Even within the world of design media, it was easy to miss the news: In late January, Notre Dame’s School of Architecture announced that Peter Pennoyer, a New York–based architect and author, had won the 2024 Richard H. Driehaus Prize. The Driehaus is architecture’s traditional/classical design version of the Pritzker Prize. Although it comes with a hefty $200,000 check—twice the size of the Pritzker’s honorarium—and previous winners include such luminaries as Robert A.M. Stern, Michael Graves, Leon Kier, and Andrés Duany and Elizabeth Plater-Zyberk, the award still exists in a sort of media vacuum.
Inaugurated on September 21st, 2023, The Chicago Architecture Biennial is a city-wide festival that will continue until the end of the year. Titled “This is a Rehearsal,” the event is set up as a love letter to Chicago, activating ongoing dialogue around and in the city. One month after the biennial started, events are still ongoing, with open houses, theater performances, and virtual conferences happening throughout this week.
For the 18th year, the International Architecture Awards has returned to celebrate outstanding architectural achievements globally. Based in Chicago, these awards feature exceptional new buildings, urban planning projects, and landscape architecture of 2023. Additionally, this month, the Chicago Architecture Biennial (CAB 5) is currently taking place in the city. Both the awards and the Biennial attempt to shed light on each country’s architectural, design, cultural, and social trends.
For the opening of CAB 5, the 5th edition of the Chicago Architecture Biennial,Skidmore, Owings & Merrill (SOM) presented an eco-friendly alternative to traditional concrete. Named the “Bio-Block Spiral,” the installation is at The Mews in Fulton Market in Chicago. The creation was developed with Prometheus Material, a materials company that provides sustainable building materials for a carbon-negative future.
The announcement of the establishment of a new university campus is one of celebration, marking economic opportunities and urban growth. The United States is home to over 700 college towns that have witnessed prosperity through the inauguration of educational institutions like the University of Colorado’s Boulder, and Chapel Hill, home to the University of North Carolina. With this development, gentrification has unfortunately become a contentious issue in college towns across the country. While the transformation of these towns brings economic expansion and cultural vibrancy, it often comes at the cost of displacing long-time residents, erasing historic character, and altering the essence of these towns. American college towns offer a unique perspective on how cities can strike a balance between progress and preservation.
The COVID-19 pandemic has seen inequalities laid bare, especially when it pertains to the unequal allotment of architectural resources to people. The start of the pandemic saw Europeans who could afford it, for example, leaving the urban metropolises they lived in and going away to their second homes in the countryside. We’ve also seen how poorer people in places like New York, for example, do not have adequate access to green spaces – a critical part of human well-being. Within this conversation is also the issue of social housing - known by multiple names around the world - and how the social housing that gets designed in the present and in the future should respond to ever-changing global needs.
The Chicago Architecture Biennial has unveiled a phased opening plan for its fifth edition, CAB 5: This is a Rehearsal. The inauguration of CAB 5 will be on September 21, 2023, with installations and programs held all over city sites. This will build up to a citywide opening celebration on November 1st when all exhibitions will be unveiled at the Chicago Cultural Center and the Graham Foundation. CAB 5 is curated by the collective Floating Museum, a group of artists, designers, poets, and educators focused on building connections between art, community, architecture, infrastructure, and public institutions.
Rebuild Foundation, run by Artist Theaster Gates, is converting the St. Laurence Elementary School into a new 40,000 sq foot arts hub on Chicago’s South Side. The formerly vacant elementary school in Chicago’s local St. Laurence neighborhood has been reimagined to redeem indoor and outdoor spaces, making it a cultural hub. Set to open in 2024, the building's adaptive reuse expanded the program and the landmark into a place of exploration, entrepreneurship, and creative education.
The fifth edition of the Chicago Architecture Biennial just announced its list of participants. Under the artistic direction of Floating Museum, a collective of artists, designers, poets, and educators focused on building connections between art, community, architecture, infrastructure, and public institutions, CAB 5 will be presented at multiple sites throughout the city. "This is a Rehearsal" will focus on the community and process-related aspects of architecture, emphasizing how it helps to improve urban life and foster communal responsibility. The participants, chosen by Floating Museum, will look at global environmental, political, and economic challenges while addressing local circumstances. The goal of CAB 5's more than 100 activations, including installations and performances, is to get people to think about how society is impacted by physical infrastructure, societal history, aesthetic, and spatial design.
The Chicago Architecture Biennial is a nonprofit organization that aims to bring together people from around the world to explore innovative ideas and collectively imagine and shape the future of design. The exhibition will open on September 21, 2023, and will be on view until January 2, 2024, spanning various locations across the Chicago metropolitan area. Over 70 creative practitioners, including artists, architects, designers, and performers, will be featured in this citywide exhibition.
The Architectural League of New York has announced the winners of its 42nd cycle of the Architectural League Prize for Young Architects + Designers. The theme for this edition of the competition was “Uncomfortable,” asking young designers to contemplate their position while wrestling with many uncomfortable responsibilities, like challenging traditional paradigms, dismantling architectural legacies, grappling with the costs of comfort, or responding to rising ecological concerns.
Established in 1981, the competition is open to young architects and designers in an effort to recognize the visionary work of young practitioners. This year’s theme was developed by the 2023 Young Architects + Designers Committee, which included recent League Prize winners Jose Amozurrutia, Germane Barnes, and Jennifer Bonner. The jury included the committee in addition to Barbara Bestor, Wonne Ickx, Kyle Miller, and Tya Winn.
Cities evolve over countless years, each moment of change building up to larger societal and architectural shifts. Metropolises across the world are constantly subject to social, political, economic, or environmental forces that alter their fundamental identity - a character that is meant to be dynamic. As cities develop in size and impact, advancements in the understanding of cities and urbanism grow more complex.
Cities are formed from a sequence of narratives, characteristics, relations, and socio-spatial values that reflect the identity of the place. The livelihood of the city also depends on its people and a mutual relationship with them. Along with their communities and their circumstances, cities morph to reflect their residents' needs and values.
The American Institute of Architects (AIA) has named Carol Ross Barney, FAIA, as the recipient of the 2023 AIA Gold Medal, the institution’s highest annual honor. The award recognizes and applauds Carol Ross Barney’s focus on design excellence, social responsibility, and generosity. Through her transformative projects, she has endeavored to make the world a better place and, according to the jury, made “an indelible mark on the profession.”
For nearly a century, the areas of urban sprawl where every single-family home has its own yard, garage, and white picket fence represented the peak of life aspiration. Homeownership and the idea of claiming space away from the hustle and bustle of the city core was once considered the ideal lifestyle and the pinnacle of the American Dream. But as time went on, and socio-economic conditions shifted, cities that were once filled with these single-family homes realized that perhaps these zoning regulations were outdated, and new solutions needed to be created to prevent the current housing crisis from growing even more out of control.
Blair Kamin stepped down as architecture critic for the Chicago Tribune in January 2021, after a nearly 30-year run in the post. He won a Pulitzer Prize in 1999 for a body of work highlighted by a series on Chicago’s lakefront, including a story that documented the race- and class-based disparity between the city’s north and south lakefronts. He has previously published two collections of his work: Why Architecture Matters (2001) and Terror and Wonder (2010), both from the University of Chicago Press. His third collection, Who is the City For? Architecture, Equity, and the Public Realm in Chicago, was released last week. Recently I talked to Kamin about the new book, the state of post-pandemic Chicago, and the need for more mainstream architecture criticism. I will post the second of our conversations tomorrow, in which the critic pushes the need for a redefinition of the phrase “design equity.”