This issue focuses on the second edition of the annual Chicago Architecture Biennial, 2017, that featured the participation of 140 artists from 20 countries, under the theme Make New History. Guest edited by Sharon Johnson and Mark Lee, Artistic Directors of the Biennial, the first part looks back on the Biennial through a conversation with architectural historian, Michael Hays. The second part introduces built work and projects selected with reference to the exhibition's theme by the guest editors and participating architects.
The Chicago Architecture Biennial has announced the appointment of curator and educator Sepake Angiama and architect and urbanist Paulo Tavares to the curatorial team for the event’s 2019 edition.
Chicago Mayor Rahm Emanuel has announced the figures for the 2017 Chicago Architecture Biennial, which closed its four month run on Sunday, January 7th.
At the Chicago Architecture Biennial, Chinese Firms Look to Tradition to Write a New Chapter in Their Nation's Architectural History
This article was originally published on the blog of the Chicago Architecture Biennial, the largest platform for contemporary architecture in North America. The 2017 Biennial, entitled Make New History, will be free and open to the public between September 16, 2017 and January 6, 2018.
When it comes to tall building design, it’s often the structural system where the most groundbreaking innovations are made. Premiering this week in partnership with the Chicago Architecture Biennial is a new exhibition highlighting the innovative structural systems of an architecture firm that has completed their fair share of tall buildings: SOM.
The Chicago Architecture Biennial and it's artistic directors, Johnston Marklee, have revealed a collection of Special Projects designed to harness the curatorial vision of the event—entitled Make New History—and bring it to a number of significant landmarks in the city and in it's surrounding area. Featuring a SO-IL and Ana Prvački collaboration, a Francois Perrin installation, a new performance artwork by Gerard & Kelly at the Farnsworth House, photographs by James Welling, and films by Gerard & Kelly, the projects will inhabit some Chicago's greatest "architectural gems."
Two months before the much-anticipated opening of the Chicago Architecture Biennal, this video collaboration between Berlin-based PLANE–SITE and Chicago-based Spirit of Space offers an insight into what is to come this fall. The first video of the series delves into the core message that curators Mark Lee and Sharon Johnston of Johnston Marklee have established as the groundwork for contributions from over 100 international participants. One of the youngest biennials in the architectural scene, the Chicago Architecture Biennial is only in its second edition and is still defining the unique and independent traits that will help it stand out from other similar events.
In response to this year’s Chicago Architecture Biennial prompting Make New History, the Chicago Architectural Club is pleased to announce the 2017 Burnham Prize Competition: Under the Dome. In partnership with the Chicago Architecture Biennial, a call for entries for the Burnham Prize is taking place with submissions due August 18th.
This year the Chicago Cultural Center will perform as the main venue for the second edition of the Chicago Architecture Biennial. The Center—formerly a Public Library– was designed by Shepley Rutan and Coolidge in 1897. Inside the building, the acclaimed Tiffany Dome was recently restored and brings in millions of
“Chicago Schools” is an international peer-reviewed graduate student symposium that explores the interplay between the individual and collective in the process of making history. The symposium, hosted by the IIT College of Architecture PhD Program in partnership with the Chicago Architecture Biennial, will engage with and enhance the dialogue around the Biennial theme, “Make New History,” by highlighting graduate student contributions in architecture, design, humanities, and architectural and urban history.
Chicago Architecture Biennial Reveals List of 6 Community Anchor Sites to Encourage City Exploration
The Chicago Architecture Biennial has announced partnerships with six Chicago museums and institutions that will serve as “community anchor” sites during the event’s run from September 16, 2017–January 7, 2018. This selection of sites will play host to events, exhibitions and other programming surrounding the festival, in hopes of encouraging Biennial attendees to explore other parts of the city and experience a few of Chicago’s historic museums.
The Chicago Architecture Biennial has announced the first exhibit that will on display during the event’s second edition from September 16 to January 7, 2018 – a contemporary reboot of one of architecture’s most well-known competitions, the Chicago Tribune tower design contest. Sixteen young architects from around the world will contribute new versions of the iconic skyscraper that will be displayed as a series of 16-foot-tall architectural models in the Chicago Cultural Center, the Biennial’s main venue.
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
Steven Holl and Jessica Lang’s “Tesseracts of Time” Explores the Relationship Between Architecture and Dance
“Writing about music is like dancing about architecture”
The Chicago Architecture Biennial (CAB) has announced that Sharon Johnston and Mark Lee, of the Los Angeles-based firm Johnston Marklee, have been named Artistic Directors for the 2017 event. Following a successful inaugural run in 2015, the second edition of the biennial will take place from September 16 - December 31, 2017.
Rock Print: The Remarkable Deinstallation of a Standout Exhibit at the Chicago Architecture Biennial
It’s a shame that the inaugural Chicago Architecture Biennial has already come and gone, and that the Windy City will have to wait until next fall for another dose of architectural euphoria. But it’s worth revisiting one of the event’s standout exhibits, an installation equally exemplary for its display as for its expiry. “Rock Print,” created by Gramazio Kohler Research of ETH Zurich and Skylar Tibbits of MIT's Self-Assembly Lab, was a four-legged, neo-primitive tower of stones and string that was erected without mortar or other reinforcement, meaning its disassembly would be the exact inverse action of its construction. The string, laid down by an algorithm, was the binder for stones laid by hand in thin stacks – the team called them “slices” – in what amounted to a type of analog version of 3D printing. The material process has been given the name “reversible concrete” and could be a paradigm shift in construction for its portability and versatility.
AAgora is a newly-founded critical architecture debate platform at the Architectural Association in London, which aims to shed light on relevant architectural topics. These debates take the form of an open-table discussion which encourages the audience to participate at any time. AAgora's second debate will be "On the Chicago Biennial" - On Biennials, and how we define contemporary architecture.
Moon Hoon, an architect based in Seoul’s Gangnam district, created a series of fantastical, detailed “doodles” for the Chicago Architecture Biennial. Titled Doodle Constructivism, his installation is a powerful display of architectural illustration that merges widely contrasting ideas such as peaceful urbanism with mayhem. In his Shelfish Architecture drawing, he creates a sort of housing structure, which looks like a cross between an apartment building, a mushroom, and an alien.