Centre Pompidou: The Latest Architecture and News

This week, architectural developments around the world highlighted the balance between continuity and change in the built environment. Conversations around sustainability, heritage, and resilience highlight how architecture adapts to shifting cultural, social, and environmental conditions, reimagining the role of design in shaping future communities. Across different contexts, projects, and initiatives, ongoing efforts to address environmental challenges, preserve cultural landmarks, and prepare new infrastructures reflecting the diverse scales and directions shaping architectural practice today.

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The Centre Pompidou in Paris, designed in 1971 by Renzo Piano and Richard Rogers, is closing for a major transformation that will take five years. Following an international competition, the renovation has been entrusted to Moreau Kusunoki, in association with Frida Escobedo Studio, alongside AIA Life Designers for the technical components. Initiated in 2020 with the support of France's Ministry of Culture, the project addresses urgent needs, including the removal of asbestos from facades, improved fire safety, enhanced accessibility, and significant upgrades in energy efficiency. The works will require a full closure of the Beaubourg site, with a planned reopening in 2030.

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Paris Fashion Week Men's Spring/Summer 2026 has just concluded, featuring a series of shows that highlight the relationship between architecture and fashion as creative disciplines. Through carefully curated architectural environments, these shows engage viewers on multiple sensory levels, weaving together visual impact with spatial and material stories that echo the themes and philosophies behind each collection. This intersection between fashion and architecture opens up new possibilities for storytelling, inviting audiences to explore how fashion design and spaces can resonate together to create immersive experiences.

Saint Laurent presented its menswear collection at Tadao Ando's Bourse de Commerce, where the building's cylindrical concrete form and filtered natural light provided a minimal and contemplative backdrop. Louis Vuitton, by contrast, staged its show in the plaza of the Centre Pompidou, where Studio Mumbai's intervention introduced a large-scale, hand-painted installation inspired by Snakes and Ladders. These site-specific choices reflected distinct approaches to engage with architectural context, illustrating how contemporary fashion presentations can extend beyond the runway to enter into dialogue with their surroundings.

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In 2020, the French Minister of Culture approved an extensive renovation program for the Centre Pompidou with the purpose of resolving the building's technical issues and ensuring the long-term viability of the iconic structure. Designed by Renzo Piano and Richard Rogers in 1971, the museum was conceived as a "living cultural machine," sparking controversy due to its unusual architecture. To ensure an efficient renovation process, the building will be fully closed for a period of 5 years, from September 2025 until 2030. French architecture studio Moreau Kusunoki has been commissioned to lead the renovation project, collaborating with Frida Escobedo Studio and AIA Life Designers, who are entrusted with the technical component of the project. The architects have been selected following an international competition, with Renzo Piano as one of the jury members.

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This is an edited excerpt by Philip Jodidio from TASCHEN’s upcoming title Norman Foster.

In a 2007 conference, Norman Foster stated: “As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown." That talk was about the green agenda, which he termed the most important issue of the day, affirming that it is “not about fashion but about survival.” Admittedly, the rise in public interest in contemporary architecture that followed the creation of the Pritzker Prize in 1979 (Foster was the 1999 winner) has been focused on forms and personalities more than on substance. Philip Johnson, the first winner of the shiny award, made his view clear: “Architecture is art, nothing else.” Essays, magazines, and books have delighted in the foibles, verbal and sartorial, of celebrated architects, the hats, and eyeglasses of genius. Of course, figures like Frank Lloyd Wright and Le Corbusier did not wait for a prize to be famous, and it seems fitting that Wright’s literary alter-ego, Howard Roarke, would say: “Art is a selective re-creation of reality according to an artist’s metaphysical value judgments." The modern architect/artist as demiurge, responsible for fashioning and maintaining the universe: “…how like an Angel in apprehension, how like a God?”

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The largest exhibition of Norman Foster’s work to date, hosted by the Centre Pompidou, explores six decades of the architect’s illustrious career through a host of revealing sketchbooks, drawings, images, original models, and videos. The exhibition was designed by Norman Foster and executed with Foster + Partners and the Norman Foster Foundation. A custom-made series of modular display cases was designed by Norman Foster and a team from the Norman Foster Foundation and engineered by Goppion, world leader in the manufacture and installation of museum display cases, to display the architect’s sketchbooks and transparencies.

The Centre Pompidou is an arts and culture institution that has been present in Paris since the late 1970s. It houses the Public Information Library, the largest museum for modern art in Europe, and a center for musical research. This month, the institution signed a partnership agreement to create a museum of contemporary art in Saudi Arabia with the Royal Commission of AlUla (RCU). Additionally, the establishment signed a similar partnership agreement to develop a modern and contemporary museum in Seoul, South Korea, with the Hanwha Culture Foundation.

In May this year, The Centre Pompidou in Paris will debut the largest retrospective of Norman Foster's work from the past six decades. The exhibition spans nearly 2,200 square meters, exploring the various phases of the renowned architect’s career. Essential works including the Hong Kong and Shanghai Baking Corporation's headquarters (Hong Kong, 1979–1986), the Carré d'Art (Nîmes, 1984–1993), the Hong Kong International Airport (1992–1998), and the Apple Park (Cupertino, United States, 2009-2017) will be on display.

Foster + Partners, the Norman Foster Foundation, and Norman Foster are working to develop and execute the full retrospective. Through the lenses of the seven chosen themes: Nature and Urbanity, Skin and Bones, Vertical City, History and Tradition, Planning and Location, Networks and Mobility, and Future, the exhibition is set to become a full compilation of the architect’s work.

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The 2022 Biennale of FRAC in the Centre-Val De Loire Region, France, is exhibiting the work of 55 women for its third edition entitled Infinite Freedom, A World for a Feminist Democracy. The fair showcases pieces from the Center Pompidou and the Cité de l'architecture et du Patrimoine collection and brings special guests such as architect Anna Heringer and Journalist and Director Rokhaya Diallo. From September 2022 to January 1st, 2023, female artists, architects, and politicians will gather to discuss and create a new definition of inclusive and plural democracy in the city, architecture, design, and art.

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Three years after OMA was selected by the Jersey City Redevelopment Agency (JCRA) to design a new museum in Journal Square, the city’s downtown hub, it was revealed this morning that the building would be home to none other than the Pompidou Center’s first North American satellite: The Centre Pompidou × Jersey City.

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The Centre Georges Pompidou in Paris, France, known also as Beaubourg, is set to undergo major renovation works. Designed in the 1970s by architects Renzo Piano and Richard Rogers, and inaugurated in 1977, one of the capital’s leading cultural attractions is scheduled to be closed completely as of the end of 2023 until 2027. Showing signs of aging, especially when it comes to the heating and cooling system, escalators and elevator malfunctions, and asbestos that must be removed, this is not the inside-out museum's first revamp, in fact, it was closed down once before in 1997, during its 20th anniversary, for a couple of years.

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Richard Rogers has retired from Rogers Stirk Harbour + Partners after founding the practice 43 years ago. As one of Britain’s greatest living architects, he is known for iconic, hi-tech architecture, including the Lloyd’s building in London and the Pompidou Centre in Paris. The Pritzker Prize-winner has become one of the world's most distinct architects, utilizing bright colors and structural elements to create a style that is both recognizable and adaptable.

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