Serpentine has announced LANZA atelier as the designer of the Serpentine Pavilion 2026, marking the 25th edition of the annual commission. Founded by Isabel Abascal and Alessandro Arienzo, the Mexico City–based studio was selected to realise the Pavilion titled a serpentine, which will open to the public at Serpentine South on 6 June 2026. As part of the anniversary programme, Serpentine will collaborate with the Zaha Hadid Foundation, recognising Hadid's role as architect of the inaugural Pavilion in 2000 and reaffirming the Pavilion's legacy as a platform for architectural experimentation.
The annual Antepavilion commission is an initiative to develop, construct and display experimental structures offering emerging artists, makers and architects an opportunity to create new work within a complex urban environment.
Across Europe and North America, pedestrianisation is increasingly being deployed as a context-specific urban strategy shaped by distinct economic, social, and spatial pressures. As cities continue to reassess the role of streets in the wake of economic shifts, climate pressures, and changing mobility patterns, pedestrianisation is emerging as a tool in current urban transformation efforts. Across London, New York, Houston, and Stockholm, ongoing pedestrian-first projects are testing different pathways toward more resilient and walkable cities, ranging from statutory planning and capital construction to research-driven visioning. London's Oxford Street is advancing through consultation and governance reform to address retail decline; New York's Paseo Park is moving from a temporary pandemic intervention into permanent infrastructure; Houston is accelerating the pedestrianisation of its downtown core in preparation for a global sporting event; and Stockholm's Superline is using design research to rethink the future of an inner-city motorway. These initiatives reveal how pedestrianisation is being actively negotiated, designed, and built today, adapting to local motivations while converging on a shared objective of streets that perform as resilient public spaces rather than traffic conduits.
This week's review focuses on concrete responses to shared urban challenges, including housing affordability, long-term resilience, and the role of cultural and material innovation in shaping cities. The selection spans regulatory measures affecting housing markets in European cities, high-density residential and mixed-income proposals in New York, and major renewal and planning efforts in London, Barcelona, Ulaanbaatar, and Drammen. It also highlights research-driven and built projects in Chicago, Buenos Aires, Las Vegas, and Riyadh that explore circular construction, adaptive reuse, and new models for cultural and public infrastructure. Together, these worldwide projects offer a snapshot of how architecture and urban planning are addressing immediate pressures while laying the groundwork for more resilient and inclusive urban futures across diverse geographic and cultural contexts.
The City of London Corporation has formally approved the delivery plan for the renewal of the Barbican Centre, confirming a £191 million investment to support the first five-year phase of a long-term transformation programme. Approved in December 2025, the decision secures funding for major repairs, infrastructure upgrades, and public space improvements across the Grade II-listed complex. Subject to planning permission, major construction is scheduled to begin in 2027, with completion of this phase targeted for 2030, ahead of the Barbican's 50th anniversary. To facilitate the works, most programmes within the Centre will pause for approximately one year between June 2028 and June 2029, while preparatory upgrades, including essential works to the Barbican Theatre, are set to begin in early 2026.
LUMA Arles / Gehry Partners. Photography by Iwan Baan. Image Courtesy of Gehry Partners
This week's news reflects architecture's simultaneous engagement with cultural reflection, professional legacy, and the material realities of building cities. The passing of Frank Gehry prompted a broader reassessment of late 20th- and early 21st-century architectural practice, while Shigeru Ban's selection as the recipient of the 2026 AIA Gold Medal brought renewed attention to socially driven design and the profession's public responsibilities. These milestones unfolded alongside wider conversations sparked by Human Rights Day, examining architecture's role in equity, housing access, and safety worldwide, and forward-looking discussions setting the architectural agenda for 2026 through major international events and cultural programs. At the scale of the built environment, these themes are echoed in three projects shaping future urban conditions: Powerhouse Company's transformation of a former limestone quarry into a mixed-use neighbourhood in Bærum, near Oslo; the groundbreaking of Riverside Wharf, a hospitality-led development contributing to the regeneration of Miami's River District; and Foster + Partners' approved retrofit of 1 St James's Square in London, focused on structural retention and long-term urban resilience.
We are pleased to announce an evening conversation hosted by the Pan-African Biennale (PAB), in collaboration with Black Females in Architecture (BFA), a collective that advocates for greater representation, support, and visibility for Black women working across architecture and the built environment.
This week in architecture, global recognitions and new unveilings underscored the field's growing commitment to climate awareness, cultural continuity, and adaptive reuse. From Expo 2025 Osaka's closing ceremonies to international award announcements, the focus turned to architects and designers redefining the relationship between place, material, and community. Alongside these recognitions, major new projects, from Dubai to California, illustrated how design continues to evolve across scales: shaping cities, preserving heritage, and addressing urgent global challenges through context-driven architecture.
The museum and gallery visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a specific narrative, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong curatorial voice— led by noted artists or curators—to set institutional stance and shape interpretation.
At the same time, storage areas for museums and galleries are typically kept separately—often within the same building but under tightly controlled access, and not infrequently off-site in dedicated facilities, such as the Louvre Conservation Centre. These zones have long been understood as highly controlled spaces not only in terms of access, but also in relation to climate, humidity, archival order, handling protocols, maintenance, and repair. For fear of thefts and that the spatial, environmental, and sequencing requirements of the archive could be disturbed, storage has traditionally been somewhat secretive and primarily serves academic researchers and art practitioners by request. Rarely does the general public gain a comprehensive picture of the works safeguarded by any given institution.
