Abu Dhabi: The Latest Architecture and News

In an increasingly diverse world, the emergence of multi-faith spaces represents a significant shift in architectural design, reflecting the evolving religious landscape of contemporary society. These spaces, which began to be formally established in the 1950s in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of inclusivity, flexibility, and adaptability.

As communities grow more multicultural and increasingly diverse, these spaces serve as physical manifestations of religious inclusion, encouraging the acceptance of religious and ethnic minorities within multicultural landscapes. Their proliferation reflects a growing need for inclusive environments that cater to diverse spiritual needs while promoting interfaith understanding. However, designing and implementing these spaces presents complex challenges, often sparking debates about representation, neutrality, and the very nature of sacred space. These discussions underscore the delicate balance architects must strike in creating spaces that are both universally welcoming and spiritually meaningful.

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The Abu Dhabi International Airport has been officially renamed Zayed International Airport, Terminal A. Designed and executed by KPF, the revamped complex will accommodate up to 45 million passengers annually, doubling the airport’s capacity. Informed by the desert's natural landscape and Islamic culture's geometric motifs, the terminal was designed considering the Emirate’s surrounding context.

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“Self Similar,” a sprawling and immersive land artwork created by Jim Denevan has just debuted in Abu Dhabi, UAE as part of a more extensive city-wide exhibition. Curated by Reem Fadda, Director of Abu Dhabi Culture Programming and Cultural Foundation, along with Alia Zaal Lootah, this city-wide exhibition showcases 35 distinct site-specific artworks by both local and international artists. Scheduled to run until January 30, 2024, the exhibit is a diverse collection aiming to engage audiences.

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Capital city of the United Arab Emirates, the city of Abu Dhabi is located on an island in the Persian Gulf, connected to the mainland by a short bridge. Home to the local and federal government offices, as well as to the President of the UAE, Abu Dhabi was formerly an undeveloped town with only local significance that transformed into a large metropolis, at a record speed of development and urbanization.

Japanese architect Katsuhiko Takahashi created the master plan of the city in 1967, with a target population of 40,000. Encouraged in the Abu Dhabi Plan 2030, tall skyscrapers symbolize nowadays its iconic architecture, as well as new developments of Al Maryah Island, and the Sheikh Zayed mosque initiated and constructed under the administration of the late President Sheikh Zayed, a pivotal figure in the development of the contemporary UAE.

Designed by Adjaye Associates, the Abrahamic Family House is a landmark project located in the Saadiyat Cultural District in Abu Dhabi, the capital of the United Arab Emirates. The center encompasses three separate houses of worship: a mosque, a church, and a synagogue, along with spaces for gathering and dialogue. First announced in 2019 following an international competition, the interfaith complex was officially inaugurated and opened to worshippers on 16th February 2023. Access to the forum and guided tours will be available to visitors from 1 March 2023.

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Abu Dhabi unveiled plans for a Natural History Museum designed by Dutch practice Mecanoo. The project resembles natural rock formations, and geometric shapes are present across all design elements, accompanied by the presence of water and vegetation. The 35,000 square-meter venue will feature gallery display areas, temporary exhibition spaces and theatre spaces, as well as an innovative research facility for the study of zoology, palaeontology, marine biology, molecular research and earth sciences. The new institution is intended as a space for education and, at the same time, as a think-tank for future innovation in these respective fields.

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Conceived in 1977, and currently, in progress, The Mastaba, Christo and Jeanne-Claude’s largest permanent artwork in the world, is designed for Abu Dhabi, to be built in a proposed location approximately 160 kilometers south of the city in the desert of Liwa, in the United Arab Emirates. Made from 410,000 multi-colored barrels, the installation will create “a colorful mosaic, echoing Islamic architecture”. 150 meters high, 300 meters long at the vertical walls and 225 meters wide at the 60 degrees slanted walls, the duo’s final project will take at least three years to be built, once it receives governmental approval.

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