Every year on 3 December, the International Day of Persons with Disabilities brings renewed attention to the need for inclusive, equitable environments, both socially and spatially. The 2025 theme, "Fostering disability inclusive societies for advancing social progress," highlights how persistent barriers in employment, social protection, and access to services continue to affect more than one billion people worldwide. Within this broader context, the built environment plays a decisive role: architecture can either reinforce exclusion or open pathways toward autonomy, dignity, and participation in daily life.
Barbie™ has stepped out of the Dreamhouse and into the bathroom for this first-of-its-kind collaboration. Mattel and German architectural fittings specialist HEWI have unveiled the Barbie x HEWI collection – a design-driven range of bathroom products that merges pop culture with universal design principles. Launched in 2025, the collection reimagines HEWI's iconic 477/801 series through Barbie's unmistakable aesthetic, pairing inclusive accessibility with playful yet functional design. With around 40 products, from grab rails and shower seats to LED mirrors and towel holders, the range is set to make a splash in spaces from boutique hotels to maternity wards, children's bathrooms, and private residences.
https://www.archdaily.com/1034436/pop-culture-meets-universal-design-in-the-barbie-x-hewi-collectionEirini Ilia
The noise of overlapping conversations, the flashing lights of a billboard, hurried footsteps on the sidewalk, and the constant hammering of a nearby construction site: public spaces are sometimes experienced as environments where stimuli accumulate and often overwhelm us. Each person perceives and responds to these sensory inputs differently, and recognizing neurodiversity means understanding that some individuals require more time to adapt, slower-paced journeys, or more gradual interactions with their surroundings. These encounters raise fundamental questions about contemporary public space: how can it accommodate the diversity of ways people perceive and inhabit it? How can we envision it as a space that embraces all ways of experiencing it?
Play extends beyond its recreational dimension, unfolding as a social act that encourages children to learn, interact, be creative, and engage with their spatial context. As Johan Huizinga notes in Homo Ludens, it is a fundamental element of culture, where kids form bonds and explore ways of coexisting. When the architecture of play spaces excludes certain bodies or modes of participation, the collective experience becomes fragmented and loses part of its meaning. Designing with inclusion in mind, therefore, means recognizing that the actual value of play lies in its potential to be shared by everyone.
https://www.archdaily.com/1033205/inclusive-playgrounds-every-body-can-play-through-architectureEnrique Tovar
Castles and fortresses often rise from strategic, commanding positions when standing alone or integrated into urban and rural landscapes. From above, they overlook the city, bearing in their imposing structures the weight of history. With their original functions now limited to contemplation, these spaces have been undergoing revaluation and reintegration into everyday urban life. Once symbols of military or political power, they are now taking on new roles through contemporary interventions that engage with their heritage without erasing their past.
Gallaudet University was established in 1864, becoming the first American educational institution for the deaf and hard of hearing. The university is officially bilingual, with American Sign Language (ASL) and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and create a safer and more comfortable environment. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.
Contemporary cities are vibrant, complex, and constantly evolving. Above all, they are ever-changing, mutable, and diverse. What transformative changes are occurring, and where are they leading us? Urbanization continues to gain momentum in many regions of the world, generating visible and structural transformations. As this unfolds, data on the evolution of its configuration and the challenges we encounter begin to emerge. According to the World Bank, the urban population will continue to trend upward, with 90% of new urban residents concentrated in Africa and Asia. This growth raises essential questions: How can we consolidate a design approach that ensures equitable access to spaces, resources, and services? How can we make emerging and consolidated metropolises more inclusive and accessible?
https://www.archdaily.com/1028012/designing-inclusive-cities-the-role-of-universal-design-in-creating-accessible-urban-atmospheresEnrique Tovar
Nowadays, diversity and inclusion stand as fundamental pillars in the design of spaces, guiding the creation of structures that adapt to the needs of all individuals. This comprehensive approach addresses the functionality of buildings aiming to transform every aspect of design, promoting accessibility from scratch. A key milestone in this matter was the establishment of legislation such as the Americans with Disabilities Act (ADA) in the US. This document established a legal framework to prohibit discrimination against people with disabilities and set a precedent for promoting the design of public spaces and services that are accessible to all.
