The Louis Vuitton Maison Osaka Midosuji is now open to the public. As a result of a close collaboration between architects Jun Aoki and Peter Marino, the four-floor luxury store is a reflection of the city’s international travel hub status. The very first Louis Vuitton café, entitled Le Café V, created in cooperation with Paola Lenti and celebrated chef Yosuke Suga, sits atop Louis Vuitton Maison Osaka Midosuji, as well as Sugalabo V, the chef’s exclusive restaurant.
Louis Vuitton: The Latest Architecture and News
The Louis Vuitton Maison Seoul, imagined by architects Frank Gehry and Peter Marino has just opened in the South Korean capital. Celebrating Korean heritage and culture, the design puts in place a curved glass facade, perched atop a white cubic mass.
System Magazine and Buro 24/7 recently brought together Virgil Abloh and Rem Koolhaas to discuss contemporary consumerism and millennial design. Abloh, a rising American fashion designer and artistic director at Louis Vuitton, explains how his background in architecture has shaped his research into consumerism and culture. Koolhaas expands the discussion to explore Abloh's work with IKEA and his thoughts on residential design and the future of work.
In celebration of its visitors, the Fondation Louis Vuitton is organising a photography contest on the theme of its architecture, designed by Frank Gehry. The contest is open to all, amateurs and professionals alike. A jury of representatives of the Fondation, led by Frank Gehry, will come together at the end of the contest to choose from 5 to 10 photographs.
From 3 May to 5 June, with unexpected outlooks on the architecture, both indoors and outdoors, unmissable moments from the terraces, unforgettable views of the waterfall, the contest #MyFLV honours the public and its vision of the Fondation. The best
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this editorial from AR’s November 2014 issue, AR Editor Catherine Slessor uses the opening of Frank Gehry's Fondation Louis Vuitton as occasion to examine the split that has developed within the architectural profession, musing "On how architecture can be either manifestation of vanity or source of social transformation."
One of the most depressing illustrations of how far architecture has lost its grip on reality is Frank Gehry’s new handbag. Along with other selected ‘iconoclasts’ from the world of fashion, art and design, Gehry was tasked by French luxury goods purveyor Louis Vuitton to design a bespoke limited edition ‘piece’. Gehry’s new Fondation Louis Vuitton has just opened in Paris and he is the man of the hour, so it seems obvious that after designing a monumental repository for contemporary art, he should turn his hand to the trifling matter of a fashion accessory. The handbag is yours for £2490. The art museum is yours for around £100 million, though some speculate that it cost much, much more.
The people behind Frank Gehry's Fondation Louis Vuitton (FLV) in Paris, which is set to officially open on the 27th October 2014, recently invited a band of architecture critics to take a look around and pen their thoughts. Gehry's bold approach to architectural form, most evident in buildings like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, matches the foundation's aim to "promote and support contemporary and artistic creation" in France. According to their website, they in particular embody "a passion for artistic freedom." How, then, has the enormous sailed structure, challenged by local opposition from the outset, settled into its Parisian parkland surroundings?
See what The Guardian's Oliver Wainwright, The Observer's Rowan Moore, Vanity Fair's Paul Goldberger, The LA Times' Christopher Hawthorne, as well as the Architectural Digests' Mayer Rus, had to say about Gehry's latest completed building after the break.
La Maison au Bord de L'Eau, an unrealized beach house in Miami designed by architect, designer, planner and photographer Charlotte Perriand, has been built by Louis Vuitton for a Design Miami 2013 satellite exhibition. Designed in 1934, the house was first conceived for a design contest held by L’architecture d’aujourd’hui magazine with the aim of creating a simple, economical form of holiday lodging for the mass market. After winning second prize it was never built but, eight decades later, "Perriand’s studies prove quite contemporary in light of the advancements in wooden architecture."