created by IKEA, recently invited three architects—Yuan Chieh Yang, Benas Burdulis, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.
Fresh off winning the “Design of the Year” for their refugee housing solution, the “Better Shelter,” IKEA is again making waves for a pioneering, flat pack solution to societal needs. Developed by the IKEA innovation lab Space10 alongside architects sine lindholm and mads-ulrik husum, the spherical “Growroom” is a DIY garden structure intended to help people “grow their own food much more locally in a beautiful and sustainable way.” And now, plans for the structure have been made available online for free via Space10’s open source platform, giving anyone the opportunity to build their own 3-dimensional garden.
Although our digital age allows us to peruse the latest in fashion, furniture and leisure all digitally, sometimes, there’s nothing quite like mindlessly flipping through the pages of a catalogue. Yet, the digital world is quickly penetrating even the tangible pages of furniture magazines, such as IKEA’s latest 200+ million print copies which are replacing labor intensive sets with digital renditions of furniture layouts and color combinations.
As architects who are constantly bombarded with renderings and spend hours perfecting that chosen perspective, can we spot what’s real and what’s not in the catalgoue pages below? Does that glossy kitchen countertop or fluffy blue couch really exist? Or, did IKEA’s digital modelers work their magic and fool us with the renderings – a move that saves IKEA money and still maintains the desired effect.