While it is undeniable that these advances have marked a turning point in the accessibility of the built environment, historically, these codes have led to the predominant aesthetics of accessible restrooms being based on conformity. This focus has gradually moved away from design, resulting in aesthetically limited proposals. Although compliance is not questioned, this situation has generated a need for new visions that can transform the aesthetics of bathrooms while adhering to these regulations. The growing need for accessible facilities has led to the development of innovative concepts, such as the Superloo cubicles. This self-contained facility maximizes usable space while highlighting the trend of merging functionality and inclusivity in an aesthetically pleasing environment.
https://www.archdaily.com/1021626/style-meets-accessibility-cutting-edge-restroom-solutions-for-everyoneEnrique Tovar
When addressing accessibility in architecture, codes set the baseline, while design defines the ceiling. Although numerous guidelines exist, creating spaces for everyone goes beyond mere adherence to standards. It requires a deep understanding of the environment and a broad perspective, recognizing that what we design will be used by people with diverse bodies, abilities, and conditions far beyond those traditionally considered typical users.
Furthermore, designing environments poses the challenge of inclusivity, ensuring that individuals who do not fit the standard profile—such as people with disabilities, pregnant women, those using assistive devices, and individuals of varying ages, body types, etc—are not excluded. The principles of Universal Design, established in 1997 by the NC State University College of Design and led by Ronald L. Mace, offer a transformative perspective in this context. This approach influences various design fields, including the built environment, products, and communications. When applied to architecture, it fosters the creation of spaces that work for everyone, minimizing the need for adaptations or specialized design.
https://www.archdaily.com/1019661/how-do-the-7-principles-of-universal-design-help-us-create-better-architectureEnrique Tovar
Courtesy of Hollaender Manufacturing Co – Cincinnati, OH
Architectural design is a discipline that spans a wide range of scales, from macro scales involving the design of master plans or large urban complexes to micro scales, where it focuses on specific elements such as fixtures and fittings. Regardless of scale, careful attention to the design of each component of the built environment plays a critical role in how people experience architecture.
At the architectural micro-scale, railings and handrails play specific roles but are often confusing. While railings are designed to enclose spaces and prevent falls, handrails function as support elements, offering orientation and stability to avoid accidents and injuries. It is in the latter aspect that a stronger connection to accessibility becomes evident. For this reason, it is essential to have handrails, wall railings, and assist railings that meet ADA standards, such as those developed by Hollaender Manufacturing Co. These elements adapt to various design conditions, facilitating the movement of individuals who may encounter barriers in the physical environment.
https://www.archdaily.com/1010525/handrails-and-accessibility-101-ensuring-safe-usage-in-architectural-projectsEnrique Tovar
The influence of design on our physical and mental health has been largely explored in various contexts, ranging from spatial configuration to furniture. The topic has gained notoriety due to the growing awareness of human well-being, especially in recent times. An example of this bond between design and health is the emergence of concepts such as Neuroarchitecture, which seeks to understand the built environment’s potential in our brain. Another case that illustrates this approach, this time in furniture design, is the Paimio Sanatorium, where Alvar Aalto designed the tuberculosis sanatorium and all its furnishings. The chair created for the patient’s lounge —the Paimio Chair— facilitated their breathing due to its shape and the inclination of the backrest.
These approaches are examples of how design can be applied in a specific way to enhance people's well-being through gestures like spatial organization, color and shapes, thereby promoting architecture that contributes to health, care, and recovery, In this context, and as a result of explorations in this field, HEWI has developed ICONIC, infusing emotionally appealing color concepts for its design icon, the 477/801 barrier-free sanitary range. An essential element of this range's design was the concept of "healing architecture" within healthcareand daycare buildings and its influence on not just the physical and mental well-being of patients but also the welfare of other users, such as relatives and staff.
https://www.archdaily.com/1012377/healing-architecture-for-care-and-recovery-iconic-design-with-colorful-conceptsEnrique Tovar
Decolonizing Suburbia. Image Courtesy of Centro de Arquitectura
One of the most important challenges in architecture, when it comes to creating spaces that work for everyone, is the diversity that exists in people, their needs, and how to integrate them into a design. Disabilities are more than a condition; they are a way of living according to human diversity that requires architectural solutions of equivalent multiplicity.
