The Eiffel Tower is set to undergo a massive renovation project: a 15-year, €300 Million endeavor that will preserve the attraction for decades to come.
Built 128 years ago as a temporary structure for 1889 Universal Exhibition in Paris, the tower has since grown into a global icon, attracting nearly 7 million visitors per year and serving as an important symbol of French unity during times of both celebration and tragedy.
Buildings, perhaps unlike any other art form or edifice, have a capacity to influence or become part of a place's cultural identity and history. Defining an architectural monument is, however, an ambiguous exercise – most of their ilk only reach this status years after completion. AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. Here we've assembled five structures and buildings which, often aside from original intentions, embody that most ephemeral feeling: a sense of progress.
http://www.archdaily.com/802463/ad-round-up-5-monuments-to-progressAD Editorial Team
Completed in 1932, Maison de Verre—or “House of Glass”—has become a prime example of modern architecture, despite the fact that not many people have actually seen the hidden treasure, located on Paris’ Left Bank.
Although his work is currently viewed in high regard, Chareau had a tumultuous career, with large variances between his successes and his failures.
Drawing from a Cultured Magazine spotlight article on the designer, we have compiled a list of facts about Chareau’s life and career that showcase the rollercoaster of his success.
Continue reading for the 10 things you didn’t know about Pierre Chareau.
The world had never seen anything like the graceful iron form that rose from Paris’ Champ de Mars in the late 1880s. The “Eiffel Tower,” built as a temporary installation for the Exposition Universelle de 1889, became an immediate sensation for its unprecedented appearance and extraordinary height. It has long outlasted its intended lifespan and become not only one of Paris’ most popular landmarks, but one of the most recognizable structures in human history.
The origin of Gothic architecture, a style which defined Europe in the later Middle Ages, can be traced to a single abbey church in the northern suburbs of Paris. The Basilique royale de Saint-Denis (Royal Basilica of Saint-Denis), constructed on the site of an abbey and reliquary established in Carolingian (800-888 CE) times, was partially rebuilt under the administration of Abbot Suger in the early 12th Century; these additions—utilizing a variety of structural and stylistic techniques developed in the construction of Romanesque churches in the preceding centuries—would set medieval architecture on a new course that would carry it through the rest of the epoch.
How can we use what is already here, what came before, what can be found nowhere else? How can we perpetuate traces of previous lives, heed the clues the site provides, incorporate the emotions it arouses, its singularity, its materiality? Each locality requires its own solution.
BIG and French studio Silvio d'Ascia have been selected to design the new Pont de Bondy metro station in Paris. The station is the latest design to be announced as part of the Société du Grand París’ Grand Paris Express project, which is seeking to modernize the existing transport network through the addition of nearly 200 kilometers of rail lines and a series of architect-designed stations throughout the city.
Chilean studio Pezo von Ellrichshausen has erected a temporary wooden tower of “an ambiguous” scale in the Jardin des Tuileries in Paris. Named the “Deci Pavilion,” the structure is made up of ten stacked octagonal wooden drums of decreasing size. While in reality only large enough to hold one visitor at a time, the column’s form and relationship to its surroundings give it the presence of a much larger structure.