Widening the debate on whether or not Paris should preserve its 19-century skyline or “embrace innovation,” Parisian city council members have rejected the controversial, 180-meter “Triangle Tower” designed by Herzog & de Meuron. Despite the 83-78 vote, the fight carries on; Mayor Anne Hidalgo has declared the veto to be invalid and hopes a new round of balloting will rule in favor of the tower. Though, in a city that fears of loosing its “existing urban fabric to skyscrapers,” it seems unlikely that the tower will be built.
They began with a single roll of tape, frenetically navigating the space between columns with the help of a ladder and a lot of creativity. Ten days and twelve sets of hands later, Tape Paris was completed at Palais de Tokyo for ‘Inside,’ an exhibition of site-specific projects designed to be interactive and introspective. Tape Paris delves into the physical and psychological experience of interior space through an experiential model of exploration. Visitors travel through a matrix of elastic tunnels suspended precariously above the traditional exhibition space, as guests observe their movements from below. The biomorphic skin is a playground for the senses, offering opportunities to climb, relax, and discover.
Enter the elastic world of Tape Paris after the break
Yesterday, during the opening of a new photography gallery, Centre Pompidou president Alain Seban announced the contemporary art museum will soon open a new design and architecture gallery inside the famed Renzo Piano- and Richard Rogers-designed building. “Eventually, there should be almost no offices in the building, and we’ll keep only the technical facilities that are strictly indispensable,” said Seban. “When allocating the spaces, the works and the visitors have to take precedence.”
The City of Paris has called upon the architects of the world to propose “innovative urban projects” to reimagine the city’s urban future. As the first competition of its kind in the world, Mayor Anne Hidalgo and her Deputy, Jean-Louis Missika, will ”select and implement the new forms of buildings that will shape the future of Paris,” putting innovation at the top of the criteria. Offering 23 sites, located in the centre of Paris and on the peripheries, the City is convinced that “the challenges faced by the world can be addressed through local answers.” According to the Mayor, “from today, world creators are given carte blanche to reinvent the ways of living, working and trading in Paris.” “Surprise us!”
In celebration of the Fondation Cartier pour l’art contemporain’s 30th anniversary, Diller Scofidio + Renfro has installed an immersive exhibition that encourages visitors to experience the Jean Nouvel-designed, glass and steel museum building in an entirely new way.
“The Fondation Cartier building designed by Jean Nouvel will be used as raw material for their work, a first in the history of the institution. Musings on a Glass Box is a complex work occupying the entire ground floor of the Fondation Cartier, where a disturbance in the ceiling will trigger a surprising reaction. The result is an immersive environment, including an integral acoustic component by American composer David Lang and sound designer Jody Elff, that works with the building’s architecture to raise questions about transparency, perception, and one’s relation to space.”
A statement from Diller Scofidio + Renfro, after the break.
These mesmerizing time-lapse videos by photographer Mayeul Akpovi allow you to see several French cities like never before. Combined with captivating soundtracks, the videos show the architecture of Paris, Marseille and Lyon throughout the day with changing light and varying levels of activity. Above, Part I of Paris in Motion displays shots of clouds moving across the sky, reflections on the Le Grande Louvre, La Grande Arche. Check out the remaining six videos after the break.
Over the weekend, Japanese architect Sou Fujimoto exhibited an inhabitable sculpture of stacked and suspended aluminum cubes as part of the FIAC art fair in the Parisian Jardins des Tuileries’ gardens. The installation, “Many Small Cubes” is his first project in Paris and was commissioned by the Philippe Gravier art gallery as an exploration of nomadic structures and Sou Fujimoto’s concept of bringing architecture closer to nature.
“The floating masses of Many Small Cubes creates a new experience of space, a rhythm of flickering shadows and lights like the sun filtering through leafy trees,” described Sou Fujimoto.
The people behind Frank Gehry’s Fondation Louis Vuitton (FLV) in Paris, which is set to officially open on the 27th October 2014, recently invited a band of architecture critics to take a look around and pen their thoughts. Gehry’s bold approach to architectural form, most evident in buildings like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, matches the foundation’s aim to “promote and support contemporary and artistic creation” in France. According to their website, they in particular embody “a passion for artistic freedom.” How, then, has the enormous sailed structure, challenged by local opposition from the outset, settled into its Parisian parkland surroundings?
See what The Guardian’s Oliver Wainwright, The Observer’s Rowan Moore, Vanity Fair’s Paul Goldberger, The LA Times’ Christopher Hawthorne, as well as the Architectural Digests’ Mayer Rus, had to say about Gehry’s latest completed building after the break.
Following a three-year redesign, the Place de la République in Paris reopened this year, welcoming back the regular organized protests that make it one of the most important public spaces in Paris. For the designers of the space, TVK agency, it was important not to infringe on what many Parisians consider their inalienable right to protest – however a question remained over how the square could be more amenable to other uses at the same time. In this article, originally published by Metropolis Magazine as “Place for Protest,” Veronique Vienne explores how TVK agency allowed Parisians to have their cake and let them eat it too.
In Paris, rituals of political discontent are traditionally celebrated on Place de la République. It is a favorite kick-off point for the countless marches that define democracy in the French capital. But before taking to the street in a slow-moving procession, crowds block traffic all around the esplanade, creating a gridlock that can cripple the city from Sacré Coeur to the Opéra. Meanwhile, citizens get to unfurl banners and shout slogans. It’s legal, good, clean fun.
Well, no more.
With more than 7 billion people now alive, the greatest population growth over the last century has occurred in urban areas. Now, a new series of interactive maps entitled “The Age of Megacities” and developed by software company ESRI allows us to visualize these dramatic effects and see just how this growth has shaped the geography of 10 of the world’s 28 megacities. Defined as areas with continuous urban development of over 10 million people, the number of megacities in the world is expected to increase, and while Tokyo still tops the list as the world’s largest megacity, other cities throughout Asia are quickly catching up. Find out more after the break.
Architects: Bernard Tschumi, Veronique Descharrieres
Location: 53 Avenue de Saint-Maurice, 75012 Paris, France
Research Adviser: Mikaël Mugnier (Landscape architect)
Project Manager: Camille Piot (Architect) and Renaud Riboulet (Landscape architect)
Landscape Architects: Atelier Jacqueline Osty
Photographs: Claud Cieutat, Martin Argyroglo, Mikaël Mugnier