According to data from the World Bank, it is estimated that 1 billion people –equivalent to 15% of the world's population– live with some type of disability. In the future, this percentage could increase considerably, given the global trend of aging populations. To face this growing challenge, architecture will have to adapt quickly, due to the role that built environments have in constituting a barrier or a path for the inclusion of people with different types of disabilities, seniors, as well as diverse groups who make up the human plurality.
https://www.archdaily.com/998667/how-can-buildings-work-for-everyone-the-future-of-inclusivity-and-accessibility-in-architectureEnrique Tovar
The world's population is undergoing a significant demographic transformation, with an increasingly larger portion of people reaching older ages. This has prompted governments to implement public policies aimed at promoting the well-being of the growing number of elderly individuals worldwide. Alongside this trend, there is a need to address special needs that extend beyond just the elderly population and encompass various age groups. Advancements in medical science have enabled many people with disabilities or special needs to lead fuller and more independent lives, contributing to a more inclusive society. This progress also places a crucial responsibility on architects and designers, who must create built environments that are genuinely inclusive, and capable of accommodating a wide diversity of individuals with specific medical needs and varying levels of mobility. This underscores the fundamental importance of universal design and accessibility principles.
The fabric of our cities is shaped by millions of small decisions and adaptations, many of which have become integral to our experience. Nowadays taken for granted, some of these elements were revolutionary at the time of their implementation. One such element is the curb cut, the small ramp grading down the sidewalk to connect it to the adjoining street, allowing wheelchair users and people with motor disabilities to easily move onto and off the sidewalk. This seemingly small adaptation has proven to be unexpectedly useful for a wider range of people, including parents with strollers, cyclists, delivery workers, etc. Consequently, it lends its name to a wider phenomenon, the “curb cut effect”, where accommodations and improvements made for a minority end up benefiting a much larger population in expected and unexpected ways.
The role and relationship of furniture in architecture and space design are of great relevance. Designers such as Eileen Gray, Alvar Aalto, Mies Van der Rohe, and Verner Panton conceived furniture —primarily stools and chairs— that endure over time as powerful and timeless elements, with a determining impact on the interior atmosphere. Thus, the relationship between furniture and space becomes a constant dialogue in which design, aesthetics, and materials contribute their dimension.
Today, furniture should not be limited solely to fulfilling an aesthetic and functional role, but should also have a purpose in the context of contemporary design and sustainable development. It is essential to reflect on and question the processes and choice of materials in the manufacturing of these elements, in addition to the value they bring to interior spaces. In this context, HEWI has taken a step forward by creating the Re-seat family, consisting of stools and chairs made from post-industrial recycled materials (PIR), sourced in part from the processes of the company itself and a regional supplier, both based in Bad Arolsen, Germany. It also features integrated solutions with universal design in mind, making a statement in favor of innovation and eco-design.
https://www.archdaily.com/1007326/re-purposing-materials-from-post-industrial-recyclate-to-accessible-furnitureEnrique Tovar
Theoretically, architecture is a multisensory discipline involving textures, colors, shadows, sounds, and aromas. However, in practice, using visual language is often prioritized to explore it, limiting mainly to sight for identifying architectural elements and navigating autonomously in built environments and urban contexts. Therefore, it is crucial to integrate tactile paving surfaces into architecture.
The ramp is one of the architectural elements that, besides facilitating movement between different heights and floors, provide greater accessibility to spaces. In Brazil, a series of decrees and regulations seek to ensure citizenship rights and promote equality and social inclusion of people with disabilities, which permeates issues related to their mobility and freedom to come and go. Architecture plays a key role in this inclusion, by devising strategies to ensure that these people can transit, participate and interact in any environment, whether public or private.
Contrary to what we might believe, hearing loss is not always congenital, but could sooner or later happen to any of us. According to the WHO, almost a third of people over 65 suffer from debilitating hearing loss. Yet from a certain perspective, hearing loss could be considered more of a 'difference' than a 'disability'. Although the spatial demands of people with hearing disabilities are not as noticeable as spaces for the blind or for those who experience reduced mobility, the reduction of hearing capacity does entail a particular way of experiencing the environment. Is it possible to enhance this experience through interior design?
